When a place is called “Sin City”, it’s best not to trust anyone and just leave.
Sort of taking place before the events of the first movie, and sort of not, we follow three-four different story-lines taking place in the most violent, most brutal places of all: Sin City. First, there’s a out-of-towner gambler by the name of Johnny (Joseph Gordon-Levitt) who definitely has lady luck on his side when it comes to playing a mean game of poker, but ends up realizing that maybe he’s met his match in Senator Roark (Powers Boothe). Then, there’s Dwight (Josh Brolin) who, after having reconnected with a former flame of his (Eva Green), finds himself in the middle of a scandal that puts both his life, as well as his lover’s in danger. And lastly, after having the love of her life killed, Nancy Callahan (Jessica Alba) vows for vengeance against the man who is responsible for this, although now, she’s drinking a lot more heavily than ever before. But also, lets not forget that there’s Marv (Mickey Rourke), who is basically roaming around, kicking whoever’s ass deserves a whooping next.
Though it was over-the-top, violent, gratuitous, and incredibly idiotic, there’s something about the original Sin City that still has me smile. Even to this day, if I’m running around through the channels in need of something quick, fun and easy to watch, and if it’s on, I’ll usually sit back and watch as if it’s my first time all over again. It’s also the movie I can turn on around my bros, and safely know that they’ll enjoy it.
I state this fact because I don’t necessarily think I’ll be saying/thinking the same way for this movie. Which isn’t as much of a problem, as much as it is a disappointing. Because if you think about it, we didn’t really need another Sin City; however, it doesn’t hurt to have one because the original was such a lovely surprise of dark, brooding joy. And it would have been totally fine had both Robert Rodriguez and Frank Miller decided to go down the same route once again, and apart of me actually wishes they did.
Because yes, while this movie may not be nearly as bad as some may have been touting it as, it sure as heck isn’t what a superfan of the first movie would want to expect. Remember all of those senseless acts of over-the-top, cheesy violence in the first one that never seemed to stop showing up out of nowhere? Yeah, they’re here, but rather than being all that fun or exciting, they’re just repetitive and after awhile, just feels like a crutch for Rodriguez to fall back on when he doesn’t trust the numerous stories are keeping our attention as much.
Which, isn’t to say that the stories here aren’t at least interesting to follow, as they jump through one hoop to the next, but honestly, it becomes a bit of a drag after awhile. All of the numerous double-crosses and contrivances of the plot eventually begin to show and it makes you wonder what the real passion behind this movie being made was in the first place. It couldn’t have been to get more and more money from the die hard Frank Miller fans out there, could it have? I don’t think so, but whatever the reason may be, it doesn’t seem like Rodriguez feels all that much strive for this movie to be made and work for anybody who decides to watch it.
And I know I’m getting on Rodriguez’s case a bit too much here, and yes, I know it isn’t all that far. But however, since I saw Machete Kills and gave it some sort of “a pass”, I feel like I’m obliged to go out there and get on his case for sort of ruining another franchise that was chock full of surprise and absolute wonder. Sure, the Machete and Sin City movies aren’t the highest of art, for the most respectable movie-audiences out there, but they’re movies that, when done right, can be an absolute great time because they’re so crazy, so idiotic, and so self-knowing about their own stupidity, that anything goes, so long as the movies themselves stay as fun and as awesome of a time as they originally promise being.
With this second Sin City film, it feels like there’s not nearly as much craziness, or fun, to really make up for most of the problems with the script, its stories, or even its characters. It’s just something of a blank slate that feels like it wants to go somewhere, somewhere rather insane beyond our wildest and zaniest dreams, but for some reason, just doesn’t. This is a feeling I’ve had with most of Rodriguez’s movies and I feel like it’s time that he nuts up, or shuts up. Meaning, give me an absolute, balls-to-the-walls B-movie that doesn’t give a hoot about what people think or say about it – or, just doesn’t promise me anything like that at all in the first place, especially if you’re not going to follow through on your promises.
To be safe, just make another Spy Kids movie. Nobody seems to be complaining about them.
Or, the people that shouldn’t be, at least.
That said, the ones who mostly get out of this movie, Scott-free is the ensemble who are either as charming as one can be in a goofy noir, or downright weird that they feel perfectly suited for the material they’re given. Either way, they do a fine job, it’s just that it feels like, in the hands of a much better, more dedicated director, they could have done absolute wonders, like mostly everybody did in the first movie.
Returning as everybody’s favorite, and something of the iconic superhero for this franchise as a whole, is Mickey Rourke as Marv and shows us that, underneath that over-load of costume and make-up, lies a true talent that can still breath some dimensions into his character; even if that character is literally a cartoon. Rosario Dawson, Powers Boothe, Jessica Alba and a few others return and show why they were picked for this material in the first place, even if there is a slight feeling that maybe Alba could have been given less to do. And it’s not to rain on her parade and talk out against her skills as an actress – it’s more that her character is so poorly-written, that the only positive aspect to her character is that she, occasionally, will talk to the spirit of Bruce Willis’ character. He’s another one that shows up every so often, but really, he doesn’t need to be here; he’s just taking up space, really.
As for the new bloods coming into this franchise, most of them are fine, although, like I said before: One can only wonder what would have happened to them, had there been a far more driven director involved. Josh Brolin plays Dwight (who has a new face, hence why no Clive Owen in the role) and is fine playing this troubled character who wants to always do the right thing, but knows that in a place like Sin City, that’s easier said, then actually done. Brolin’s good here as the gruff dude that can kick ass, but he doesn’t have as much of a personality as Owen did. Maybe it’s a British thing?
Another new addition to this franchise is a favorite of mine (so back off, ladies!), Joseph Gordon-Levitt as Johnny, a known gambler who sometimes is a little too in over his head. It’s cool to see JGL challenging himself in something this stylized and strange, but honestly, if you take his character, or even his whole story-arch, out altogether, there would probably be no notable change found whatsoever. Although there is a lovely bit featuring Christopher Lloyd as a degenerate doctor, his story lacks any real muster that makes you want to keep watching him, or this Johnny character as is. So if he was taken out, there wouldn’t have been a problem, except for the fact that this is a JGL and the guy’s known to put in great work. So give him something better to do, dammit!
And last, but certainly not least is Eva Green as Ava, the dame people are “killing for”. Green, with what seems to be the second movie in a row this year (300: Rise of An Empire being the first), brings a certain level of camp that doesn’t necessarily make the movie better, but at least makes her scenes feel like they’re genuinely pulsing with some sort of energy. Add on top of that the fact that she’s naked practically every other scene she shows up in, then you’ve got the most memorable performance of a cast filled with huge, reliable names.
For better, and I guess, for worse.
Consensus: Without nearly as much heart or as much of the shock-factor as there was in the first, Sin City: A Dame to Kill For is, for the most part, occasionally fun, but never jumps over that edge of making it total and complete, B-movie joy. Much like the original was.
6 / 10 = Rental!!
Photo’s Credit to: Goggle Images