César Chávez (Michael Peña) was a man that believed in sticking up for himself and his people, even if it didn’t mean having to take matters into your own hands. César had a problem with the way Mexican farm-workers were being treated; they made very little, worked for very long and if they decided not to work any longer, then they would be forced to go back to their native country. So yeah, of course César saw this as “wrong”, which is why he decides not to stand for it any longer and get together as many of people he possibly can on his side, to face-off against the powers that be – aka, the head of these major companies making these workers work so hard, long and without much of a reward to show for it. Throughout César’s mission, he goes through his usual ups, his downs and even finds himself questioning whether or not there’s any reason to fight for a cause/group of people, that are clearly out-matched, out-numbered, and out-of-their-element when it comes to how the government does things and if they do so in a moral way, or let the sound of money and pride get in the way of doing what is right.
Well, there you have it, folks. It needed to happen sooner or later, but we have finally gotten the César Chávez biopic. Is it the one we deserve? Eh, not really, but I guess if there is one thing that this movie gets right, it’s that it informs those of us out there as to why this man mattered, why his cause was just and how much his impact has been felt on the world today. With that aspect of the film taken in and thought about, then yeah, director Diego Luna (yes, the actor) gets the job done. No questions asked.
“Twenty-on-one, brah. What you gonna do?”
However, when it comes down to giving us a heartfelt, emotional and complex story about one man’s struggle to fight for what he believes in, as well as staying true to himself, his values and those who are close to him? Eh, I wouldn’t say so.
See, where I think Luna runs into the problem with this movie is that he clearly loves and has so much respect for César Chávez in the first place, that you never get an sense that we’re watching a movie that’s trying to get us to know exactly who this man. Much rather, we get the story about what this man did, those he cared for and why he believed in sticking up for his people. That’s all we really get and even though I wasn’t expecting Diego Luna to throw out some random bits or pieces of info that would have César Chávez look as if he was a downright, despicable human being, I still would have liked to seen a little more detail into the mistakes he made along the way.
Sure, we get to see that he runs into conflicts with his wife, but only because she feels as if she’s being tied-down too much and not given the time to stretch her own wings and fly around for a bit. And sure, we get to see him have problems with other members of the group, but only because where as he wants to rebel in a calm, sophisticated, no-violence way, they all want to take out their dukes and start rumbling a bit. Oh, and sure, we see how much the law-enforcement acted so wrongly against him, as well as the rest of the group, but that’s only because their a bunch of racist, bigoted Southern assholes that have nothing else better to do with their time, money or house-maids, then just take out their shotguns and wailing it around some.
You get the point now? It isn’t that Luna paints César Chávez as the most perfect person on the face of the planet, but it doesn’t really do much to show him at his faults either. Apparently he wasn’t that great of a father to his son either, which comes and goes as it pleases and only seems desperately thrown in there to create some more conflict and family-drama, when in reality, we don’t really need anymore of it at all. All we really need is an honest story about a man we should know a whole lot more about coming out of, than going into, but somehow, it ended up just being the same. Even for someone like me, who only knows the man of César Chávez, his influence and his impact, through the beautiful workings of WikiPedia.
Ah, what a wonderful and nifty tool it is to have the internet exist in today’s day and age. How wonderful indeed.
Cause with that hat, how could you not be a dick?
If there’s anything really worth seeing this movie for, it’s mainly for the fact that Luna makes a smart choice in giving Michael Peña a rare chance at a lead role for once and a lifetime, and the guy does an okay job with it. I can’t really say that it’s anything spectacular or even better than what we’ve seen him do in some smaller, supporting roles, but with what material he’s given, which is rather thin, Peña delivers. Same goes for America Ferrera who fits-in perfectly as Chávez’s wife, even though she’s given the conventional-role of “the house-mother that sits at home all day, does nothing and just wants to be apart of something fun and exciting”. It’s a role we’ve all seen written a million times before, and somehow, Ferrera makes it a bit more watchable and even creates a realistic-piece of chemistry between her and Peña.
The supporting cast has a whole bunch of familiar-faces, which are great to see and all, but none of them really stand-out among the rest; which, once again, may have more to do with the script, rather than their own acting-abilities. Rosario Dawson shows up every once and a blue moon during this as one of Chávez’s most-trusted supporters; Wes Bentley plays a free-lovin’, hippie lawyer-brah that backs up Chávez when he needs all the help he can get; and out of everybody here, the one who made the biggest impression on me was John Malkovich as one of the owners of these major-companies that Chávez and his people are speaking-out against. Malkovich is clearly soaking up the sun as, who is presumed to be, the baddie, but he actually gives a nice moment of humanism where we see him talk about his days of growing up as a Scandinavian immigrant in America, and how he had to work his way up the ladder to become the man who he is today. It doesn’t excuse the fact that he’s being a total and complete, money-grubbing prick that doesn’t give two hoots about his workers, their families, or their livelihoods, but it definitely does throw us a curve-ball in terms of the way we view this character. Love it when that happens in any movie, and I wish there was more of that in here.
Consensus: Though it boasts a few fine performances worth seeing, Cesar Chavez feels more like a tribute to the man, rather than an actual narrative, where we get to see him for all that he was, good qualities, as well as bad ones, alike.
5 / 10 = Rental!!
Still pissed somebody hasn’t filled his glass back up yet.
Photo’s Credit to: IMDB, Collider, Joblo, ComingSoon.net