But it’s not even his month yet! What an arse!
Veteran CIA officer Peter Devereaux (Pierce Brosnan) is lured back into the profession when an old confidante of his turns up dead. This leads Devereaux next in line for the killing, so he goes on the run, which also, unsurprisingly, pits him against his protégé (Luke Bracey) in a violent game of cat-and-mouse. But there’s a bigger story here than just these two guys trying to kill one another; apparently a big member of the Russian government is involved with a prostitute-scandal that he wants to keep silent. However, that’s not going to fly with Devereaux and this is when he stumbles upon a woman (Olga Kurylenko) who may have all the information he needs in order to have all the dogs called-off and allow for him and his rival to chill out and sip on a few cold ones. That is, if they don’t kill the other first.
So, why on Earth did I decide to review this? Better yet, why did I even bother watching this in the first place? It had crap ratings, a crap release-date, crap box-office returns (okay, they’re not as bad), and honestly, will most likely be forgotten by the end of the year, rather than nominated for a Razzie or two (which, believe it or not, isn’t as bad as being “totally forgotten”).
Well, the short answer? Because I don’t know. Maybe a part of me just wanted to get away from the drama-heavy usual pieces I sit around watching and just enjoy myself, even if it was for only an hour two. Okay, maybe that answer was a bit longer than I had wanted, but honestly, I feel like that response puts into perspective of what I’m trying to get across here about the November Man: It’s nothing special, but eh, you could do worse.
Actually, you could do a whole lot worse with a piece of R-rated action-thriller such as this, but somehow, director Roger Donaldson finds a way to class this up ever so slightly, that it makes the final-product more than just a bunch of blood, guts, bullets, and, ahem, octane. It’s a sort of spy-tale in that we get a bunch of international men of mystery, end up colliding with one another in a game full of twists, turns, hoops, and holes, but also has a bit of an aggressive edge to it that made some of the violence a bit shocking.
In fact, if there was a problem I had with the movie, it was that the gruesome violence seemed to happen so abruptly, it almost seemed like the movie didn’t want to make it any more than just what they presented themselves as being: Bloody bits of violence and action. Which, yes, is fine if that’s exactly what you’re going for in your movie, but I feel like Donaldson was aiming for something a little bit deeper than that, and he doesn’t fully achieve it.
He tries to make us care for these characters, understand their plight, and cheer that whatever situation they’re in, they get out of them alive. Most action movies use this aspect, and use it well, but the November Man feels slightly odd in that we never really get to the point of where we can feel anything for any of these characters. Not because because they’re written poorly (which they are), but because the actions they make, don’t always allow them to shine in the right light. Which is a problem considering that almost every action these characters make, is a bad one that can either rub us the wrong way, or make us wonder who in the hell we’re supposed to cheer for.
It’s obvious that the movie wants us to mainly be on the side of Peter Devereaux, its hero of sorts, but he only comes off more like the idea of “a hero”, and more of just, simply put, “a dick”. See, even though Pierce Brosnan is playing Devereaux as another side of James Bond, there’s not much charm or likability to this guy that makes us want to reach out to him like we do with Bond. Sure, the character of Bond himself has some problems, mostly with the boozing and the women, but when it comes down to getting his mission done, in an efficient way, where hardly any innocents are hurt, Bond is there to save the day, for lack of a better term.
However, that’s not Peter Devereaux and while I like Brosnan playing up his “good-guy” image of Bond, this time would have been more effective, had he already not done so in a much better, much more entertaining movie, the Matador. That said, Peter Devereaux is a ruthless bad-ass that definitely shoots first, and takes names later, so if you’re into that sort of sociopathic thing, then yeah, he’s definitely your hero. However, if you’re like me and appreciated it when the people you’re supposed to be rooting for have at least a few good qualities to their personalities, then you may be a bit out of luck here with Peter Devereaux. Brosnan definitely tries with this character and more often than not, comes out on top, but sadly, it’s not the kind of performance he can be happy with, years after the fact when he’s looking at his career in hindsight.
But I’ve realized that I’ve gotten further and further away from my original point about the November Man: It’s quite fun. Though it may be gritty, full of senseless acts of violence, somewhat mean-spirited, and confusing whenever it focuses on its convoluted, unnecessary political-subplot, there is some excitement to be had here, especially when people are shooting one another and do whatever they can to kill the other. Sounds a bit scary, I know, but that’s how most action movies are.
For better, as well as for worse. All depends on who it is you’re talking to.
Consensus: With numerous acts of bloody, disheartening violence, the November Man may rub some the wrong way, while entertain the hell out of others. Basically, it all comes down to what kind of person you are and what it is you like to do with in your spare time.
5 / 10 = Rental!!