The rags-to-riches story to end all rags-to-riches stories.
Ella (Lily James) was always a special child who was loved and adored by her father (Ben Chaplin). However, that all begins to change when one day, her father dies, which then leaves her in the custody of her evil, mean, cruel and nasty stepmother (Cate Blanchett). Once her stepmother takes over, Ella’s life takes an even more dramatic change when she’s kicked out of her room, thrown into the attic, and made to wait on her hands and her knees so that her stepmother, as well as her two stepsisters will be happy and pleased. Though it’s a situation that would seem to beg for it, Ella never gets down on herself or upset; instead, she uses her kindness and good-will towards those around her to get by, which is actually what catches the attention of a certain Prince Charming (Richard Madden). Although Charming knows that he wants this girl, he doesn’t know exactly who she is, where she comes from, or whether or not she’s actually rich to begin with. All he has is a glass slipper and he’ll use every strength in his body to find the right foot for it, in order to find that long, lasting love of his.
Did I really need to actually write out a synopsis for this movie? Probably not, but then again, it is the principal! Basically, what I’m trying to say is that it’s a story we all know by heart, which makes the idea of another movie tackling it, seem boring. Which, in hindsight, it is. These kinds of Disney, live-action films have gotten very old since Tim Burton ever decided to take over the story of Alice in Wonderland, and it seems like an obvious, if uneventful way fro Disney execs to laugh themselves into the bank more and more.
It’s hard to hate on them for doing that, because it’s been working for them for the past couple of years. But there is something to be said for the creativity behind it all, and calls into question whether or not people actually care enough to tell these stories anymore. Cause honestly, do we really need another Cinderella movie told to us? Let alone, one that features recognizable faces and an unironic tone?
Not really. However, there’s no shame in having it, either, especially if the movies are as pleasant as this recent adaptation.
Then again, that’s to say that as long as we have smart, creative minds behind them like Kenneth Branagh, then we’ll be in fine shape, because even though this story clearly should be collecting up all sorts of dust by now, Branagh still finds interesting ways to brush it all off. But at the same time, he’s not necessarily changing the whole layout to where fans of the original story can’t still see it all over again; it’s just a tad bit different and glossier. Because even though most of the recent Disney, live-action adaptations of these old tales have been known to throw out the occasional adult-piece of humor there to appeal to the audiences, or at least deprecate itself, hardly any of that is to be found in Cinderella.
In fact, if anything, it just uses straight-laced comedy to get by and get the audience laughing, and it actually works. So rarely do these movies feel like that even though they were made for kids, they still appeal to adults more because of the occasional spout of grown-up humor, or nod to the audience, but here, we get just what we see: Another take on the Cinderella story. I know this all sounds so very obvious, but it’s actually quite a refresher to just get the story told to us, as it was. Sure, it looks prettier and is definitely shown to us on a much larger-scale than before, but the heart and soul of the original story is still there to be found and if anything, that’s worth noting and appreciating.
Although, there is something to be said for the familiarity of all this and the way in how Branagh approaches this material.
Sure, Branagh doesn’t necessarily do anything wrong in terms of getting the story told correctly down to the finest detail, and he sure as hell hasn’t lost an eye for beauty in the way everything looks here, it’s just that his story is so simple, so straight-and-narrow, and almost too surface-level, that it feels like it’s taking away from any real depth that there could be had with this character of Cinderella. I mean, come on: It’s the year 2015, where we’ve already had certain Disney characters like Maleficent, Oz and even the Wicked Witch get some sort of substance added to their backgrounds, that still ended up being somewhat fresh and new, so why not with Cinderella? Is there already nothing left to say about her other than that she’s pretty, nice to all those around her, and puts up with too many other people’s crap?
I guess so. And because of that, it sort of takes away from the movie. I know that this is supposed to be a review on the movie itself, and not the movie that it could have been, but a part of me feels as if they could have gone that extra mile here and more than just the target-audience would have been pleased. Then again, this is all just me, people.
I have no soul.
As Cinderella, however, Lily James is quite a beauty, but she isn’t just good looks with this role, as she does get by on some lovingly sweet and simple charm that makes her come off as more innocent. Though I’ve said this already, we may not get much about Cinderella in terms of anything new that can be said about her, or her story, but James finds small, subtle ways of giving us more of a human side to this character and allowing for us to realize that she is just a girl who wants to make those around her happy, even if she isn’t always happy in return. There’s something sad to that fact, but it’s what ultimately makes her character a whole lot more endearing and lovely to watch, even when others are just constantly trampling on her.
Speaking of those who constantly trample on our title-character, Cate Blanchett is quite solid, as usual, as Cinderella’s evil stepmother who literally walks into the movie, wanting all of the fame, fortune and fun that she can handle. Because the movie never makes her out to be anything more than just an angry, cackling shackle of a woman, it’s hard to fully understand how, or better yet, why she got to become the way that she is, but Blanchett’s performance does make up for that at times. In fact, I’d say that Blanchett is maybe a tad too good for this material handed to her, but like a pro, she handles it with careless ease.
No wonder why she won an Oscar two years ago!
Consensus: Everything presented on the surface of Cinderella, is exactly what you get, however, there is still plenty of joy and pleasure to be had with Kenneth Branagh’s latest adaptation, from the performances, all the way to the dazzlingly beautiful visuals.
6.5 / 10 = Rental!!