After being stabbed to death by his assistant with a cursed ancient weapon, scholar Dr. Hess Green (Stephen Tyrone Williams) finds himself transformed in ways he didn’t expect to be. For one, he can’t kill himself, no matter how hard he tries. And he’s now got an addiction to blood, which would, in turn, make him into a vampire. It’s life-changing alteration that Green feels weird with at first, but sooner than later, soon realizes that he can have some fun with it. The only thing is that he needs to make sure that he gets blood, from anywhere he can find it; meaning, in some cases, he’ll have to kill people, just in order to suck out their blood. After some time, however, his assistant’s ex-wife, Ganja Hightower (Zaraah Abrahams), shows up and actually begins to fall for him. Green doesn’t know whether he can let Ganja in on his little secret, because if he does, that means the both of them will turn into addicted, blood-sucking vampires. Rich ones, too.
Though he’s had plenty of missteps in the past (like any talented director has), there’s no ignoring the fact that whichever movie he does, Spike Lee always finds ways to make them interesting. Not just visually, but also by what he’s trying to say underneath the actual plot itself. Sometimes, his point is effective and can definitely hit home for some (He Got Game and Do the Right Thing are famous examples of this), but other times, they can be not one bit subtle and just seem like someone getting up on their soapbox and preaching at you for two hours (Jungle Fever and Bamboozled). Da Sweet Blood of Jesus is somewhere in the middle of these two possible options, although it’s hard to ever pin-point what sort of message Lee is trying to make in the first place.
Could it be that fortune makes one person lose all humanity and forget about who they once were? Could it be that society has been constructed in such a way that the only way for an African American to survive in today’s economy, is for them to eat and kill their way to the top? Or, simply put, is it that no matter how far down the deep-end one can go in life, that God, our lord and savior, is always there to save you?
Personally, I have no clue and I don’t think Spike Lee knows either.
This creates a problem with a movie that, on the surface, is a bit too plain. It’s known that Lee raised all of the movie’s finances through a Kickstarter campaign and while it is nice to see someone put all of that hard-earned money to good use (as opposed to other famous celebrities utilizing the same method for financing), there’s not much more to this story that makes it all feel deserving of being told to us. Especially when it’s our own money being dealt with here.
However, there is something to be said for someone like Lee, who is able to bring out interesting anecdotes in a film that isn’t filled with too many of them. Rather than coming right out and saying that this movie’s a vampire tale about one dude trying to get as much blood as he possibly can to survive, Lee goes a step further in exploring the actual dude who has, suddenly, been turned into a vampire. As dull on the surface as Dr. Hess Green may be, it’s his background that’s actually the most interesting element about him – he’s a smart fella, for sure, but the only reason he is as rich as he is, is because his parents left it all for him. So now that he’s been stricken with this tragic circumstance, he now has to act on his own and do what’s best for him, rather than having to follow whatever mommy or daddy may have wanted for him to follow.
This might be an instance of me stretching myself a tad too thin, but whatever the case may have been, there was something intriguing to this character that made him compelling to watch. Williams doesn’t bring much flair or excitement to this role, but then again, I don’t think the movie was calling on him to do so, either; he’s as plain as day and the fact that he’s now a blood-sucking vampire, is supposed to make him interesting. If only ever so slightly.
And speaking of the whole vampire-angle to this story, it’s kind of where you can tell Lee’s having the most problems with this film. Rather than shaking up the genre in his own, innovative way, Lee seems to just constantly hammer in the fact that vampires like blood and will do whatever they can to gain access to it. Lee hardly ever strays away from that and it’s a bit of a disappointment, considering how he’s made a career out of doing that practically his whole career. There’s maybe one instance in which we see Lee play with the formula, in which Green sucks the blood of a prostitute who may, or may not have AIDS. Automatically, this puts the whole story into perspective and made me wonder what kind of movie was next to follow. But then, as soon as he brings the idea to the table, Lee then poo-poos it and counts it off as nothing more than a false alarm.
Yet again, another instance in which Lee, someone who seemed to once love to shake things up for cinema, gets back into line like the rest of the other directors out there.
And don’t have me fooled, this isn’t me saying that everything Lee does here isn’t inspired (there’s another key scene near the end involving a church ceremony that is one of the more exciting, visually breath-taking things he’s done in awhile), it’s just that this clearly isn’t the film for him to really stretch his wings out, try something new, or better yet, even show the world why he needs us, the adoring fans, to fund his work. Kickstarter is fine and all, but when you raise a bunch of money, for something that doesn’t seem to quite go anywhere all that eventful or miraculous, then what’s the point? Vanity?
Oh, who knows.
Consensus: Occasionally interesting, Da Sweet Blood of Jesus finds Spike Lee trying to do whatever he can, with whatever limited resources he’s given, but also doesn’t allow it to result as much worth talking about.
5.5 / 10 = Rental!!
Photo’s Credit to: Goggle Images