Nothing stranger than a gal who doesn’t mind cleaning up beds after people soil them.
Quiet, reserved and slightly off-kilter middle-aged caretaker Johanna (Kristen Wiig) has to move when her last employer passes away, which then leads her to her new job: Taking care of a young teenager named Sabitha (Hailee Steinfeld). She is currently living alone with her grand-father (Nick Nolte), while her alcoholic father Ken (Guy Pearce) is out-and-about, saying of how he’s trying to get his act together and start up his own Motel. At first, Johanna seems to do her own thing and not really get in anybody’s way, that is until Sabitha and one of her friends find and read a note that Ken has written Johanna. The note itself is harmless and practically meaningless, as it’s just Ken scribbling down his thoughts about how he appreciates Johanna looking after his daughter while he’s gone and whatnot; however, Sabitha decides that it’s time to have some fun with these two adults, and decides to make fake letters for Johanna to respond to. This continues on for quite some time, and gets very serious once Johanna herself even gets an e-mail address, but where it really goes overboard is when Johanna shows up at Ken’s dilapidated place, expecting him to great her with arms wide open, when in reality, he’s sleeping, high, confused and already in a relationship. Still, that doesn’t mean a relationship between the two can’t happen, or even work-out, right?
You’d think that after the smash-success of Bridesmaids, that Kristen Wiig would have taken just about every big, payday-gig Hollywood had to throw at her, right? Well, think again, crazy ones! See, with Wiig, she’s done just about the exact-opposite: She’s used a lot of her “star-power” as pull for these small, relatively low-key indies that she gets apart of, not to just make her shine better as an actress, but actually have audiences see her in a different-light than ever before.
Cause, Christ, after doing this for about seven years, you’d think that audiences wouldn’t ever take you seriously again!
Well, that’s what’s so surprising about Wiig – not that she’s good at playing-up the whole “drama” aspect to her acting skills, but because she’s able the compelling element in a movie, without barely uttering a word. For people who have wanted to see Wiig just shut it for at least an hour or two, then here’s the movie for you, because she does a whole lot of staring. And also a lot of awkward-pausing, stuttering, more staring, making-out with herself in the mirror, making food silently, and yes, even more staring. However, it’s not as boring or as repititious as I may make it out to be, because there’s always an under-lining thought throughout this whole movie about just who this Johanna woman really is.
Most of that mystery can be attributed to some fine character-development, but it can also be attributed to Wiig herself who, despite only saying more than a couple of paragraphs throughout the whole movie, is by far the one element this movie has that keeps it moving. You can tell that she’s a nice lady, but you can also tell that there is something brewing inside of her, which may either be some sexual-tension she wants to release, or just words that have been stuck inside of gut for the past 20 or so years. Either way, we want to watch her interact with those around her, it’s just hard to see how those people react to her and her way of not responding in a normal, thought-provoking manner like most human beings are pleased with.
But screw human beings, you know!!??! What a weird species, man!
Anyway, despite all of my love for Wiig and what she does here, I don’t mean to take anything away from anyone else in the cast, nor the movie itself. In fact, I’d say that despite the movie being practically just another, slow, quiet and subtle indie-drama, it was one that I rarely ever felt a false note rung with. I would have definitely loved it if the movie went into more depth with these characters, particularly Ken, who spends most of the movie looking like he’s tired, beat-up and doesn’t know what to say. Sure, Guy Pearce is great in the role (then again, when is he never?), but once he and Johanna actually start hanging out and “talking” (notice the parenthesis), I couldn’t help but feel like all of the movie’s steam that it had been building up for so long, just went away and evaporated into the air. It disappointed me a bit, although I do see where they were going with this direction, as well as what it was trying to say about these characters. Can’t say I really agreed with it all that much, but hey, I’m not a director making a movie with the likes of Guy Pearce, Nick Nolte, Kristen Wiig and Hailee Stenfeld, so what the hell do I know, right?
No, really. Somebody help me out here. What the hell do I know?!?!
Well, I guess I can sort of help myself out and answer that I know fine performances when I see one, and there’s plenty to be found here. I already mentioned that Pearce and Wiig are great in their roles, but it’s that Hailee Steinfeld who really left an impression on me with her role here as the 17-something Sabitha, the kind of girl I would approach in high school and talk to, but never really become close with, all because she’s a bit shallow for my taste. Then again, what 17-year-old girl in high school isn’t a bit shallow? Heck, that’s how half of me and my girlfriends met – by being shallow!
Anyway, what I’m trying to say here is that Steinfeld plays the role of the “coming-of-age, female-teenager” very well, without over-doing it at all. She seems catty and mean whenever she’s talking about Johanna and other people she doesn’t like; but also a sweet, endearing little gal whenever she’s chatting it up with her grand-pop, late at night, while chewing on some Honey Combs. See, she’s just like you or I! Except she’s an Oscar-nominated actress, appearing alongside the likes of Nick Nolte and whatnot!
God, I really have to get my act together already. Jeez Louise.
Consensus: More of a pleasant, little viewing-piece, rather than something that lasts in your mind for a long time afterwards, Hateship Loveship still boasts good enough performances from the A-grade cast to ensure that our minds won’t linger too much from the conventional material.
7 / 10 = Rental!!