Why can’t cops just be nice guys that do nice things for the sake of humanity? Just why!
A newly minted Internal Affairs officer, Sgt. Raymond Avilla (Andy Garcia), has come upon the fact that his old buddy from the Academy, Van Stretch (William Baldwin), might be in a bit of heat when him and his partner get caught killing a dude in cold blood. His partner, Dennis Peck (Richard Gere), is the one who bailed him out and has been bailing him out for quite some time, whether it be on the force or at home, with his wife and family. Together, they have a buddy-buddy relationship but knowing Peck, and the way that he is, it’s more than just that and Avilla finds this out the hard way.
Cop movies are usually the same thing, time and time again. So rarely do they ever shy-away from being like any other, that it’s almost like when you’ve seen one, you’ve seen them all. The same can be said about this flick, however, there’s something more going on here than just a bad cop vs. an evil cop. It’s more of a game, than it is a movie and coming from director Mike Figgis, I wouldn’t expect anything less compelling or enthralling. And yes, I wouldn’t also expect anything less than sexy, that’s for sure.
What Figgis does well with this material is that he builds it up plenty, without really giving us a clue of what to expect of the plot or the characters. We get a first-hand account that both of these characters are pretty cut and dry; Avilla is a straight-shooter, who does his job, loves his wife, kisses babies on the forehead, whereas Peck is a bit of shady character that not only bends the rules to help out those who are close to him, but gets more and more of a steady income through odd-jobs on the side that actually consist of killing and hookering. Basically, you think you have these characters all figured-out for who they are, what you want them to be and what they’re going to mean to one another, but that all changes once more and more layers are peeled off, and you see who these cats really are.
Now, that being said and all, the movie is not a sure thing for surprises; a couple of twist happen here and there that will take you by surprise, but overall, it’s a pretty conventional flick in the way things happen, and the way people reveal themselves. What is so surprising about this movie is what each and every character reveals about themselves, and how dark they can actually be. You think you have them all figured-out from being the “baddie”, to the “goodie”, and watching these two duke it out to see who’s the bigger and better man is a whole bunch of fun and what kept this movie going, even when it did get close to the usual conventions of what makes a cop movie, a cop movie.
They don’t get many scenes together, but everytime you see Avilla and Peck together on-screen, you know some bad and crazy shite is going to go down, and you have a feeling that it’s only a matter of time until all hell breaks loose and one of these guys can’t bounce back from it. It’s fun to watch because both Gere and Garcia have a dynamic that’s unbelievably entertaining to watch, but they also bring out more within these characters than you’d ever get from a movie that’s about the good guy trying to overcome evil and defeat the bad guy. It does come down to that eventually, but the movie and the performers keep it more than just that, every chance they get, whether it be a simple conversation, a battle of wits, a threat, or just the usual mind-games that they both stoop-down to playing, once the shit gets hot.
Actually, at some times, it was almost too hot for these two to be on-screen together as I wouldn’t have been the least bit surprised if they started beating the shit one second, and hooking up with one another the next one. Seriously, it gets pretty damn hot at times and it’s attributed to the fine performances from Gere and Garcia, both of whom have never really done much for me in the past, Gere especially who, as you all know, is not my favorite actor.
Yeah I know; he’s from Philly, he’s been in good movies, and he’s even been in a couple of Best Picture winners, but to me, the guy has only been doing the same act, time and time again, and it’s a real surprise that he didn’t play that same dude here as Dennis Peck. Then again, I think the way that the character is written, Gere didn’t have much of a choice other than to stretch out his acting skills and see what he could come up with because this dude is one, messed-up mofo of a guy. Like I said before, Peck starts off as a reasonable guy that does some odd stuff that may make you think twice about his morality, but once he shows who he really is and what he has the power to do, then Gere really takes over and shows us layers of Peck that you’d never expect to see from a guy who practically saves his buddy’s ass in the first shot of the movie. Peck continues to mess with Avilla’s mind, almost in a way that’s entertaining, as bad as you feel for the dude, and it shows that Gere can have fun with a role, do well with it, and also be able to make us actually care for a character that’s so despicable and immoral. Once we do figure out that this dude is bad news, then the character gets a bit too strange for my taste, but Gere continued to enthrall me and I have to give the dude credit, especially since I’m always hating on him.
Not like he cares anyway, because who the hell am I?!?!?
I’ve never really given Andy Garcia much of a bad-rap in the past, mostly because he hasn’t really been in much stuff where he’s liable for scrutiny. He rarely ever is the leading-man in a movie, and even when he does, the movie’s so small that it’s almost too unnoticeable for me to even watch and review. That said, the guy’s very good here as Avilla because he not only plays up the straight-laced, calm and collective act that this character keeps for a good-portion of the movie, but also makes you believe that he may have to cut some corners just to prove justice. It’s that idea that the nicest and most moral character in the movie, the one your supposed to be rooting for, might just be a bit of a bad guy as well, is what makes this character more than just another detective who wants to be promoted, and more of a guy who wants to do his job and get his man, in anyway possible. Garcia keeps us guessing, just like Gere, but the thing is with this character, we don’t know whether or not he’s going to stay the same good guy we saw from the first shot, or if he’s going to get a bit nutso towards the end. You never know with him, and Garcia keeps us guessing.
The supporting cast is pretty solid as well, even if it is apparent that it’s more or less Gere and Garcia’s show than theirs. Nancy Travis is a fine fit as Avilla’s wife who may, or may not be sleeping-around on him and the mystery behind that idea and her character is what keeps her more interesting than just the ordinary character of “the wife that gets pissed because her detective is too busy solving crimes and not at home banging her”. Yeah, you know; that type of chick. Laurie Metclaf is also very good at trying to remind us that she isn’t always playing Roseanne’s sister, and can drop an F-bomb and be bad-ass like any other motha on the face of the Earth. She tries, it works, but it also does get obvious at some points. And of course, there’s Adam Baldwin here playing a fuck-up, who’s addicted to coke, beats his wife, kills people when they are unarmed, and doesn’t know how to keep his cool. Hm? Is it acting? Or is it just being a Baldwin? You be the judge on that one, my friends.
Consensus: Despite falling for some of the same trappings and conventions we have come to know and expect from the cop-genre, Internal Affairs still offers us something slightly new, exciting, and compelling to watch with two amazing performances from the leads, and a plot that spirals out of control, in all of the juiciest ways possible.
7 / 10 = Rental!!
Photo’s Credit to: Goggle Images