Next time, when you’re making a film geared towards kids, go for a smaller, more comprehensible title.
On the eve of his 12th birthday, Alexander Cooper (Ed Oxenbould), nothing seems to be going right for him. The most popular kid in his school seems to be planning on having his birthday party, the same day as he’s having his; his dad (Steve Carell) is out of a job and currently staying at-home to watch the young baby, who also won’t stop crying; his mom (Jennifer Garner) has a new book that’s about to hit the shelves and possibly break records; his older brother (Dylan Minnette) has prom and his driver’s test the next day, so of course, he’s being a jerk; and his older sister (Kerris Dorsey) is currently getting ready to take the stage for her school’s rendition of Peter Pan. Everybody’s getting on Alexander’s case and it seems like his days are just getting more and more bad as they go on. It’s getting so bad that, before he goes to bed, Alexander makes a wish that all of this bad luck for him would just go away. Well, the next day, guess what happens? It does! But somehow, it’s spawned-off to the rest of the family and it just continuously gets worse for all involved, in the worst possible ways imaginable.
It’s difficult to make a family movie, that’s literally made for the whole family. Meaning, that while you don’t necessarily have to be catering towards the kiddies of the clan with fart, poop, and pee jokes, you also don’t have to make your humor so subversive for the grown-ups of the group, to where it’s almost inappropriate for anybody to watch, let alone, for family movie night. But also, in making sure that you’re both funny enough to appeal to all parties of the illustrious fam-squad, you also run the risk of actually being a mess of a movie that hardly anybody would be able to see or enjoy.
Somehow though, Alexander and… (I’m not going to list the whole thing, sorry), runs through that slippery-slope and lands somewhere in the middle. That’s to say that it doesn’t necessarily offend anybody, as much as it just offers little, short splices of adult-humor, amongst all of the crazy, wacky hijinx the non-stop barrage of slap-stick offers. This would usually bother the hell out of me, but considering the time-limit (just under 80 minutes), the family-feel nature of it, and the willing cast, I found myself more entertained and pleased than I would have wanted. Doesn’t mean the movies perfect, or without any types of flaws because it’s serviceable and nothing more, but that doesn’t also mean I should get on the movie’s case much either.
It’s simply not trying to hurt anybody’s feelings, so therefore, I’ll try not to do the same; even though, yes, I’ll probably fail.
Though it’s mostly filled with the same old “whatevers” you’d see in these kinds of family-friendly films, the one interesting element of this movie to note, was that Miguel Arteta directed this and, judging by his past-work, you would never know it. Arteta, if you’re a hip, fly and cool movie-watcher, is known for directing such comedy-based indies like the Good Girl, Youth in Revolt, and Cedar Rapids, and while I’d never call any of them masterpieces in their own rights, they’re still different than what I’d expect from him here. They’re all funny movies, but they’re also a tad darker and heavier on the drama than this movie here. Not to mention they’re also all rated-R, but that’s beside the point.
What I’m trying to say, is simply this: Miguel Arteta doesn’t make movies like this and that’s why it surprised me to discover he was the one behind this movie. There’s nothing wrong with that, but it’s interesting to see, because Arteta handles the material well; it’s quick, fast, and punchy enough to where the visual, slapstick-gags do their thing and while they may not always hit the mark, there’s not much time spent to think about or dell on them, so you just sort of just take them as they are. Slap-stick, when done right, can be downright hilarious and make me squeal like a 10-year-old girl, but if it’s done wrong, or better yet, too much, then it can sometimes be grating.
Here, the slap-stick continues to get piled on so much, in so many extreme ways because it’s ridiculous as is written – that’s the point. So, because sometimes the slips, slides, prat-falls, and embarrassing moments are so random, they’re actually kind of funny; they don’t need any rhyme or reason, and that’s where some of the fun lies. Of course, the movie tries to barrow itself down and hit some sort of message by the end, but by that point, I didn’t care how sappy it was. The first two-halves of it had entertained me enough to where the movie could have literally ended with them curing world hunger, and so long as they had at least a gag or two dedicated to Steve Carell making funny faces, then I’d have been totally cool with it.
Gosh, now that I think about it, why didn’t they do that? So many missed opportunities here, people!
And speaking of Carell, the dude is so earnest here, that even though the character he’s playing is a bit of a dork, there’s something so incredibly sweet and charming, that it hardly ever matters; Jennifer Garner isn’t my favorite actress, but she’s so down to do whatever the movie throws at her (sometimes, literally), I couldn’t help but respect her just a tad more than usual; Ed Oxenbould is in the typical “smart kid”-role, but the movie doesn’t constantly focus on him, so I was okay with that; and the rest of the cast, with what they’re given to do, all put in some funny moments that may have otherwise been forgettable, stupid and the exactly what this seems to be: A paycheck gig.
Albeit, a fun one where everybody involved seemed to actually be pleased to do.
Consensus: Typical family-fare, but Alexander the… is still charming, fast-paced, and funny enough to where it’s fun for the whole family, as well as for 21-year-old anti-social d-bags. You know, like yours truly.
6 / 10 = Rental!!