If you’re a cop, and you’re corrupt, chances are, it’s not going to work out for you.
London cop Michael (Peter Ferdinando) seems to be living the high life. While he may be a police officer, he’s corrupt as they come, meaning that he’s able to do as many drugs, hookers, and crime as he wants. So long as he doesn’t get found out by the higher-ups in the police organization, then all is fine. However, that’s exactly what happens and he’s the one that has to talk to the fellow officer doing the looking (Stephen Graham), because he knows him from the old days. But if that didn’t suck already, the fact that he is now in huge debt to Albanian mobster for losing 100k in a drug deal gone wrong, only makes Michael’s life all the more miserable and tense. How does he get by it all though? Is it by his own smarts and intuition? Or, does he simply just let things happen as they come by, without much effort thrown in on his part at all? Well, after that line of blow, he’ll let you know.
It’s hard to do a bad gritty cop drama. Because the story’s mostly concern dirty/corrupt cops not doing what’s asked of them as a civic duty, for the most part, their movies often come out as ragged and raw as they sound. If a film maker screws up in not allowing for the mugginess of it all to translate onto the screen, and not make a member of the audience want to take a shower when it’s all over, then they have not done their job.
Sweet ‘stache, not-70’s-cop, cop.
That’s not to say that Hyena is a bad gritty cop drama, but that isn’t to say it’s a great one, either.
For starters, Hyena seems like it tries a tad too hard with what already seems to be a pretty easy story to understand. Cop is bad; cop does bad things; bad things eventually start to happen to bad cop. That’s all you really need to know going into these sorts of movies, and Hyena‘s story isn’t at all different. As to why the cop is bad in the first place, is never made clear, except that maybe he just likes to live dangerously a lot and feel like he’s the king of his own castle; not that there’s anything wrong with no reasoning being shown to us, but it also calls into question the rest of the movie’s intentions.
Because while we know the cop is bad and is going to have a lot of bad things done to him, the movie never seems to make this clear enough to us. Maybe I’m over-stepping a bit, because even though we see plenty of people shot, stabbed, and tortured to death, the whole time, I wasn’t wondering how the cop is going to get out a situation, or even how he’s going to use his tactful skills as a police officer for many years to help himself – instead, I was wondering what the hell was going on. We know that the Albanians are involved somehow, but it’s never made clear when or what they’re going to do about it. A side-passing threat here and there doesn’t do much, especially when you’re trying to get your audience as invested as humanly possible.
Then again, there are definitely bits and pieces of Hyena that are tense, but it has less to do with the actual plotting or action that takes place, it’s mostly with the characters and the solid performances put in from everyone involved.
Most importantly though, I’m talking about Peter Ferdinando as Michael, our corrupt cop for the next two hours. While we never learn too much about Michael, other than that he was once an honest cop and is now, from what we see, a boozing, whoring, and drug-doing bum with a badge and a gun, it doesn’t feel needed. Just seeing him all hopped-up on whatever he’s had up his nostrils to wake himself up and trying to come to grips with just what the hell is currently going on in his life, was more than enough to work for me. Ferdinando gives a lot of shades to this character of Michael, and while I didn’t feel like I knew this person, inside and out, by the end of it, I didn’t care too much; the dude was always freakin’ intense whenever he was on-screen and definitely proved to be a worthy protagonist to watch over. Even if it’s hard to wholly care for him, there’s still something interesting about him that’s compelling to watch.
Al Capone took a chill pill for once.
Ditto for Stephen Graham as Michael’s ex-cop buddy/government agent who is now looking into him and his squad. Then again, if you’ve ever watched a single episode of Boardwalk Empire, or any British gangster movie from the past decade or so, you’d know this. But what Graham does so well here that he doesn’t often get a chance to do in other movies, is that he down-plays everything and shows a real human side to whomever he is playing. No longer is he angry, pissed-off and ready to cause trouble anywhere he goes – now, he seems more relaxed and settled in his life. This was interesting to see from Graham and it has me look forward to seeing him play this side more, especially considering so many people know him for how high-wired he can sometimes be in everything he does.
Once again though, these are simple characters that work because they don’t seem to be trying too hard to really throw us for a loop or thinking. Not saying that Hyena should have just been a stupid, thinly-written cop drama with guns, action, boobs, drugs, and booze and left it at that, but when constant threads are thrown over one another, it begins to feel like overkill. Especially when it seems to be taking away from what could have otherwise been a very effective thriller.
Instead, it’s just fine.
Consensus: While it tries a bit too hard for its own good, Hyena still works because of a gritty atmosphere it creates, made all the better by its compelling performances.
6.5 / 10
Well, that’s what happens when you don’t just give speeding tickets.
Photos Courtesy of: Indiewire