Let’s hope the real Earth doesn’t actually run out of water.
In the distant, post-apocalyptic future, where mostly all resources have dried-up, a tyrannical cult leader named King Immortan Joe (Hugh Keays-Byrne) practically runs a whole region of the desert. People obey his each and every order, even when he seems to be robbing them of such goods like water or oil. Though mostly everybody follows Joe, there’s at least one outsider by the name of Max (Tom Hardy); an ex-cop who follows his own sets of rules and guidelines, even though it eventually gets him kidnapped by one of Joe’s trusted minions (Nicholas Hoult). But for Joe to keep his legacy running, he’s kept a good amount of “wives” – one of whom is actually carrying his child. To transport these wives to a safer, better place, Joe has called upon his most trusted worker, Imperator Furiosa (Charlize Theron), who decides that she’s about had it with Joe’s ways and sets out on an adventure to take the wives elsewhere, where they won’t be treated as property, and can live on in perfect peace and harmony – something that doesn’t seem to be found too often in this world. Somehow though, the plans go awry and Max ends up tagging along with the group, and, needless to say, shit gets crazy.
To be honest, I’m not a huge fan of the original Mad Max movies. While that’s not to say that I don’t find them at all enjoyable, which I do, it’s more that I feel like they’re a bunch of good ideas wasted on an smaller, 80’s-era budget. Sure, it’s a sign of the times, but considering George Miller could have made way more insane, over-the-top movies, had he been given a relatively meatier budget/resources to work with, then there’d be more to rant on and rave about with those movies. Don’t get me wrong, I’m not saying I despise those movies in any fashion, it’s just that they could have been so much more.
What? He’s not handsome-as-‘eff or anything…..
Something that Mad Max: Fury Road is, and then some.
With this reboot of sorts, George Miller finally gets his chance to play with any toys he so desires. Whereas in the past, he was limited by what he can spend excess amounts of money and time on, Fury Road feels like Miller was finally given the opportunity of his life time; have a great time, do it with as much money and freedom as possible, and also, most surprisingly, get a chance to tell the same story over again. Given that technology has advanced over the past few decades, there’s a lot more neat things that Miller is able to do – now certain ideas that were deemed “insane” from the earlier movies, he now gets to do, but even more so.
What I’m trying to get across here is that Fury Road, for all it’s worth, is the kind of summer blockbuster any person could ask for. Not only is it fun, but it’s the kind of movie that’s so strange, so out-of-this-world, and so barbaric in every sense, that it’s actually kind of “cool”. No longer does the Mad Max franchise feel like it’s something that can only be enjoyed by a legion of cultees that are willing to admit that they’re fans in public – now, everybody gets a chance to enjoy Mad Max, the character, the world he’s placed into, and all of the crazy shit that surrounds it, and not feel weird. One could say that this is a disappointing sign of something that was so beloved and held sacred by a select few, going “mainstream”, and they may be true. However, another one could say that this is just a sign of something being made for a select few, being made for everyone and if that means we get more movies after this Mad Max, where creativity and oddness is embraced, rather than looked down upon from the masses, then I myself am totally for that.
I as much as the next person like to be weird and have my weird things for my own-self, but if that selfishness comes at a cost of not getting more of that, then I’m totally cool with it being passed onto others. So much so as the makers stay true to the original personality that made me love its weirdness so much in the first place. And even though I’ve already made it abundantly clear that I wasn’t quite “in love” with the Mad Max franchise before this, I still knew that it held much promise, had it been made in today’s day and age of film making.
A promise that, thankfully, was kept and acted upon.
Though I am definitely fine with saying that this movie’s a fun time and that you should definitely believe all of the overwhelming hype surrounding it, there is still a part of me that feels like certain parts of it could have been given a second look. Certain elements about the plot that aren’t ever made fully clear to us, that definitely should have to give the audience a better understanding of what’s at-stake and what’s next to come, would have definitely helped. It’s understandable that these women are all getting taken away from bad leader Joe, but where exactly are they going? Better yet, why are they going? We see how Joe acts towards most of the residents who live in his paradise of sorts, but we hardly see how he acts towards his wives, nor is it easy to make sense of why they so desperately need to get away from him and the world they are surrounded by.
Be careful who you break up with, Sean Penn.
Whereas this would have made any other action movie feel like a total waste of time, with Mad Max, from what I’ve been gathering reading about it from so many other people, it’s being glossed over. Why? Well, that’s because Fury Road is exceptionally wild, nuts and fun, where it takes so much time and effort to pay attention to what’s it doing to have you entertained, rather than paying attention to the details. Don’t get me wrong, I’m not one to get on a movie’s case for giving me an incomprehensible plot that, in hindsight, doesn’t make much sense, or even seems like it wants to, but there’s just something I wanted to address.
Once again though, that doesn’t take away from the fact that Fury Road is a very fun movie, nor does it take away from the fact that the characters are really well-done, despite them being as thin as the plot they’re working with.
Some people may be disappointed with the fact that Tom Hardy doesn’t speak too much here as the titular Max, but that works so well for him here – not because Max himself doesn’t need much explanation as to why he is the way he is, but because Hardy is such a compelling presence, that he doesn’t even need to speak to get people on-edge. He just needs to stand there, stare into space, and already, you’re hooked. Hardy has that certain aura about him that makes every scene he’s in, all the better and more thrilling, and here, he gets to portray plenty of that.
However, the one who may have one-upped him here is Charlize Theron as the absolute bad-ass, take-no-names, but also humane heroine Furiosa. A lot has been said about how Fury Road represents a very feminist-stance on the action genre, and while I don’t think that this is something that necessarily holds true, I still can’t get past the fact that the strongest character written here, both literally and figuratively, is a women. Granted, it helps that Furiosa is played by the very tall, slender and demanding presence of Theron, but it also helps that Furiosa has a reason for acting the way she does and it’s not made to be a certain point that Miller has been holding close to his heart and has been wanting to express for so long. That Furiosa wants to help these women because she wants them to be happy and not made an item of some maniacal leader, gives the character some semblance of complexity.
And well, also the fact that Charlize Theron can kick anybody’s ass, man, woman, or thing, it doesn’t matter.
Consensus: Wacky, wild, over-the-top, campy, but most of all, exciting and fun-as-hell, Mad Max: Fury Road represents everything that should be great with summer blockbusters, but so rarely do they actually become.
8.5 / 10
Dirty Aussies! Take a shower, will ya!
Photo’s Credit to: IMDB, AceShowbiz