The Devil works in mysterious ways.
Ignatius “Ig” Perrish (Daniel Radcliffe) is a young dude who had planned to live a full and complete life with his loving, adoring, and ultimately, sweet girlfriend (Juno Temple), until she was mysteriously murdered. Though all of the fingers are pointing towards him, Ig knows full well that he’d never kill the love of his life; an idea that his defense attorney (Max Minghella) is trying his best to argue in the court. But nobody wants to fully believe Ig and just about everybody around him hardly wants anything to do with him, or even hear him plea his case. That all changes though when Ig, for some odd reason, starts to grow Devil horns, which, for another odd reason, makes every person around him want to unearth their deepest, darkest secrets. Initially, Ig is freaked-out by this, but eventually, he starts to smarten-up and realize that he can use this skill to his advantage. Now, he’s set out on a course to find out the real killer behind his loves’ death and, hopefully, clear his name of any evil wrongdoings.
But those horns just won’t go away.
You’re never fully in love unless you’re both sprawled out on the floor together in perfect, sappy harmony.
So yeah, by reading that synopsis, you can that there’s something odd going on with this movie and seeing as this is directed by splatter-lover Alexandre Aja, you wouldn’t be wrong to assume that a lot of messed-up stuff happens here. In fact, that’s exactly what I expected to. Watch any of Aja’s movies and you’ll be able to know full well that the man loves throwing as much ketchup as he can, wherever he pleases, and however he likes to. That’s why something as dumb, over-the-top, and somewhat boring as Piranha 3D was made slightly more enjoyable, if only because Aja couldn’t take the hiding anymore and just had to let loose somehow.
But that’s also why a movie like Horns surprised me, and in a nice way, too. See, this isn’t necessarily a horror movie in the sense that we get a butt-load of scares and frightening things happening; it’s more of that we have a very dark, eerie premise, based around an idea that in and of itself, could be even more dark and eerie, yet, is played-out as a dark comedy of sorts.
For instance, try the angle the plot takes with these horns growing on Ig’s head – while in most movies, this would be downright terrifying and lead to sinister occurrences that only Damien himself would be equipped to handle, Aja plays it up for laughs and makes Ig’s horns a source of comedy. This surprised me, not just because the humor was actually effective in certain ways, but because Aja found a way to still add a sense of creepiness by allowing these characters to speak their minds openly, and in such an over-the-top manner, as well.
And while the movie isn’t always funny when it wants to be, Aja still does plenty else here to make sure that our minds are kept busy. Which yes, does come off as manipulative and purposeful, but it shows us that Aja is growing. Not just as a person, but as a film maker that’s willing to take on more than just horror. For example, he doesn’t just show scenes of heads getting demolished, or people getting doused in flames, but also has a relatively sweet love story at the center, and, for as long as it can sustain to do so, has an unpredictable mystery that seems like it could go anywhere, with anybody to be blamed at fault.
That said, it doesn’t always work and you can, for the most part, understand why it’s sometimes best for Aja to just stick with scenes of relentless, gory violence. And yet, he doesn’t do just that and because of that being so, I give him credit. The movie itself may not be perfection, but when you show the world there’s more to you than just people losing limbs in disgusting ways, then I, the movie-goer, will always have your back. Even if, you know, it doesn’t always work out the best way you maybe have hoped for.
So yes, Alexandre Aja, take this is as a way of me saying, “Keep doing what you’re doing.”
“Bro, it’s just devil horns. Take a chill pill, man.”
Even though I highly doubt you’re even reading this.
Anyway, the same that I’m saying to Aja, could just as easily be said to Daniel Radcliffe who, in the past three-to-four years, has definitely taken advantage of his time away from Hogwarts by appearing in both, money-making mainstream projects, while also, trying his hand in some interesting indie-pieces as well. All around though, with this time away from one of the biggest movie franchises of all-time, Radcliffe has shown us that he’s a versatile actor and isn’t afraid to make himself look ugly, especially if he has to. Here, as Ig, the dude definitely gets to look rugged and mean, as if he had finally gotten tired, once and for all, of being known as Harry Potter and has wanted everybody to know that he’s ready to get rid of those good looks of his, especially if he has to. And with that being said, yes, Radcliffe is good in this role as Ig; not because he’s willing to go to some weird places most actors wouldn’t feel comfortable with dropping down to, but because he shows us that he can actually be funny, in a type of dead-pan way. A way which I hope to see more of in the near-future with whatever he decides to take up next.
The rest of the cast does pretty fine, too, especially since most of them have to just play a bunch of crazy, wild, caricatures that sometimes verge on “cartoonish”. But, I couldn’t help but be entertained by them nonetheless. Juno Temple plays Ig’s dead girlfriend who, despite getting naked quite a few times, feels like an honest little girl in a small town; Max Minghella plays something of a dick that you’re not too sure about right from the very start; David Morse plays the grieving dad and at least adds some emotional gravitas to a movie that, quite frankly, doesn’t seem to be too bothered with it in the first place; and lastly, Heather Graham shows up as an insanely self-centered waitress and seems like she showed up to the set either totally high, or having no idea if her mic was on or not, so she just decided to scream each line she had as loud as possible.
Either way, it works for her and ultimately, for the movie as well.
Consensus: Tonally jumbled and not always effective, Horns is still a fun film, if only because it seems like everybody set out to make something strange and, altogether, not worth taking fully serious, until it tries to be.
6.5 / 10 = Rental!!
“Take that, Snape.”
Photo’s Credit to: IMDB, AceShowbiz