You can still be a nerd and get hot chicks. I’m still not buying it.
Before he was known as the world’s smartest human being and talking through a computer, Stephen Hawking (Eddie Redmayne) was just another college student looking for inspiration in his life. He knew he wanted to pursue physics, but didn’t really seem to care much about it enough to really put his mind to the test. That is all until a woman by the name of Jane (Felicity Jones) walks into his life, has him practically head-over-heels, and changes him for the better. But she comes at such a drastic part of his life when Stephen begins to finally realize that he has ALS; an untreatable disease that practically turns him into vegetable. Jane knows this though, and yet, still decides to marry Stephen because she feels as if she’ll be able to make it through no matter what. Because, really, as long as the two love each other, then that’s all that really matters, right? Well, yes and no. And this is what the two are about to find out.
Stephen Hawking is one of the most brilliant minds our planet has ever had the pleasure of gracing with his good presence, which makes it all the more a shame that he’s been struck with this incurable disease such as ALS (yes, that disease everybody was doing those annoying-ass Ice Bucket challenge videos for). So, in Hollywood terms that is, it only makes sense that there’d be a biopic made about him, his condition, and most of all, the women he ended up marrying, even though she knew full well what she was getting herself into right from the very start. Which yes, may make it easy for some of us to find it difficult to sympathize with her and her plight, but the fact is, she married Stephen for who he was, not what he was about to become.
That last sentence stated and everything, the movie hardly ever makes this a point to dig deeper into. Instead, it’s more concerned with how much Jane wants to bang random dudes from church, which may have been true, but when that’s all you’ve got to bring some development to Jane’s plight, then there’s not much else you can make us draw from. If what you give us on the table is thin, don’t expect us to make something huge – every once and awhile, you need to help us out a little, give us some depth here and there, and allow us to the thinking on our own. You can trust us, the audience that much. But it’s a game of give and take.
What I’m blabbering on about here is the fact that the Theory of Everything doesn’t seem all that interested in digging any deeper into this real-life story it has to work with. The fact remains, while Stephen Hawking is a genius, he was incredibly hard to live with and not just because of his condition; he was always causing people problems because of his ego and his ever-changing stances on religion, God, or existence as a whole. But once again, this was something I had to draw myself from just watching this movie and reading a whole heck of a lot about him.
Everything else about him, I’m afraid, is only slightly touched in this movie and it’s a shame because we expect more from director James Marsh. Though it would have been easy to make this as simple, run-of-the-mill Oscar-bait, Marsh tries to go one step further and focus in on Hawking’s relationship with his wife and the rest of his family, only to then, fall right back into the firm clutches of the dreaded Oscar-bait movie that we know and see way too often. And given Hawking’s brilliant mind and life as a whole, you’d think that there’d be more than just another biography meant to grab a dozen or so awards, but sadly, that’s the kind of movie we get.
Now, that’s not to say that there aren’t at least some joys and pleasures to be found in this whole movie – it’s just that they are so very few, far, and in between from one another that you forget about them when they hit the emotional-mark they’re supposed to.
For instance, the first half-hour of this movie is very well-done. Not only does it set up Hawking well, but also the relationship between him and Jane. It’s small, sweet, heartfelt, and tender in the way that so many other films tackling the idea of young love try to go for, but fail to nail on more than a few occasions. Here though, it works so well and had me feeling as if there was going to be more development to this relationship, but then of course everything fell apart when Stephen couldn’t walk anymore and I lost all hope. But for the longest moment in time, I stayed and remained hopeful that this romance would spill out into something a whole heck of a lot more meaningful, only to then just be, “Oh yeah, marriage kind of sucks. Especially when you’re with a paraplegic.”
All jokes aside though, Eddie Redmayne does a pretty fine job as Hawking, which is all the more impressive considering what he has to do is express whatever he’s thinking/feeling, through his eyes or any sort of head-tilt/movement he can muster up. You get a sense, through Redmayne’s portrayal, that while Hawking is struck with this awful disease, he still holds out some sort of hope in the pit of his stomach and still just wants to live on with his life. Even if, you know, that means pissing everybody off around him. It’s a job well-done and shows that Redmayne’s more than just another pretty face in the crowd of many, the guy has actual talent and I look forward to seeing him take on more roles that challenge his good looks, and make him appear a lot different and unflattering.
Same goes for Felicity Jones who, for the past few years or so, has been doing quite well in so many roles as of late, that I think it’s about time the rest of the world finally got a glance of who she is. However, a part of me wishes the role was a lot better-written for her, because Jane is a meaty-role for Jones to sink her teeth into and show how much she can break people’s souls with those pouty eyes of hers, how Jane’s made out to be in this movie isn’t wholly flattering. Maybe this was done so on purpose, but seriously, as time went on, I realized that I liked Jane less and less and just wanted the movie to give her a better shot than what it was initially giving her. It’s a shame, too, because while Jones does well with she has here, I could only imagine what would have happened had there been a lot more on her plate to chew on.
Okay, I’m done with the dinner references for now.
Consensus: Redmayne and Jones may do well, but the Theory of Everything runs into the problem that it’s too thin to really be a quintessential biopic about Hawking’s life, and much rather, feels like obvious Oscar-bait.
6 / 10 = Rental!!
Photo’s Credit to: Goggle Images