The Germans are the good guys now?
In the wake of 9/11, every country seemed to be hot on the heels of any person/organization that may, or may not, have been affiliated with terrorists and nobody else is feeling this worse than German Intel agent, Günther Bachmann (Philip Seymour Hoffman). While Günther knows that there are bigger fish in the sea, just waiting to be caught, he also knows that he’s getting a lot of pressure from those higher in the food-chain. That’s why, when he finds out about the case of a Chechen, who may possibly be planning a terrorist attack, he jumps on it right away and starts to negotiate deals with people who may be possibly linked to this suspected terrorist. One is Annabel Richter (Rachel McAdams) a small-time lawyer who makes a living out of giving benefits to possible refugees, and a shady banker, Tommy Brue (Willem Dafoe), who may be funding most of these terrorists. Either way, Günther knows that he has to come up with a result, by any means possible. Because if not, somebody else will. And in this case, it’s U.S. embassy ambassador Martha Sullivan (Robin Wright).
With Philip Seymour Hoffman gone from ever appearing on our screens again (except for the second part of the Hunger Games: Mockingjay due later next year), it’s always bittersweet to check out some of his past projects. Also though, by doing this, it’s inevitable to compare his latest works to what some would consider “his best” and sometimes, “most inspiring”. And in the case of Seymour Hoffman, and the legacy he leaves behind, there’s plenty to compare and contrast with.
However, with A Most Wanted Man, it’s a bit difficult – while the movie itself may not be all that on-par with what we most know him to have done, he’s still pretty good in the movie. That said, the movie itself is still lackluster and feels like a mediocre piece that Seymour Hoffman himself, as well as the rest of the cast, elevates to being something worth watching, if only ever so slightly. But that’s why we can rely on actors such as Seymour Hoffman; they make whatever they show up in, interesting and exciting.
As Günther Bachmann, Seymour Hoffman gets plenty of opportunities to show us what’s really brewing inside this man. While it may not always be pretty, there’s still a feeling that we can trust this character to get past his problematic ways and complete this mission of his, as troubled as it may sometimes be. And like with most of his other performances, Seymour Hoffman does quite a few subtle things with his performance to give us an impression of who this guy is; a certain way he takes off of his tie, or orders a drink at a restaurant, there’s always something for Seymour Hoffman to do where he can continue to build and build this character into being someone worth identifying with. Even though, you know, it may be hard for some simpletons to identify with a German Intel Agent in the first place.
But, like I said before, that’s why we can always rely on talents such as Seymour Hoffman to make that idea, an actual reality.
Though, Seymour Hoffman isn’t alone in putting in a good performance, as the rest of the cast all get their own, respective chances to build their characters and, as a result, the plot as well. Rachel McAdams’ character may be flawed and thinly-written, but she still tries hard enough to make it seem like she’s just another well-intentioned woman, who sadly, doesn’t seem to know the reality of the world going on around her and just how serious certain circumstances can be. Also, Willem Dafoe puts in a sneaky performance as the shady banker who may, or may not be, a total bad-guy behind some dastardly plans, or just a guy, trying to get by in the modern-day economy, even if his own morals are a bit questionable.
While these performances may be good, there’s still a feeling in the pit of my stomach that feels like they deserved a better movie. See, what’s so disappointing about A Most Wanted Man is that it comes from director Anton Corbijn, a director who is most-known for his various, stylized photos, but doesn’t really do much for this movie, except pack it with so much information that it can sometimes be way too overbearing. Especially for even the smartest, most determined-viewer out there.
But while there may be all of this information tossed at us, in hopes that things get intriguing and tense, the problem is that hardly any of that actually happens. Much rather, the movie just ends up becoming a slog and a meandering one at that. That’s not to say all of Corbijn’s choices are bad, but when you’re movie is this based on a possible case, and hardly delivers any suspense or excitement in the air, it’s quite hard to get involved with the proceedings, let alone care for those involved with them.
The only interesting aspect I can think of that Corbijn brings to the forefront of this film is that he discusses the behind-the-scenes, sometimes back-handed politics between the German and American Intel Agencies, and how both were so desperate to get results, that they didn’t care about who they got or how, they just knew they wanted them right away. This is probably where Corbijn breathes some life into this material, because it not only shows us that Günther may not be as powerful as we’d wish he was, but also gives us a chance to see him develop a nice bit of chemistry with Robin Wright’s Martha Sullivan. The two seem like they enjoy working with one another and amidst all of the political exposition – this means a lot. It actually gives a hint that there may be something deeper, and far more involved between these two characters and it brought plenty of promise to the rest of the film.
But, as fate would have it, all of that promise goes out the window as soon as the case ends and we realize that there are bigger hands at play here. While this may seem like a huge wake-up call to the characters involved – to us, the audience, it feels like the sign of a movie ending, way later than it should have. At least it gives us more time to share and adore with Philip Seymour Hoffman.
A true talent meant to be missed forever.
Consensus: Unexciting and sometimes meandering, A Most Wanted Man deals with certain meaningful political ideas and well-done performances, but doesn’t really get the audience involved as much as it nearly should.
6 / 10 = Rental!!