Some myths are just best left alone. Including ones about huge bear-like creatures.
Ever since he saw the infamous Patterson-Gimlin film from the late-‘60’s of a supposed creature by the name of “Bigfoot” roaming the woods, Jim (Bryce Johnson) has been counting down the days till when he gets his chance to have his own encounter with the large beast. The problem is, his girlfriend who he’s with, Kelly (Alexie Gilmore), doesn’t totally believe in this myth as being real. However, she likes Jim and wants to support him in whatever endeavors he partakes in, even if they are a little strange and kid-ish. While on the trip, Jim films just about everything they do, who they talk to, and where they go. Some people are better to talk to than others, but from what it seems like Jim wants to create here, is his own documentary of sorts. But as both Jim and Kelly dive deeper and deeper into the woods, they start to realize that some strange things may be happening. Whether or not they have to do with the actual fact that Bigfoot exists is totally up in the air.
Found-footage movies, for the most part, have become over-done. Though I used to champion for them quite a lot back in the day, recently, I’ve come to realize that it’s a format that needs to go away, and do so real quick. That’s not to say that there aren’t a few exceptions to the rule that mostly consists of found-footage movies being carbon-copies of the ones that came before them, it’s just that they are so very few and far in between now, that most of them get lost in the shuffle. Most especially if their names aren’t associated with the Paranormal Activity franchise.
But that’s why something like Willow Creek is so special.
While it’s a simple premise, done in a simple, sometimes lazy style, writer/director Bobcat Goldthwait still gives the movie an extra kick in the rear that it not only needed to make the whole sub-genre seem like new life can be breathed into it, but constantly surprise its audience and not falling for the same tropes we’ve all seen many times before. But, what’s weird about Goldthwait’s direction here is that most of those conventional notes and tones are done here, they just aren’t hit in the ways that we usually have come to expect with lesser-films of the same breed. Where one movie may give you scripted, unnatural interviews with people who seem as if they’re over-doing it with the whole goofy, folky townspeople act, this movie actually has its character interview and talk to real people and make it seem like the people are actually talking to a genuine documentary-crew, giving it more of a natural feel.
And also, it should be noted that while the movie does some neat things along the way with its story and how it progresses, the characters are who really makes this movie watchable. Though I’ve seen both Alexie Gilmore and Bryce Johnson in certain stuff before, here, their familiarity didn’t really bother me; I took them in as a real life couple who, although they may have true feelings for each other, still bicker and banter like any other couple. They’re supportive of how the other one feels about something, or whatever it is that they want to do, but they don’t have the most perfect relationship ever witnessed on-camera and, once again, it adds a note of realism to a movie that definitely needed it in order to not just work, but push itself away from the rest of the pack of found-footage films.
Though the real one I found myself most impressed with out of these two was Gilmore, the actress I recognized before I recognized Johnson, which was strange because she was the one I felt as if I was going to have the most problems with believing in. Sure, the fact that I’ve seen her in countless other pieces over the years may have initially gotten in the way of my judgement of her performance, I eventually got away from that problem and began to believe in what Gilmore was doing here. This is maybe more of a testament to her abilities as an actress, than to how I’m able to tell myself to stop thinking one way and just keep an open-mind, but whatever.
The fact is, she’s very believable in a role as a normal, simpleton of a gal who loves her boyfriend dearly, but sort of wants him to grow up a bit and not act like such a nerd.
That said, her best piece of acting in this whole movie, is also, coincidentally, the best part of the movie and maybe even worth the price of admission alone. Slap dab in the middle of this movie, we get the obligatory scene where, in the middle of the night, the couple hears strange noises coming from all around their tent and they have no idea what it is, what they’re doing, or whom exactly is all behind it. All that they know is that they are scared shit-less and are not taking any chances in possibly dying. It’s the kind of scene we’ve seen in all of these found-footage films, but here, it’s done a whole lot differently that it makes it one of the more memorable sequences in a horror movie that I can remember. For instance, the whole sequence is shot in one camera-angle, for a straight 20-minutes and it’s hardly ever boring. It’s a scene that starts off tense, continues as such, and ends on such a terrifying-note, that if you’re not on the edge of your seat by the end of it, I’d definitely question your ability to have fun. Or, better yet, just appreciate when something good has been handed to you.
But through it all, it’s Gilmore who keeps it mostly interesting. The fact that she’s not already a believer in Bigfoot is what makes this sequence all the more interesting as you see her go from a slightly creeped-out gal who is happily cozying up next to her boyfriend, but then, once everything gets all way too freaky, has her crying and shouting in hysterics to where she really finds herself in absolute and total danger. She doesn’t quite know what to believe what’s out there, tormenting her and the tent she feels all safe and sound in, but she knows that it’s not good and to see he go from one extreme transition to the other is an absolute joy. But also, it’s a testament to the solid piece of acting she puts on here.
Not to say that Bryce Johnson isn’t fine in this role, because he is, it’s just that, in this situation, he’s given the less-meatier role of the two and it’s actually a delight.
Consensus: Though it doesn’t try too hard to re-invent the wheel of found-footage horror flicks, Willow Creek still does a solid enough job at being fun, interesting, and overall, suspenseful in where it’s going to go next, and how the characters adapt to their surroundings, even if they aren’t able to make perfect understandings of them.
8 / 10 = Matinee!!
Photo’s Credit to: Goggle Images