Just drive. And do other crazy stuff, too.
Stretch (Patrick Wilson) is a limo driver who is a bit down-on-his-luck. Not only did his incredibly smokin’ hot girlfriend (Brooklyn Decker) just recently break up with him, but his $6,000 debt is starting to catch up with him and now the dangerous people he owes money to, want it back and by 12 tonight. Though Stretch knows this is an impossible feat with his salary and his self-esteem issues, he gets a chance to possibly change that when he picks up known millionaire Karos (Chris Pine) who is a bit crazy in his own ways, but always gives his driver’s a hefty tip. The only problem is that his drivers have to do some very daring, challenging tasks for him; one of which Stretch gets called onto do. The mission: Get a briefcase from a French gangster (James Badge Dale), bring it back to him by a certain time, and get all the money he wants. But while the night starts off simple and pain-free, it’s everything but and Stretch soon realizes that in order to get what he wants, he’s going to have to play a little dirty.
If you’ve never heard of this film, despite the cast and crew involved with it, don’t worry, because you’re not alone. Apparently, the powers that be at Universal felt as if this movie was a little too much for a major-audience to go out and see, so rather than allowing for it to play in theaters across the country like it was originally supposed to, it gets the shaft. Well, maybe not a total shaft, but for a movie with this much known-names, it’s a pretty big surprise to see it not only get a straight-to-VOD release, but get thrown onto Netflix Instant less than a month later. Usually for any movie, regardless of who is involved, this proves to be troubling and can only mean one thing – it’s got to be bad.
James T. who?
Well, in the case of Stretch, we finally have one rule to the exception and thank heavens for that.
For one, writer/director Joe Carnahan is the type of guy who, you either love, or you hate his movies. Most of them aren’t smart, well-written pieces of film that inspire countless thought-pieces, or even provoking conversations at the local diner, but are just fun, entertaining, and sometimes, incredibly crazy features. Though the Grey was a different side to Carnahan than we we’re used to seeing, it still packed a hard punch that made it feel like a Carnahan film, just without all of the wild jokes on the side.
Here though, with Stretch, Carnahan seems to be back in full-on form and it’s one of the main reasons why it works so well. It’s clear early on that Carnahan is making this film as if it were another one of those, “one, wild night” movies from the 80’s and it plays off early as that. Almost like a tribute you could say, with the cheesy synth-score, the use of hot-as-heck L.A., and David Hasselhoff, but eventually, it stops becoming a tribute that’s desperately pleading to be loved by its inspirations, and actually becomes one of them.
This is where Carnahan’s creativity really shows, because while movies like Smokin’ Aces or the A-Team may not be all that perfect, they still both do great jobs at entertaining the hell out of its audience when Carnahan throws all of his cards on the table and just allows for everything to run wild. He does that many of times here, but not just in terms of the action; the story literally goes certain places that you don’t expect it to. And while this would normally be a problem for some movies that seem like they’re just making it up on-the-fly, Carnahan hardly ever runs into that problem because he keeps his story moving and most of all, exciting. Even if the first 30 minutes or so of this movie are a bit slow, they’re still effective because they are used to just build characters, their situations, and why they might be worth keeping an eye on once the actual story gets going on.
That, and well, because the later-half of the movie is so damn fun.
Which is, yes, definitely thanks to Carnahan for just stepping back and watching as his roller-coaster gets moving, but it’s also for the cast, and how each and everyone here, no matter how large or small their roles may be, give it their all and add another twisted-layer onto this already strange flick. Patrick Wilson has always been a favorite of mine and here, as our titled-character for the next hour-and-a-half, he finally gets a chance to just have a heck of a time with the material he’s working with. Usually, whenever I see Wilson in something, the dude’s given a role that asks on him for mainly one thing and one thing only: Be charming. And it’s definitely not hard for a handsome fella like him, but we hardly ever get to see him really slum himself up to where we care less about his looks and more about what he’s actually putting into his role.
Jessica Alba in a role that didn’t make me want to turn off the TV every time she showed up. Which is definitely something worth congratulating.
But that’s all different here with Stretch, where he not only gets a chance to just be a wild and crazy guy, but use his comedic-timing to perfect effect. It’s a sign that no matter how many times you think you have a certain actor shoehorned into the kind of role you think they should be playing, they’ll turn around, give you the finger, and try something different. Whether or not it works, is totally up in the air, but the effort is all that matters and here, for Wilson, it’s more than worth the effort.
Same goes for another actor attractive guy who happens to be slumming himself up for the cameras, Chris Pine who, oddly enough, isn’t credited as being in this film. Either way, Pine’s solid in this movie as the wildly unpredictable and nearly-insane Karos, and gives us a chance to see more of his skills as an actor. Though I see him do sort of the same kind of role in Horrible Bosses 2, it was still nice to see how well Pine would perform in a Carnahan’s wacky vision and needless to say, the guy doesn’t disappoint.
And of course, Ed Helms is funny, but did you really expect anything else?
Consensus: Over-the-top, but ultimately, a fun, wild ride, Stretch finds Joe Carnahan back into his comfort-zone of just letting loose on everything in front of him, not apologizing for it, and definitely not trying to coax into being anything more than what it already is: Madness and pure destruction.
7.5 / 10 = Rental!!
My nickname, all of the time.
Photo’s Credit to: Goggle Images