Every couple needs a little bit of a spicing up here and there. Just don’t over-do it.
Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are a couple who has come to a stand-still; they love each other, want to stay together and maybe even start a family, but they’re just too messy and broken right now to really feel like they can go any further. That’s why when their therapist (Ted Danson) recommends spending some time at this little retreat of his that he gives to all his patients, they can’t help but jump right right at the idea. After all, a little time alone and with nobody else is maybe all they actually need. So when they do get there and realize everything is exactly as promised, they have a whole bunch of fun: They cook, smoke pot, drink, eat, have sex, tell jokes and even get a bit sentimental towards one another. However, one day, while rummaging throughout the retreat’s guest-house, they realize that something strange is going on and it not only affects them now, at this moment in their lives, but for what could be the rest of their time as a couple. Or, at least what’s left of it, that is.
So yeah, I’m beating around the bush an awful ton with that synopsis there and that’s sort of the problem right away with reviewing, hell, even talking about this movie: You don’t want to spoil it for others. And usually, yeah, people say that and they either: 1) spoil the whole thing, all free-nilly, or 2) they spoil the most obvious plot-points of the whole movie like, it “all ends up being a dream”, or “Bruce Willis is actually a ghost”, or other stuff like that.
Either way, you catch my drift. But that’s why the One I Love is so different; not just in terms of the quality of the movie itself, but because you can’t really even hint at what this movie’s about, because it comes as such a shock.
Take me and my experience with this movie for instance; before hearing about this and deciding to give it a shot, I checked out the Rotten Tomatoes synopsis for this and it read something like, “A failing couple spends a week at a retreat to bring back the love into their relationship”. Again, that is not exactly word-for-word what the synopsis said and because this was quite some time ago when I checked it out/saw the movie, clearly, things have changed and more people are talking about this movie and even, as predicted, giving some small hints here and there away about what’s really up with this movie.
But to be honest, don’t even read any of those other reviews, no matter how talented or beloved the writer may be (except me of course, so stay put!); they’re only going to give you more impressions/expectations of what to expect, and it totally defeats the purpose of small, yet surprising movies such as this. We mostly hear about them through the grapevine, in which some cool, hip and rad person will say, “Hey, did you see that new indie with Mark Duplass, brah?”, presumably right after taking a swig of an ironic PBR. And while most people will probably either give a flat-out, “No.”, or just ignore this person and put them back in their corner, the fact is this: That person, as annoying as they may be in whatever normal discussions about life, love, liberty and the pursuit of happiness, still threw that idea into your head.
This may even get you to think, “Oh shit. There’s a new Mark Duplass movie out?”, and from then on, you will know that there’s a new movie with Mark Duplass out and you’ll want to possibly check it out, if the time in your hectic schedule ever clears up. That’s how, back in the day at least, most indies survived and were actually seen by people – nowadays, anybody can talk about a certain movie, no matter how small or obscure it may be, and it can reach millions, upon millions of people that may have the same interests in Mark Duplass movies as you (and yes, the only reason I’m saying Mark Duplass instead of the far-more well-known Elisabeth Moss is because referencing Mark Duplass in an everyday conversation just gives you the impression of how “small” a movie he’s involved with actually is).
And honestly, I have no problem with that – all films deserved to be known about, discussed, passed onto others, etc. That’s what film was invented for in the first place (not just for money, hookers, and coke, because Hollywood), and that’s how I’d like to imagine the rest of the movie world will continue to be like. However, there are certain instances in which there comes a point you need to stop talking about a movie, if only to not just spoil the fun for everyone else. This is that type of movie and as much as I may annoyingly be harping on it, please do not read other reviews of this.
Instead, just know that Duplass and Moss are great in this movie and show that they are able to stretch their acting-abilities further and further than what we originally see of them. Just know that the movie may not be the most perfect flick to take your significant other out to see, only because it will bring out the worst kinds of discussions between you two during the ride home. Just know that while the movie does have a few neat tricks here and there up its sleeves, it is not by any means, perfect and does get a bit messy when it tries to explain what it’s really supposed to be about. And lastly, just know that it’s good and that you should see it, if only because you want curiosity to murder that cat and give you some sort of relief that yes, you had finally seen that “new indie with Mark Duplass”.
Consensus: Tricky and imperfect, the One I Love is a rather unique take on a story we’ve seen done a hundred times before that both brings up questions about relationships, and gives Duplass and Moss plenty to do and entertain us with.
8 / 10 = Matinee!!
Photo’s Credit to: Goggle Images