Is smoking good for you? Go ahead and give it a taste yourself!
Nick Naylor (Aaron Eckhart) is the guy that most people consider the second-coming of Satan or a murderous flea-bag, among many other negative personifications. “Why”, may you ask? Well, he’s a lobbyist who speaks for world-wide smoking companies as they constantly get heckled by anti-cancer foundations, protesters, and above all, Senators trying to remove cigarette-usage from movie, television, books and all sorts of other media-outlets. Also, they’re trying add a warning-label on each and every pack as a way to scare every cigarette-purchaser that they will in fact die if they continue to buy and smoke tobacco. But Nick Naylor doesn’t let any of this get to him, because not only is he good at his job, but he’s one slick mofo when it comes to getting what it is that he wants, in the smoothest way possible. The only problem is that he’s finding it hard set a good and responsible for his son Joey (Cameron Bright), whom he rarely sees as is, but wants to show the bright, as well as the dark sides of corporate-America.
If any of you out there think that my opening-line was in anyway serious, then don’t be worried about my I.Q. level, because I was joking. I know; you know; parents know; dogs know; cats know; hell, practically all of us know that smoking is bad for you. If it’s not doing any damage to you now, give it 20 years or so, then you’ll start to feel the ramifications tobacco-usage. That’s not me being preachy, or even trying to sound like a dick, I’m just being honest and painfully clear. Because, let’s face it, everybody knows that cigarettes are not good for you, but does that matter? Hell no! But the that doesn’t stop half of the Earth’s population from going down to the local mini-mart and ordering a pack of Marlboro Reds, now does it?
But that’s the genius of this movie; it dives into the age-old statement that “smoking is not good for you”, and still finds a way to inject a whole bunch of humor and satire about how people can be easily conned into thinking one thing, that in ways, sometimes goes against the common-norm. Writer/director Jason Reitman gives us all of the mean, dirty, despicable and money-grubbing a-holes that we’d never want to meet in real life, but somehow, he makes them all interesting, fun-to-watch and downright believable. You could definitely see these types of people in the corporate-world; laundering money, making some dirty deals on the side, trying to spin whatever story they possibly can into a positive light and, through it all, doing everything to make a quick and easy buck. It’s America baby, and nobody plays clean when money’s involved.
What really pushes this movie over-the-edge and makes it more of an important life-lesson, than just a whole satire on the corporate-world we live in, is that it actually discusses a common-truth that all humans should hold near and dear to themselves. That common-truth being to stand-up for one’s view-point, and not always give into what everybody else is saying. Basically stick up for yourself and don’t just go along with the crowd.
Like for instance, this movie isn’t about whether or not smoking cigarettes is in fact “good” for you or not, nor is it trying to get you to consider if you should go out, buy a pack and start lighting away until the cows come home. Nope, it’s more about how people should be able to make decisions, solely based on what they want to do and whether or not they think it’s right to do. Sure, smoking isn’t good for you and you definitely shouldn’t start developing that as a habit if you know what’s best for you, but don’t be such a sheep and follow the herd. Get out there, do what you think is right for you, as well as others around, but don’t just follow the current. Go at your own flow, man.
Though “blaming the million-dollar corporations for our poor decisions” has been a societal-standard since the beginning of the first Mickey D’s, the movie tackles it head-on and gives us a wonderful protagonist, or antagonist (depending on which way you look at it), in the form of Nick Naylor as the type of guy that speaks for those who always seem to get a bad name. Do some of these big, money-grubbing corporations deserve all of the name-calling and slander in the press? Sure they do, but Nick Naylor is here to show us why we all make decisions in our lives, regardless of if we’re thinking right away. Some of the points that Naylor does make are valid (the whole “ice cream” bit will forever be a favorite of mine), and for anybody who sees him as “the villain”, is sadly mistaken. He’s the guy who knows the truth and skewers it in any way he possibly can without getting caught-up and looking like a dumb-ass. But he’s just so cool and charming, you don’t even care if he’s trying to get these smoking-companies more cash-flow, you just hope that he’s nice to those around him that matter most.
Kind of strange actually, but Eckhart makes him this way, showing us that he’s not only still capable of being a bon-a-fide dick like we’re so used to seeing him be, but also able to spin it around in a way and see that he can be a nice guy, when the opportunity arises and calls on him to be so. He doesn’t always say or do the right things that may be for the betterment of everyone around him, but he does get caught in some sticky situations where he has to think what’s more important to maintain: His humanity, or his bank-account? More often than not, the latter is what he ends up falling back on the most, but when he does show sides of being a genuinely graceful dude, it goes a long way. Shame that Aaron Eckhart has really been blowing chunks at the screen as of late, but here’s to hoping that he may come back to doing commendable pieces of work for the big screen.
However though, I guess in the case of Aaron Eckhart: There’s nothing like “too many” paying gigs.
Then of course though, Eckhart isn’t the only one of this cast that shines – he just so happens to shine the most. Cameron Bright is the core of what gives this movie its “human-element”, and to watch as he and Naylor talk, get to know one another better and eventually build a bond over time, makes this more than just a “satire”; it’s actually something rather sweet and heartfelt. But still with a bunch of corporate-satire and smoking.
He’s the one who gets the most to work with though, as each and every one of these recognizable faces that show up here all do great jobs, no matter how meager or important their roles may in fact be. David Koechner and Maria Bello get some of the bigger-laughs as the two other, public spokespersons that Naylor frequently goes to dinner with; Robert Duvall constantly chews on his honking, wide-ass cigar as if it was a candy-cane and is absolutely loving every second of it; William H. Macy is playing the main State Senator who is speaking out the most against Naylor and the tobacco-companies he so proudly stands by and can’t help but be likable, underneath all of the contradictions he holds; and Sam Elliott, given what he has to do as a former spokesman for one of these tobacco-companies, injects a lot of heart, humor and surprising sadness into a story that desperately needed some to get to the heart of what this story means in the long run, and why people should at least try and stay away from cigarettes. At least try, that’s all we ask of you as a human-being.
Consensus: Thank You For Smoking is a movie in which most viewers will most likely be divided on, based solely on their political-standings are, but they can all at least come together on the fact that it’s a funny, smart, sly and sometimes heartfelt satire that takes a look at a bunch of people we don’t want to like or see in a humane-way, but actually do, in surprising ways.
8.5 / 10 = Matinee!!