Those little twee singers and dancers. No future!
Eve (Emily Browning) is an anorexic, sometimes suicidal young girl who, one night, decides to escape her psychiatric hospital and see what’s happening around town. While searching far and wide, she finds a small concert-venue, where she discovers this whole world full of fun, excitement, and people singing and dancing. This is when she runs into James (Olly Alexander) a young, up-and-coming musician who just wants to make it big. Eve wants to do the same, too, and soon, the two start up a musical duo that could either make them big, rich and famous, or it could just be a neat little experiment that goes hardly anywhere, although it definitely took up some time. But to show that their serious, Eve and James then decide to recruit Cassie (Hannah Murray), to then make themselves a hip trio. But now that they’ve got everybody together and set firmly in place, now comes the hard part: Actually writing songs! And, to make matters worse, something of a romantic-spark between Eve and James begins to ignite to where they don’t know whether they should be together for the sake of the band, or for the sake of each other’s health.
Oh, and did I forget to mention? It’s a musical!
That little piece of info I just spliced into there can either make, or break a movie, depending on the viewer. If you’re the kind of person who doesn’t mind when the characters you’re currently watching start dancing and breaking-out into song, then this may be your cup of Joe. However, if not, and you hate all things music and just wish that the separation between music and movies would stay put as they are, then this, my kind friend, is not your bag, baby. That’s where most of the appeal of God Help the Girl comes from and it also calls into question the fact that the film is also written/directed by none other than Stuart Murdoch, of Belle & Sebastian.
Once again, if they aren’t the kind of band you can find yourself enjoying for nearly up to two hours, then I assure you, this may not be your cup of tea.
For somebody like me, however, who normally likes musicals and doesn’t really have a problem whenever people start jumping around, dancing and singing all over the place, then this is definitely my type of thing. But it has to be done right, in that the songs are not only lovely, well-written and somewhat catchy, but that there’s actually a story holding them altogether and it wasn’t just a person jotting down neat lyrics and hoping for a cohesive hit. In fact, it’s like actually creating a song – in order to make it work for most people out there, you need to have solid lyrics, but in order to make sure that those lyrics hit hard for those tuning in, you need to give them a believable platform to stay with. You can’t have a song about depression and suicide, placed into something that sounds as if Ariana Grande herself just recorded.
Sure, sometimes it can work, but more often times than not, it doesn’t and that’s where most of God Help the Girl works. It not only has a sweet, somewhat compelling story to follow through, but also backs it all up with catchy, well-done songs that are all placed in there for good reason. And if you’ve ever listened to a Belle & Sebastian track before, this should probably come as no surprise, but to anybody out there who hasn’t ever heard of them, then they may still work. The songs are bubbly, joyful and will probably have you humming them for days and days to come. Which, for anybody who has ever seen a musical before, knows that’s always the sign of an effective musical that’s able to do its job.
Where the movie doesn’t really seem to do its job as well is when the story begins to take precedence, and it becomes fully clear that maybe Murdoch didn’t fully think his whole script through. That’s not to say that the story smells of BS, like most movies concerning starting a band of any sort usually seem to do, but because it goes on for so long, without ever seeming like it’s going anywhere. To say that God Help the Girl is a long movie, is like saying not everyone of Belle & Sebastian’s albums are nearly-perfect – sure, some may not believe it, but while you’re being a witness to it, there’s just a feeling you get.
Here, with the story, I felt as if Murdoch needed a bit of a tighter editor who was able to cut down on some of the many aimless, rather meandering conversations his characters drop into. There’s a feeling that while these may be actual teens actually speaking about their problems, wants, needs and overall desires, they also seem to stumble and only take away further from what could have been a much more tighter, quick and easy musical. But with all of the non-stop blabber from these characters, it seems to go on for much too long.
However, there is something to be said for a movie that still has interesting enough characters to make most of this awkward talking at least somewhat engaging. Because with Olly Alexander, Hannah Murray, and most importantly, Emily Browning, Murdoch has found a nice trio of likable, cute-as-buttons leads who all seem to bring something fun to the picture.
Although, the one I really walked away from feeling most impressed was by Emily Browning, an actress I’ve seen many times in pieces of junk like Sucker Punch, Pompeii, and the Uninvited, and never understood what the appeal to her really was. Sure, she’s pretty, but I’ve never walked away from a movie she’s been in, wanting to see more of her, nor have I really thought much about her performance in the slightest bit. In other words, Emily Browning has never had much of a screen-presence to her and I felt like that would fog this whole movie up.
Thankfully though, Browning stays very far, far away from doing that and instead, makes the movie a whole lot better. There’s this certain feeling to her screen-presence that makes every scene she’s involved with divert all of its attention towards her. She has this innocent look to her that you know she clearly cares for those around her, yet, at the same time, could also deceive them and make a dumb decision as well. It’s the kind of performance that has me feeling like I fully know what she’s all about now and I hope that this spells out good things for her future.
Consensus: The energetic song and dance numbers allow for God Help the Girl to become a sweet, endearing look at a few individuals starting a band, even if it does run on a tad too long.
7 / 10 = Rental!!
Photo’s Credit to: Goggle Images