Greed is good. Especially when you have a sniper-rifle at your disposal.
Young, brash and blissfully in love Ben (Jeremy Irvine) gets the offer of his lifetime when a older, rich and slightly off-kilter billionaire named Madec (Michael Douglas) comes stumbling on in wanting someone to go bighorn sheep hunting with. Ben is certified to do so and is told by his commanding-officer to take Madec out into the wide-open vastness that is the Mojave desert, and that’s what Ben does. However, Ben soon realizes that this Madec guy may not only be not who he originally says he is, but isn’t up to any good, either. Slowly but surely, Ben starts to grow more and more suspicious about Madec’s behavior, all until it finally reaches its point: When a simple hunt goes terribly, terribly wrong. Madec knows that his ass is on the line if anything is ever said about what’s transpired on this trip, so he feels that the best way to get rid of any problems whatsoever, is to remove the problem – in this case, it’s Ben. But Ben isn’t going to go down too easily and instead decides that it’s time to fight against Madec and show him what surviving is all about.
Even as he’s grown older, there’s a part of me that wants to believe that Michael Douglas still oozes that slimy-charm that’s he’s always been so famous for, but even as he gets older, there’s something about him now that seems more sympathetic. Sure, he’s not as cuddly as, I don’t know, say your own grand-parents, but having seen all that Douglas is able to do with that creepiness of his that has guided his career for so long, you can’t help but just accept his presence for all that it is. He may not be putting out as great of movies anymore, but hey, a movie with Michael Douglas in it, is better than a movie with no Michael Douglas in it, right?
Maybe. And if so, Beyond the Reach may be the perfect example.
Not only does Douglas make it all the better by doing what he does best here, but simply, he doesn’t let the terrible script get a hold of his honed-skills. Okay, maybe that’s a bit of a lie, because while the script is incredibly goofy and silly, Douglas still finds himself getting lost in it a bit where you don’t really know if he’s in on the joke, or if there’s even a joke to begin with. For all we know, this movie could have literally featured hardly any comedy whatsoever, and everything just played out as is, unintentionally hilarious or not.
That said, Douglas tries and because of that effort on his part, the movie’s made a bit better to watch. As for Jeremy Irvine, while I’ve been impressed with what I’ve seen so far from him, the dude’s got plenty of time to go before he’s single handedly carrying B-movie pics like this on his own shoulders. Still though, he comes ready to play in Douglas’ house, when he could have easily just been up-stagged nearly the whole time and left looking like a total, amateurish fool; instead, he goes head-to-head with Douglas and shows he’s willing to hang.
For how long that will all be, is totally up in the air. But for now, Irvine’s a solid presence on-screen.
The only problem is that he and Douglas are given absolutely nothing of substance to work with here. And sure, that may not seem like something you’d look for in a movie that literally features a character drinking brewing coffee out of his $500,000 Mercedes G-63 six-wheel truck in the middle of the Mojave desert, but it’s not nearly as fun as it should have been in order to get fully past all of the terrible, corny stuff that happens later on throughout this flick.
For instance, the movie, early on, flirts with the idea of this being a survival thriller in the same vein of a Wolf Creek or something of a sorts, and instead, just leads to the majority of it featuring Irvine’s character constantly running, tripping and hiding from Douglas’ character’s bullets. At first, it’s slightly tense, only because you never know which one’s going to land, or even where, but eventually, it grows tiresome. It’s understandable that a movie like this may have not had a huge budget to work with like most other thrillers of its own nature, but there’s only so many times one can watch a truck run into a pile of rocks, without feeling any bit of excitement or intensity that one is normally supposed to feel.
And then, of course, the story just loses all sorts of focus that really throws in wrenches wherever they can find them. There’s some idea surrounding the fact that Douglas’ character is in some sort of do-or-die deal and it’s never made clear as to why that’s pertinent to this situation now; there’s also this other subplot concerning Irvine’s character’s girlfriend that’s ham-fisted in every way; and for some reason, there’s a cat-and-mouse game that’s less about actually being smart and tricky, but more about just trying to being out of somebody’s sight. That’s less of a game of cat-and-mouse, and more of a deadly game of tag; the one where you’re supposed to have some fun watching, but just don’t. Made all the worse is that this deadly game of tag includes Jeremy Irvine and none other than Michael Douglas, and what a weird pairing to play that game, let alone, actually hang out in the first place.
Oh, the power of movies.
Consensus: Inherently silly and preposterous to a fault, Beyond the Reach wants to be intentionally bad-it’s-so-good material, but can’t help but feel slow, boring, and a total waste of the talents of both Douglas and Irvine.
3 / 10
Photos Courtesy of: Indiewire