Oh women and all of the sex they have! I mean honestly, who’d be keeping track after #20?
Ally (Anna Faris) is a little over-thirty and has come to that crossroads in her life: Should she start trying to get married? Well, since her little sis (Ari Graynor) is, Ally thinks it’s about time to get on top of that. The only problem is that she just broke-up from her latest boyfriend (Zachary Quinto), which leads her to her next objective: The last twenty men she’s either had a relationship with or “been with” in any sort of, kind of, maybe serious-manner whatsoever. While she’s off looking for “the one”, she’s getting help from a studly neighbor (Chris Evans) who can’t help but feel like it is his duty as a neighbor, but also as a dude to help this one, very-attractive gal, find her special someone, while he stands-off to the sides, bangs all sorts of ladies, plays guitar, takes his shirt off and tries to eat ice cream with her.
When you watch any rom-com that has ever been made, you expect to have all of the same conventions you’ve seen before. It’s sort of what you get when you approach the genre. However, it’s up to the movie itself to be able to deviate from that formula and those conventions enough times to where you don’t really care how conventional the romance at the center may be; as long as it’s believable and entertaining to watch, then who really cares about predictability, you know? Which is sort of why I didn’t expect to hate this whole thing, but man, this is every bit of conventional.
I really do mean that, too.
For example, in the first scene of this movie, Faris’ character gets up out of bed from her lover, puts her make-up on to look pretty, gobbles-up some toothpaste and gets right back in bed right before he wakes up, just so he can see her and her beautiful-self when he wakes up in the a.m. This scene would have been a pretty smart and funny one, had it not already been used in a rom-com that came out literally four months before it, in Bridesmaids! So yeah, as you can tell, this was not an easy start to a rom-com I wanted to like but I thought, “Hey, it’s just one scene. How bad could it really be?”. “Well”, I answered myself, “pretty bad, you dumb shit”.
What really flounders here is the fact that this premise is actually somewhat promising. This is a pretty neat idea of a gal going back to see what all of her ex-lovers made her out to be and how they are now. It’s almost like a female version of High Fidelity without all of the rock & roll references, or anything interesting or fun resembling that movie at all. Instead, every opportunity this film has at all to even be funny, just comes off as very annoying, predictable and downright stupid. And you can tell when this movie is trying to be “funny”, or even better, “risque”, by having a certain character like Faris’ or Blythe Danner’s say something like “shit”, or “ass”, or “fuck”, or what have you. Either way, wasn’t funny, crude, or shocking to hear at all. Just added more annoyance to me and my brain.
Another one of the main problems is that we never really give a crap about Ally Darling, or her quest to find that special-lover who can give her the ideal-life all women think they need. In all honesty, I think we should, as a society, all be way past the idea of making a woman conform to some standard set-of-rules where she has to be whisked away to a man before she’s a certain age, just so that she can have kids, start a family, give mommy and daddy those grand-kids, along with that $500,000 wedding recital, and not really worry about what happens to the marriage after all is said and done. Divorce, or stay together, it doesn’t matter. Just as long as the middle-of-the-road, career-woman gets married and has some unprotected sex to some Randy, then sure, it’s all fine.
Personally, I think this is all wrong, but it seems like time and time again, we see these kinds of movies where women are constantly getting the idea of marriage shoved down their throats. If they don’t feel like it’s the right time, then it really isn’t! Leave her be! That’s why I couldn’t help but not at all care for Ally Darling, where she went, or even who she met. However, I do realize that that may be more of a problem I have with the “message” of the material, rather than the actual character itself. But either way, it sucks all around! No way of getting around that!
However, if there is any saving-grace to be found at all in this piece of wreckage someone had the audacity to call a “film”, it’s both our lead-performers. Anna Faris still has that great comedic-timing that’s as every bit as wacky and zany as you would expect from her days as Cindy in the Scary Movie franchise, but it’s wasted in every single scene here. Maybe had the script been tuned up a bit more to make her character more appealing than just a sad sack of a chick that can’t get laid by someone she loves, then I wouldn’t have minded so much but she’s just annoying sometimes by how much she complains. She’s still funny at times, but all the other times, she made me want to punch her, or, for safer choices, a wall. Something needed to be punched. I know that much. Then there’s Chris Evans, who is as every bit of charming and cool as a dude would expect from him, and every bit of hot and dreamy as a girl would expect. The guy has some real charisma that still has not been used properly, outside of Steve Rodgers.
Together, these two have great chemistry and is easily the one thing holding this film together. All of the scenes they have feel natural, fun, and realistic to where it doesn’t matter if they’re doing the usual corny and predictable shit that these rom-coms stuff down our throats, they seem like they really like each other and have a great time together. It’s obvious that these two are perfect for each other, and it’s even more obvious that they should have been in a whole other film that could have really made a killing with them in the two romantic leads as a goofy couple. That would have been fun to see, but mainly because of how terrible this film is and how much money it didn’t make, I highly doubt we will ever get that now.
Great! Any sign of light at the end of the tunnel can be practically gotten rid of for the rest of eternity now!
Consensus: Faris and Evans are entertaining to watch whenever they are together, but their chemistry deserves a way, WAY better movie than whatever the hell What’s Your Number? sets out to do and actually ends-up being.
3 / 10 = Crapola!!