Mom’s are so hip!
Middle-aged New Yorker Jackie (Helen Hunt) isn’t ready to let her son, Angelo (Brenton Thwaites) go away to college. Even if it is NYU, she’s still worried that he might lose himself and even lose the skills he has gained as a writer over the years as well. That’s why when Angelo decides to skip NYU altogether and move right out to California to become a surfer, Jackie is thrown into an insane panic. All of a sudden, her one and only child is now very far away from her, where he may, or may not, lose all sight of his talents – all for the fun of surfboarding, mind you! Acting on total instinct, Jackie decides to go out and visit Angelo without him knowing; until he does find out and Jackie’s left to figure out whether she can go back to her life in NYC, or just have to get used to things in California so that she can spend more and more time with her son. Well, Jackie decides to go with the later option, but only for a short while, so that she can learn how to surfboard and finally try to understand all of the joy that it gives her son.
There’s hardly anything wrong with Ride. It’s peaceful, sweet, earnest, entertaining, simple and as safe as you can possibly get with a movie, let alone an indie. Being a critic like I am, I normally look far and wide to discover something wrong with any movie that I see, but such is the dilemma with Ride: There isn’t anything wrong with it, and that’s sort of the problem.
Don’t know the “x” that she’s signaling about, but whatever.
See, with Ride, Helen Hunt takes over as not only writer and director here, but also as the star of her own movie, where she’s able to be held up against scrutiny for being the slightest bit vain. While I have much hope in Hunt to know that she wouldn’t allow for a project such as this just toot her own horn, there’s still something here that didn’t do much of anything for me. Once again, it’s a pleasant movie that doesn’t try to offend anybody, or even change people’s lives; it’s, simply put, a safe and earnest crowd-pleaser that’s meant to tell a heartfelt story, give us comedy, heart and, hopefully, at the end of the day, teach us some lessons about life, love, and the most important aspect to all of life, family.
Well, that’s because it is and Ride isn’t the kind of movie that sets out to do much of anything ground-breaking or life-altering to those who see it. Whether or not this was Hunt’s sole intention in the first place or not, is totally unknown, as she never seems to want to go deeper than what’s presented on the easy-going surface that is this movie and the themes it represents.
As I’ve said before, however, there’s nothing wrong with that, but then again, there sort of is. While Ride can be enjoyed, as soon as it’s over, you may totally forget that you had ever seen it. Sure, you may remember there was a movie where Helen Hunt surfed and bonded with her kid, but that’s about it, right? Oh, and I guess you’d maybe remember that Luke Wilson was in it too, right? Or, also that it included Angel from Dexter? Or, don’t forget, maybe even T-Bag from Prison Break?
Yeah, you’ll probably remember who was in it and what role they may have had in it, but that’s pretty much it, right? Everything else from the plot, to the twists (or in this movie’s case, lack thereof), to the jokes, to the conclusion of it all may go right over your head and be totally forgotten about. However, you’ll remember that you’ve seen the movie and I guess, for better or worse, there’s something inherently wrong with that; however, I just can’t seem to put my finger on it.
That’s love right there. And not in that kind of way, you sickos.
And that’s where most of the problem with Ride waves in – while I want to have so many problems with it being so incredibly forgettable, I still can’t bring myself to do so for a movie that is so unabashedly not doing anything out-of-the-ordinary. Helen Hunt is a very charming and likable presence in just about everything she shows up in, and there’s no difference with her performance here as Jackie. While she may be an upper-class smarty-pants of a character, her whole persona seems to come from a soft place in her heart and because of that, everything that she does in the next hour-and-a-half or so, whether it be ridiculous or believable, at least has some semblance of sympathy. The fact that she follows her son all over the country like a crazed and psychotic ex-girlfriend may seem strange on paper, but considering the relationship she has with him, it isn’t all that creepy.
Okay, maybe a little bit. But come on, people! It’s Helen Hunt for gosh sakes!
She was, at one time, America’s sweetheart!
Anyway, the rest of the cast is just like Helen Hunt: Charming, likable and fine. Nobody’s really setting out for an Oscar of any sorts and because of that, nobody really stands out. Luke Wilson is playing a cool, relaxed “bro”; Brenton Thwaites is there to go “aw shucks” whenever his mom does something silly; David Zayas is there as a comedic sidekick; and Robert Knepper is hardly even around. Everybody clearly shows up to make Helen Hunt happy as can be, and because of that, we can get a bit happy in return. It’s just a bit of a shame that they’re not given much more to do, as we all know that they’re more than capable of it.
Consensus: There’s nothing really wrong with Ride as it’s pleasant and easy-going, however, it’s incredibly forgettable and wholesome in nature that it feels like a fine movie to watch when you’re not at all paying attention to what’s going on.
5 / 10
You go, Hel! Show Johnny Utah who’s boss!
Photos Courtesy of: Indiewire