Still trust your local police department?
Bruce Robertson (James McAvoy) is one twisted individual. He likes to party hard; screw just about any woman that’s capable of walking, regardless of if they’re married or not; manipulate his way into getting what he wants, from whomever he wants; do as much blow as humanly capable; and do what helps him, and forget those around him. And you know what else there is about him? He’s a detective that’s trying his hardest for a promotion that’s been spurred on by his wife’s hopes and wishes. Bruce knows that if he puts his mind to it, that promotion will be his, and life will be grand for he and his family once again. However, as time goes on, Bruce’s mind starts to get more and more warped up into things that may not even be real – they just make him go all the more ballistic than he really is. Those around him start to take notice and wonder if he’s not only right for the job in the first place, but also if he’s just right in the head in general. Bruce doesn’t care though. As long as there’s plenty of booze, blow, women, and rave music around, then he’s all fine and dandy. Fuck everything else.
I guess the best way to start this review off would be to talk about what really make this film stand-out, and that’s James McAvoy himself. See, with James McAvoy, I’ve always felt like he’s been a good actor, he just has yet to have that role where he’s really showed the world what he’s got and his range. He’s always been the confident pretty-boy in just about everything he’s showed-up in and more often than not, ended up doing a nice enough job to where I didn’t care if he was just playing the same role he’s played before; he’s just always been James McAvoy, playing James McAvoy, in a very James McAvoy-y role.
And to be honest, there’s nothing wrong with that – so many actors (like Christopher Walken) just live their lives off of playing the same persona, time and time again, regardless of if the character is a different one or not. It’s just that they have this certain “charm” to them that makes their performance all the better and more charming, hence why they’re not changing anything up to begin with. Why fix what’s clearly not broken, right?
In McAvoy’s case, it’s not that there wasn’t anything broken in the first place, it’s just that things were looking to get a tad bit boring on his part. Thankfully, with this role as Bruce Robertson, McAvoy has finally found the role that will not only have everybody look at his pretty-face in a whole new light, but may even have some people thinking of that, with the right role, in the right movie, he could even be an Oscar-contender. I know, a pretty bold statement, but just viewing his work here, I can totally see it.
What McAvoy does well as Bruce Robertson, is that he always lets us know he’s having a good time, yet, never gets away from the fact that there’s an under-lining sadness and depression to it all. Early on, we know that something’s a little iffy with Bruce’s home-life (we hardly ever see him and his wife together, and whenever we do see her, it’s in a strange, flash-back fashion that has her talking directly to us), so it’s clear that all of the good/wild times Bruce is having, definitely seems to have a deeper meaning to it all. Is he doing all of this to get the promotion and ensure that his marriage will stay put? Or, is he just doing all of this rambunctious, crazy shite because he’s a deeply dark, upset, and messed-up dude?
It’s a little bit of both, but what McAvoy does here, and he does well, is that he’s able to turn it on, and then turn it off. He’s able to be the life of the party, that’s always the first one to bring out the coke or whip out his cock; but he’s also the last one to go home without anybody by his side, nor a shoulder to cry on. He’s a sad man, we know this and because of that, we sort of sympathize with him, even while he does do some mean, nasty, and cruel things to others that clearly just want to be a friend of some sorts to him. McAvoy uses Bruce Robertson as a tool to show everybody that he’s not only a very scary-presence to be seen, when given the right material, but that he’s able to make us see him as a bit of a good guy, as well as a bit of a bad guy.
The conclusion we end up coming to with this character at the end, is totally up to us, the viewer. But there’s no doubt in my mind that everybody can come to the same conclusion with McAvoy’s performance in saying that it’s pretty damn spectacular.
The problem is that while McAvoy’s great, the movie itself necessarily isn’t. What works so well for the rest of Filth is that it is, for the most part, constantly moving and on its feet. Much like another Irvine Welsh adaptation, Trainspotting, we get an colorful-narration from somebody who clearly seems like their hopped-up on something fun, some sort of music in the background that keeps everything moving, and a bunch of lines that come and go so quick, you may have to either pause and rewind just to get everything clear, or just decide to move on and enjoy the ride while it’s on and running. And that’s why, for what it’s worth, Filth is a pretty good time; there’s hardly ever a moment where the film slows down the brakes to a total halt, and even if it does come close to doing that, it’s only because it wants develop characters and their relationships with others a little bit more.
Nothing wrong with that at all, except for the fact that the movie never really has anything interesting to do with its characters, except for Bruce Robertson of course. The ensemble the movie’s put together is great and really helps the characters grow and be something more than just typical cliches, but nobody can really overcome it all like McAvoy does, who clearly has the best-written part in the whole movie. Eddie Marsan gets a chance to bring some pathos to this material, as well as Imogen Poots, but for the most part, everybody’s pretty wacky and zany, as if they were in some version of a cartoon. Except with this cartoon, there’s more sex, drugs, and boozing.
Which, once again, is all fun – everybody loves a good party, and who doesn’t love them even more when attractive-people are the ones involved with it? Me! I just wish there was just more to this party than just all of the favors we’re promised at the door.
Consensus: The main attraction of Filth is clearly James McAvoy and his wild and crazy performance that sheds some emotion here and there, however, everything else is clearly not as up-to-par, nor is it really all that interesting to make you want to see more of it. You just sort of want McAvoy to keep on getting nuts and have absolutely no shame whatsoever.
7 / 10 = Rental!!