007 needs to smile more.
After an agent of hers that she’s been looking out for and bonding with over the past five years, Bradley Fine (Jude Law), has to take a leave of absence, desk-bound, under-appreciated CIA analyst Susan Cooper (Melissa McCarthy) finally gets her chance to be in the field. Her task: Stop a Bulgarian crime lord by the name of Rayna Boyanov (Rose Byrne) from selling nuclear weapons. The only problem is that Cooper’s cover continues to get blown by either her own wrong-doings, or a fellow agent who has just recently decided to go rogue and try and take matters into his own hands. His name is Rick Ford (Jason Statham) and while he and Cooper don’t get along too well, it’s solely up to her to make sure that she keeps Rick away from the mission as much as humanly possible, while also still making sure that she’s keeping some level of anonymity for her own well-being. But as the mission gets more and more complicated, Susan realizes that she may have to get a little dirty if she not only wants to complete the mission, but to also stay the hell alive.
Though some people may bitch, moan and complain about the fact that writer/director Paul Feig and Melissa McCarthy seem to team up practically every chance they get time out of their schedules to do so (which seems like every other year, so far), there’s still no denying that they’re a match made in heaven. Both clearly know what the other wants, so therefore, they work well together in not only giving themselves 110%, but also giving the right kind of 110% when necessary. Because yeah, even though these two don’t seem to be challenging one another all that much, when the end result is still entertaining to watch, just as much as the last movie that came before it, what’s the real problem?
In all honesty, there is none! So stop complaining, people!
With Spy, McCarthy and Feig’s third team-up so far, the look, feel and overall idea of a spy movie is messed around with, but don’t be fooled by what this movie’s advertising may have you think, because it’s not a parody flick. Though it may have initially started off as such, eventually, the movie turns the other cheek to where it’s less about poking fun at the stylish cars, guns and women, and more or less poking fun at the lovably charming characters here. At points, it probably would have been nice had Feig tried to make more of a comment on the spy genre (especially since there seems to be so many damn movies coming from this genre nowadays), but if a movie is funny, then I won’t hold any gripes against it.
And yes, Spy is definitely a funny flick. Like with the Heat and Bridesmaids, where Feig shows his real, true strength in directing comedy is just allowing for it to draw itself out to where even the most normal, everyday situation, can turn into something truly odd and bizarre. Sure, while some of this praise can go to the cast and crew who definitely seem to be, for the most part, playing along with it and making it up as they go along, there’s still plenty to be said for Feig himself. After all, he’s the guy who gets to say when a scene begins, goes on, and ends and so he definitely deserves credit for at least knowing when and how to format his comedic scenes.
However, like with the case of the Heat, there’s still a weird feeling that maybe the action takes over a bit too much, especially in the last hour or so of this flick. There’s no problem with an action-comedy utilizing the later portion of that term to its fullest, and most absolute extent, but when it seems like it’s doing nothing much other than to just keep the run-time going, it gets a tad bit tiresome. The action’s fine and all, but any comedy that goes over two hours, definitely features some form of trimming, no matter who you are.
Talking about you, Mr. Apatow!
But, as always, a lot of this doesn’t hold up too well when compared to the fact that the movie is enjoyable and funny, but also a teenie bit more than just that. See, with Feig’s movies, he always puts an extra amount of detail into his characters to where, even if they are acting like cartoonish jack-asses, there’s still some form of humanity and personality to them that it all makes sense as to why they’re acting the way they do, with whom, and how. And because of this, most scenes that would generally just seem “funny”, end up turning into more hilarious territory, especially when you consider the smart writing that’s been put into most of them.
For instance, take Melissa McCarthy as Susan Cooper. While Cooper is another instance in which McCarthy gets a chance to swear, yell, make fun of people, and kick ass, there’s a bit more to her character than just that and it makes a lot of what she does and say hit harder. Because Cooper, the character, is such a sweet and relatively gentle person, to hear and see her when she has to step up big time in the field, she turns into a whole different person where she’s loud, obnoxious and more than willing to lay the whoop-ass on whoever deserves it the most. Once again, this is another performance from McCarthy that we’ve seen before, but there’s so much fun in watching her do it and hardly miss a beat, that it’s hardly ever boring.
Not like it was in Tammy, that is, so lets be happy about that.
But even though McCarthy’s the lead, which entitles her character to the most development, she isn’t the only one. Rose Byrne, despite playing the main baddie, gets a chance to not just be funny again, but show some form of humanity within a character that just wants to blow the United States up, as most villains in these sorts of movies want to do; Jude Law plays the charming and handsome fella we usually see him play, but his character is a bit more of a dick than he lets on and it’s actually interesting; Miranda Hart plays Cooper’s best friend and confidante and gets a chance to show an even sweeter side to a job that you wouldn’t think could have one; and Jason Statham, well, what else is there to say other than he lights the screen up every chance he gets. And then some.
See, if there’s any complaint that I have about Spy, that I don’t believe I had with many other movies, is that it needed more Jason Statham. That isn’t to say that I’ve never uttered that phrase before because I detest Statham and think he’s a talentless hack – in fact, it’s quite the opposite. I think he is very talented, charming and fun to watch, but because he’s usually the lead in the movies he does, there’s a lot of him to go around and it makes me wish that wasn’t the case, at least not in those movies. Movies like Spy where we get to see the more charming and light side to his tense presence, makes it easy to see why somebody would want to hire him just for his comedic skills alone. He’s been funny in the Guy Ritchie movies that he’s done and he occasionally drops a little wittisome here and there in a dull action-thriller, but here, he’s on full-force and I wish I got more of it.
Meaning, producers and casting agents, give Jason Statham more funny material!
Consensus: Tad overlong, Spy runs into a slight problem of unevenness, but because it’s cast and crew are so talented and funny, it slides on by as an enjoyable time that also proves why we’re all lucky to have Melissa McCarthy in our lives, and why Jason Statham needs to do more funny stuff.
7.5 / 10