Stop fibbing, already!
Rydal (Oscar Isaac) is a low-time swindler who, while vacationing and, assumingly, ripping people off in Greece, meets a very wealthy couple, Chester MacFarland and Colette (Viggo Mortensen and Kirsten Dunst). Though he doesn’t know much about them, where they came from, who the hell they are, and how they both got so damn rich, he is still somehow intrigued by them and decides to join them on a dinner late one night. It goes off splendidly, with the two parties leaving one another and hoping that each of their lives entangle once again. Well, sometimes, what you wish for, isn’t exactly what you want to get. After the two parties separate, Rydal realizes that he has to give Colette her wedding ring back, but while doing so, he discovers Chester getting rid of a body of a man that he presumed to be an FBI agent. What the agent was doing in Greece and tracking down Chester, is totally beyond Rydal’s knowledge, but now they’re in this together. Meaning, all three of them are on the run and have to find whichever ways they can figure out to escape the police who, seemingly, should be hot on their tails as more and more information comes out about who these people are, their past and why they are running and hiding in the first place.
If you’ve ever seen the Talented Mr. Ripley, then you’ve kind of seen the Two Faces of January. It’s probably no accident either, because both are adaptations of Patricia Highsmith novels, and both concern the same kind of themes and ideas constantly thrown around: People not appearing to be who they say they are, crime, lies, murder, beautiful locations, etc. And while the former film, is definitely better than the later, that doesn’t mean there isn’t some fun to be had here; it’s just that there’s all you really need here, fun.
“What you say?”
See, though this movie definitely flirts with the idea of being about how we all, as a society and just basic, pure human beings, lie to protect ourselves from the real truth of the world and those around us, it’s mostly just a suspense-thriller that features a bunch of people on the run. Whether or not they’re who they actually say they are, is totally left up to us, the audience, to make our own conclusions.
And yes, people, that’s where most of the fun to be had in the Two Faces of January can be found: Constantly guessing. Not just who these people are and why they actually lie as much as they do, but where exactly this story is going to take place next. Because honestly, there’s only so many lovely locations a movie can take place in, but better yet, there’s also only so many actual places these characters can escape and constantly be on the run towards. That doesn’t mean the film is over-the-top or too crazy to handle, but there is something to be said for a movie in which we are repeatedly being shown certain areas of Greece that not even the most dedicated tour-guide could.
Which basically means that if you’re seeing this movie now, in the fall, where the weather outside is more than likely going to get a bit chillier, you’re going to be incredibly bummed-out and want to hop on that next plane to Greece as soon as humanly possible! Trust me, I did and I saw this nearly two days ago!
Damn, I’m already missing summer.
Anyway, like I was saying before, this movie really isn’t much more than “cons play mind games on other cons”, which is yes, very fun, but also, made it a bit better that the three actors playing these cons are very good with what they’re given. Oscar Isaac plays Rydal like he seems to play every character of his: Smart, charming and handsome, yet, always seems to have a sinister side to him that he isn’t afraid to utilize to his advantage. The guy’s made a killing off of these sort of roles and while we want to think of him as “the bad guy”, because of the way he looks and how we’re introduced to his character (he’s taking money from very naive, very foreign girls), we soon find out that he really isn’t. He’s just a human being is all, and sometimes, humans have to make certain choices that don’t always benefit the others around them.
The same could be said for Viggo Mortensen’s Chester; we’re supposed to think he’s a low-level con that has hardly any soul, or moral compass, but we soon realize that he too, is just another misguided guy trying to make a living, as well as the woman he loves, happy. Mortensen is another actor like Isaac who can sometimes seem like a bad guy, only because of the menacing look he constantly has on his face, but there’s shades of his character being a genuinely good guy that just wants to save his ass, regardless of anybody else’s. Sure, he’s a selfish-fellow, but given the circumstances of some of the situations he’s thrown into, I can’t help but assume that plenty others would be acting the same way, too.
Oh yeah, old guy, don’t mind that dude sitting next to you or anything. He’s just going to be in the next Star Wars for god’s sakes!!
Just saying, people. Just saying.
The only one I have yet to really mention is Kirsten Dunst, which is actually on purpose because her character isn’t all that well-written. Sure, she’s definitely charming, sweet and honest, whereas nobody else around her seems to be, but there’s just a dull-presence about her that kept making me wish the creative-team involved gave her more than just being the damsel in distress. Also, say what you want about her, but Kirsten Dunst, when given the right material to work with, can really do wonders. It’s just such a shame she isn’t allowed to really show her fellow male co-stars off, like I totally know she’s capable of doing.
Damn men and their penises. Damn them to hell!
Consensus: Nothing more than a simple game of cat-and-mouse between a trio of talented leads, the Two Faces of January never really transcends its narrow plot, but doesn’t quite need to, considering it’s fun to watch these characters mess with one another.
7 / 10 = Rental!!
“Ah, this here land seems like the perfect place to continue on running and hiding from the law.”
Photo’s Credit to: IMDB, AceShowbiz