Stay away from graveyards, people. They’re creepy enough as is.
Former NYC cop Matthew Scudder (Liam Neeson) used to be a total alcoholic. He’d wake up, go to his local bar, have a coffee, and then down two shots of liquor. However, one fateful day, that all changes and eight years later, he’s regularly attending AA meetings, living alone, eating at diners, and also turning in some work as a non-official private eye. One night he gets an offer and decides to seek it out: Find a group of serial killers that are kidnapping rich drug-dealer’s wives/loved-ones, ransoming money off of them, and yet, still taking the liberty of hacking these women up to little pieces. To them, it’s all fun and games, so when an actual drug-dealer (Dan Stevens) calls on Scudder to do this job for him, he doesn’t back away from it. After all, getting rid of a few serial killers in this world is a job well done, no matter how you do it. But Scudder eventually realizes that this job is going to be a bit more difficult and nerve-wracking than he would have liked, which is why he, whether he likes it or not, gets some assistance from a local homeless kid by the name of TJ (Brian “Astro” Bradley).
And yet again, here we are, people, another “Liam Neeson kicks ass” kind of movie where he, yes, is a certain man, with a certain level of skills, takes it upon himself to go about utilizing those skills, shows that he’s a nice guy underneath the sometimes questionable-decisions he makes and, well, of course, tells the villains to, for lack of a better term, “fuck off”. Yes, these are the kinds of movies we can all expect from Liam Neeson right about now and while some can say that they’re bored by this and want him to go back to making Oscar-caliber films with the likes of Steven Spielberg, Woody Allen, or Martin Scorsese, the fact is, nope, Liam ain’t too bothered with any of them.
He is, as they say in the biz, striking while the iron is hot and rather than trying something daring to make sure his “arthouse”-ish crowd is pleased with him, Liam is just going to stay and continue to make these typical, run-of-the-mill action-thrillers where he, yes, kicks plenty of ass.
However, that’s not to say any of them are bad and because most of them aren’t, I’m quite happy for Neeson. He’s the type of actor who, with his tall-frame and soft, yet still intimidating Scottish-accent, deserves many movies to be made where he’s, typically, the center of attention. Which is why he seems to be a perfect choice for Matthew Scudder; the type of troubled, somewhat crooked-cop that isn’t the nicest, nor the most moral of guys, but wants to see that he gets the job done, in the most efficient way possible. Meaning, that he wants to ensure no innocent people are killed while he is completing his various shady tasks.
But Scudder isn’t just a well-written character in the way that he’s well-rounded, he’s funny and shows a charming side to his sometimes grim personality that we know Neeson is capable of high-lighting every so often. To say that Neeson is great here, would almost be too obvious for me to even state, but here I am, stating that Neeson is great here and practically carries the movie on his own two, long, lanky shoulders.
That said, the rest of the movie isn’t all that bad, because while Neeson helps it get through some rough patches (whenever the serial-killers pop-up, they’re pretty conventional and spend most of their scenes just being strange, in almost too-serious way to be not kidding), it’s writer/director Scott Frank who really makes this movie work. Something about this flick’s tone, the way it’s so hush-hush most of the time and how it doesn’t seem to glorify it’s over-the-top, grisly violence, yet still shows it in a derogatory light that he makes it seem like more than just “movie violence”, is what really made me think that Frank should make more movies. The dude’s already written my favorite Steven Soderbergh movie (Out of Sight) and actually had a pretty stellar directorial-debut of his own not too long ago (the Lookout), so why wait any longer, Scott? Let’s keep this a train a-goin’, man!
Anyway, like I was saying, Frank’s direction here is really genius and it brings a smile to my face knowing that there are certain film makers out there who still care about giving us genuinely tense, sometimes unpredictable thrillers. Thrillers that, mind you, don’t necessarily rely on how many times a gun is shot, or even how many bones are broken in a particular brawl – much rather, thrillers that take time to not only build the story it is trying to tell, but also give us some context in how we’re supposed to think of these characters as. Not all of these characters are great people here (most of them, drug dealers), but the movie doesn’t simply judge them on who they are, much more than on what it is that they do.
For instance, take the character of TJ who, in a lesser-movie, would have been the stereotypical smart-aleck-y, rather adorable kid that Liam Neeson’s character not only stumbles upon by pure chance, but even takes under his wing and make his new sidekick. Add on the fact that TJ is in fact black, and you’ve got yourself a walking, talking, breathing cliché just waiting to ruin your goddamn movie, not to mention your time! But somehow, TJ, nor anything surrounding him, seems to be written that way; he’s a simple orphan kid that is a bit punk-ish, but is still curious enough about how this world Scudder surrounds himself with, not just works, but how he can be apart of it without getting him, or anybody else killed. Not to mention the fact that this young guy, Brian “Astro Bradley, is very good in the role, making you feel sorry that he’s sort of left all by his lonesome, but also happy that he may, or may not, have a future hangin’ around this tall, New Yorker, with an Irish-accent.
I know I’m getting into this a bit more than I maybe should, but there was just a feeling I got with this movie that I haven’t gotten with a thriller in quite some time. Okay, that’s actually a lie, because a little bit of time ago, when I saw the Drop, I felt sort of the same way: A crime-thriller that takes its time to build momentum, as well as character-development. While those movies seem sort of neck-and-neck in my eyes, they’re both clear-as-day examples of what can happen when you take a simple story revolving around thugs, doing thuggish-like things, and make it as detailed as humanly possible, without ever overly-boring the audience, nor giving them enough to where they can expect everything to happen as clearly as they may have predicted it as being straight from seeing the advertisements for it.
So, once again I say this: Scott Frank, continue to make movies. You’ll make me a very happy man and most of all, a very happy movie-goer.
Consensus: With extra-attention paid to the look, feel, and characters that inhabit its slightly unnerving story, A Walk Among the Tombstones is, yet again, another winner for Liam Neeson and his seemingly unfazed streak right now, except a lot smarter and wiser this time around.
8 / 10 = Matinee!!
Photo’s Credit to: Goggle Images