Think your kid’s sick? Think again!
After the death of her parents, young Maryann (Natasha Calis) is in desperate need of someone that she can play with. Her grandparents are there and trying to make her feel at home, but honestly, for someone as spunky and as energetic as Maryann is, there needs to be more. Initially, that’s what Maryann thinks she finds in Andy (Charlie Tahan), a boy who is around her age and has been bedridden for most of his life, for reasons unknown. Maryann and Andy do the normal things most young kids do – play baseball, play video-games, and, generally, enjoy one another’s company. That all changes, however, when Andy’s mom, Katherine (Samantha Morton), steps in and lets Maryann know that she is not welcome; Andy’s father, Richard (Michael Shannon), on the other hand, isn’t too bothered by Maryann’s presence, but clearly has no say in the matter. Maryann is shocked and upset, but being the little persistent gal that she is, she decides to see what’s fully going on with this family she lives next door to. What she discovers, not only shocks her, but may also shock Andy and may finally make sense of everything that’s going on with this family.
The past few months have been pretty awesome for low-key, indie film makers looking to make a name in the horror genre. It Follows and the Babadook were, seemingly, two underground sleeper hits that showed you didn’t need to be associated with some sort of popular name-brand, or even have a gimmick that makes your material seem cooler; all you needed was to have chills, thrills and plenty of surprises for the audience to fully get invested in. Both films were not only solid pieces of work, but reminded me, a non-horror lover, that when done right, horror movies can still be as terrifying and as exciting as they were way back when in the days of the Michael Meyers’ and Freddy Krueger’s.
The Harvest may not be a full-on, full-out horror flick in the sense of the name, but it is a solid piece of work that reminds us, once again, horror movies can be fun, even without having a large budget to work with. Sometimes, all you need is enough shocks and spills to keep things moving and interesting for all to pay attention to, and you’re good. Anything else added on is just cheap, meaningless garbage that deserves to be placed in something like Paranormal Activity or Saw, where, even though they make plenty of money at the box-office from people who don’t know much better, still don’t add anything new or fun to the genre whose sandbox they’re playing in.
Once again, the Harvest is not necessarily a horror movie, but there is something inherently creepy and odd about this movie and that’s where the real strength of John McNaughton’s direction comes into frame.
For instance, the Harvest‘s tone is wild and over-the-top, but that’s kind of the point; rather than trying to explain why someone, or somebody is acting in an insane way, the movie just sort of hints at the fact that they’re might be something deeper, darker and more disturbing going on that we have to stay glued into finding out. This journey in and of itself is what keeps the Harvest unpredictable, even when it seems to just be all about having scenes where Samantha Morton acts out in outrageous manners. That’s not to say that these scenes are boring, but after awhile, you can tell that McNaughton is sort of just letting Morton get as crazy as she wants as he sits back, reels us in and allows for that final, big reveal to come and hit us all in the face.
Don’t worry, the surprise does work, however, getting there is a bit of a pain, if only because it seems like there’s not much heart or humanity to these characters, or even the situation we’re seeing them involved with. Once again, this may be the whole point to begin with, but it seems like, with these actors, more could have been done.
Like I said though, most of the movie does contain just Samantha Morton continuously getting mad, yelling, screaming, and causing harm to those around her, for reasons that don’t make sense right away. It’s interesting to see Morton take on an unlikable, sometimes maniacal character that is literally all-over-the-place in terms of mood and actual physical presence at times, because it’s so hard to see her in some movies and not fall in love with her charms. But here, she seems to be playing against all of that in a way that’s both shocking, as well as fun; she not only seems to be reveling in the fact that she doesn’t have to please anyone, but also, still seems like she’s interested in getting down to this character’s inner-core. It sort of works and sort of doesn’t, but the effort that Morton gives is credible.
The reason this is all the more surprising is by the fact that with Morton acting like such a whack-job here, we get to see a more dialed-down, cool, calm and collective performance from Michael Shannon as her husband. Shannon, like Morton, seems to be playing against type as the kind of guy who seems like a nice person, but also seems like he’s got something strange going on behind those dark circles underneath his eyes. Whatever it is, though, it’s cool to see Shannon at least try his hardest to find more emotion within this character, even if it sometimes goes nowhere special.
But, then again, I’ll take some effort over none.
As for the young workers here, they’re both fine in that they’re characters are written in such a way that they’re not annoying, nor are they boring – they’re just kids. Tahan and Calis share a nice chemistry that makes it clear early-on that this movie clearly isn’t going to be heading for any sort of romance anytime soon and because of that, we are spared. Instead, we get more shouting from Samantha Morton and honestly, it’s something I wish I continue to always see in movies.
Whether she’s in them or not.
Consensus: While not necessarily a horror flick, the Harvest still delivers on some disturbing, oddly-placed moments where you don’t know whether to laugh, be terrified, or a little bit of both, which makes it actually pretty exciting.
7 / 10
Photos Courtesy of: Indiewire