Just watch any season of Oz and you’ll be fully prepared for all the lovely surprises prison has for you.
When wealthy businessman James King (Will Ferrell) is wrongfully convicted of tax evasion, rather than taking the plea deal that would have him serve less time, in a far more secure institution, and also have him accept the blame, James goes down the harder-route: 10 years in San Quentin State Prison. Which, for anybody who knows anything about prisons, is pretty hardcore if you’re just a simple white fella who only knows jail through episodes of Lockup. But to make sure that he survives his whole, 10-year-sentence, James calls on his car-washer, Darnell Lewis (Kevin Hart), who he thinks went to jail, only because of his skin color and not because of his actual criminal-record – which, had James read it, he would’ve realized that Darnell’s record is as clean as a whistle. Still, James makes Darnell an offer that he can’t refuse: He will pay him $30,000 if he teaches him how to be rough and tough to survive in prison. Darnell agrees, but he also knows that maybe there’s something to James that may actually be innocent in the first place, regardless of what the papers may be saying.
Get it? Because Kevin Hart is tiny.
Kevin Hart and Will Ferrell are two of the most talented acts we have in comedy today, although, they still have their own brand that works. Hart is like a new-age Eddie Murphy in that he makes everything around him funny, no matter what the hell piece of crap he’s actually starring in, whereas with Ferrell, his humor tends to lean more towards the wicked side of life, with his occasional outlandishness taking center-stage. There’s no problem with either of these acts, in fact, they’re quite superb. They both make whatever it is that they’re doing better, and show that, if you give the time, they will make you laugh.
You’d think that putting them together would be an absolute home-run though, right? And not just for audiences all over the world, but each other, right?
Well, that’s the problem with Get Hard right from the get-go – while it boasts these two top-tier comedic talents, the movie saddles them with hardly anything funny to do, or say. Like, at all. Instead, we get to listen to Hart constantly yell at Ferrell for being nerdy and white, which then leads Ferrell to start crying and acting scared because his character isn’t used to this sort of thing. It sounds funny, but it isn’t, not to mention that it’s downright repetitive once you realize that practically the whole movie is just going to feature them two performing all sorts of stuff that happens in prison.
While that, on paper, sounds like absolute fun and ripe with laugh-out-loud moments, there’s something strange about Get Hard that feels like it wants to make fun of the whole prison world, yet, still not say anything about it either. Though I may be looking into this thing a bit too deeply, there’s a part of me that believes somewhere deep down inside of Get Hard, lies a flick that wants to discuss racial-roles and stereotypes, as well as those that lie within the prison-system, and how ridiculous it can sometimes get, that any typical, peaceful citizen would have to drop all senses of morality and act as violent as humanly possible. Maybe that’s all just me, but I feel like there are elements to this movie that want to shed some light on that and leave it up to the audience to make up their own decisions on it. But more or less, the movie doesn’t actually do that and relies on Hart and Ferrell’s improvs to steal the spotlight from everything else going on.
Which brings me to another problem with this movie and that’s the improv-element of this movie Hart and Ferrell were clearly told to do and have absolute free reign with, no matter where the story went. Normally, I am fine when certain comedians show up in movies to just improv and make things up as they go along; sometimes, it detracts from what’s really happening in the story, but other times, it provides plenty of wacky, wild and zany laughs that you can’t really get with when somebody’s writing it all out. Sometimes, you just have to let the performers do their stuff and if it works, then you’re golden.
“Dude, what are we doing here?”
However, if it doesn’t work, then you, your cast, and your whole movie, may be screwed. Which is exactly the problem with Get Hard. Too often than not, the movie allows for Hart or Ferrell to take a crazy scene, and have it go to even crazier extremes, which should all be funny, but instead, just feel repetitive and tiresome.
Take for instance, a scene in which Hart’s character is describing to Ferrell’s about the yard in prison and how it is sometimes the most dangerous area of prison. Hart gets the chance to impersonate what seems to be a black gang-banger, a Hispanic one, and a gay prisoner, which all seems like it could be really funny, but goes on way too long and leaves Hart to just say the same thing, again and again. I’ll give it to Hart throughout this scene, as well as the rest of the movie, the dude goes for it all and lets it be known to us that he clearly wants us to laugh, but he just gets too carried away here. Maybe that has less to do with Hart, and more to do with the fact that director Etan Cohen should have known when the time was to pull the curtain and call it a wrap, but either way, it doesn’t work as well as it did in something like, I don’t know, say Ride Along.
Say what you will about that movie, but at least it had a few laughs, mostly thanks to Hart. Here, however, that hardly happens.
Which wouldn’t have been so bad to begin with, had Ferrell been there to save the day and make everything funny by just simply being there, but that doesn’t even happen. More or less, we’re treated to scenes where Ferrell acts like the typical goof-ball we normally see him as in many movies, but it’s never quite funny here. Like with Hart, his improv goes hardly anywhere fun or inspiring; it’s just him saying stupid stuff, as if he was definitely making it all up on the fly, but didn’t want the actual good bits in this movie so that he could possibly save them for another, far better movie.
And a far better movie, I hope, there is past after Get Hard. Not just for Hart or Ferrell, but for us all.
Consensus: Occasionally funny due to the talents of both Hart and Ferrell, Get Hard takes a neat premise, and hardly goes anywhere with it that’s hilarious, or even interesting. It’s just silly is all.
3 / 10
Cause Ferrell’s character wants to fit in and seem “gangster”. Get it? Ah, racism.
Photo’s Credit to: IMDB, AceShowbiz