Wait, what’s so wrong with Lifetime movies?
Robert and Sarah Benson (Will Ferrell and Kristen Wiig) are a very happy couple. He’s a self-help novelist, she’s an organic food saleswoman, and together, they have a daughter by the name of Sully. Though they’ve tried to have more children, due to an accident some many years ago concerning a dock, Sarah is unable to. So therefore, the Benson’s have turned to one of the only options they have left: Adoption agency. Through the agency, they meet a much-very pregnant young girl named Bridgette (Jessica Lowndes). At first, Bridgette is so sweet, likable and pleasant to be around, that the Benson’s both decide to let her stay in their place for a little while, only until the baby comes out and they are able to adopt it as their own. However, as time goes on, more and more weird things start happening around the house; most of which seem to be pointing to Bridgette and her mysterious past. Eventually, the Benson’s begin to realize that there’s something very dangerous about Bridgette that they best figure out soon, all before it’s too late.
So yeah, basically, Will Ferrell and Kristen Wiig teamed-up together to make a Lifetime movie that is everything you’d expect it to be. It’s an obvious, corny, and melodramatic soap opera that most middle-aged women will stay at home, watch, love, and adore because it plays to everything they’ve already loved and seen before with this network. However, the fact that Will Ferrell and Kristen Wiig are in this movie, makes it all the more intriguing to watch, because it’s all a joke.
Or, at least, that’s what it was supposed to be anyway.
Something odd happens with A Deadly Adoption to where you think it’s going to be one thing, and totally turns out to be another. That’s not saying that I expected it at all to be a serious piece of drama that’s supposed to impact me for days-on-end or change my life in any way, shape or form; I mean in the fact that it was supposed to be a lot funnier than what it turns out to be. Some of that has to do with the fact that I expect so much more from the likes of Wiig and Ferrell, where rather than just seeing them play it so downright straight, I’d see them fool-around and over-act, as they are usually known to do in movies such as this. But that’s not what happens.
Instead, it’s a very straight-forward, almost too ordinary flick to even be called something of a “parody”; in fact, it’s more of an “homage”, which is all the more frightening. Because the movie should be as ridiculous as possible, but never quite gets there, makes it feel like the movie may have been a waste of effort, especially considering this is almost a first for TV. Wiig and Ferrell are two immensely talented and popular figures in entertainment, so why wouldn’t they, now that they have the chance to do so, be as crazy as humanly imaginable? Is the joke that they’re playing it all on the straight and narrow? Because if so, it’s not a very funny one.
However, that isn’t to say that there aren’t at least some pieces of fun to be found throughout. Obviously every supposed twist and turn that this plot takes is funny, if mostly due to the fact that we see it all coming from a mile away and because the movie’s playing it all up so seriously. And then, of course, there’s the performances from the cast that, due to the fact that they’re playing everything so damn sternly, can bring out plenty of laughs, whether they were meant to or not. Even though this is clearly Wiig and Ferrell’s movie, Jessica Lowndes does a solid job of playing up her character’s oddness in a way that, while may not be believable, is fun to imagine as if it were any other Lifetime movie. She goes from being such a little sweetheart, to all of a sudden, a biker, beat-up, bad-ass chick and it’s actually quite humorous. That may sound like it has less to do with Lowndes’ performance, but I assure you, it’s not; she’s perfectly capable of handling this material in a serious manner, even with a slight twinkle in her eye.
Then, of course, there’s Will Ferrell and Kristen Wiig who are both, like I’ve mentioned before, playing it all so very straight.
Though, there is some joy in seeing Ferrell and Wiig act like kind-hearted, small-town simpletons that don’t have a bother in the world and never seem to be upset with anything that comes their way. Wiig’s character may not get much attention in the department of character development, whereas Ferrel’s does in that his character has a bit of a dark side. Once again, it’s not supposed to be taken seriously at all, and it’s why certain elements of this movie do work. Even if, altogether, the movie still feels like it’s missing something.
Whatever that “something” is, I fully can’t put my finger on. However, whereas movies like Sharknado and Birdemic all seem to be praised and held on some peddle-stool for the fact that they’ve taken these ridiculous premises and run wild with them, maybe there’s something to be said for A Deadly Adoption that could put into the same conversation? While it may not be as crazy as those movies, in terms of its excess and/or schlock, it still takes everything you expect from these types of movies, give them to you on a silver platter and not have you forget what it is that you’re sitting back to watch. Because surely, if you like it, then they must be doing something right; whether you’re supposed to like it or not, may be up to you, the viewer.
Either way, it doesn’t wholly matter because Will Ferrell and Kristen Wiig got paid somehow.
Consensus: The one-joke in A Deadly Adoption is clear enough that it makes the hour-and-a-half go by quick, however, even by Lifetime’s standards, it should be a little more memorable, if only for the wrong reasons.
5 / 10
Photos Courtesy of: Common Sense Media