Always break-in the new neighbors.
Alex and Emily (Adam Scott and Taylor Schilling) have recently moved to Los Angeles with their young son and have no idea what to do next. While Emily’s got a job, Alex is sort of just left at home with the kid, where he hardly knows anyone and doesn’t know how to go about actually acquiring any friends. Emily tries to push him more and more, but constantly, Alex doesn’t bother; he misses home just a little too much. One day, however, when watching their son in the park, Alex and Emily encounter another couple by the name of Kurt and Charlotte (Jason Schwartzman and Judith Godrèche), who not only take a serious liking to them, but even go so far as to invite them over to their house for a good time. Alex and Emily are nervous, obviously, but they decide to take the bait and wouldn’t you know it? They show up at the house and they’re having something of a fun time. There’s wine, pizza, good tunes, and a great overall mood. Then, Kurt brings out the bong and all of a sudden, things get very weird, very quickly.
It’s hard to not spoil a movie like the Overnight, due to the fact that it’s so simple in its shape, size and premise, that even go so far as to saying, “crazy stuff happens”, already feels a bit like a spoiler. There is truth to that statement, however, but the degrees to how far that crazy stuff is willing to go, what it reveals about these characters, and what it’s supposed to make us think about our own lives in general, all seem to not be as predictable. While it’s easy to think that this is just going to turn into another, old-fashioned sex-comedy romp in the same vein as something like Bob & Carol & Ted & Alice, the Overnight tries to be a bit more.
Problem is, occasionally, the chances it has to be something more often feel like missed opportunities.
For instance, the movie actually has something very interesting to say about what it’s like for grown-ups, or, most importantly, parents, to go out there, make friends, and socialize as if they’re a bunch of freshmen getting started and situated on their first day of junior high. Very early on, the character of Alex states that “it’s weird” for him to actually go out there and try make friends with people when he’s a lot older than he was some many years ago. Sure, he wants to make friends and have more people to spend his time with, but at the same time, he doesn’t know how to go about it without being incredibly awkward because, well, he’s grown-up.
From here on, the Overnight works with an odd, but effective sense of humor where every discussion between these two couples can get pretty awkward; however, it’s not a crutch that the movie falls back on when it needs to. Instead, these awkward sighs, chuckles, small-talk, grins, etc., all bring out a certain level of honesty from within these characters and is eventually what leads to the later portion of the film. Now, this isn’t to get past the fact that the Overnight can be awfully funny, however, it isn’t always for the reasons you expect and most of that has to do with the fact that the cast do solid jobs in nailing down even the slightest hints of subtlety that make their characters more human and believable – even if some of the choices they make don’t always add-up.
But more on that in a little while.
Now, on with the awesome foursome here.
Adam Scott, as per usual with him, plays up his slightly nerdy shtick, but also allows for it come from a deeper place than him just relying on something we’ve seen him do before. As Alex, he gets a chance to reveal some insecurities that aren’t always well-written, but because Scott seems so into it, it’s okay to sit by and watch. And for Taylor Schilling, as Emily, she finally gets a chance to show the movie world, not only her comedic chops, but her dramatic ones as well. While she’s definitely the voice of reason in this whole thing, there’s still a feeling that even she wants to break out a bit and not be tied-down by the fact that she’s a mother, a worker, and a wife – sometimes, she just wants to have a little fun.
And with Jason Schwartzman and Judith Godrèche’s characters, they definitely get this; however, it’s bit stupid at times. Sure, Schwartzman is great at seeming like he’s totally in on some sort of joke we aren’t too knowing about, and Godrèche gives off the idea that she’s a lot sweeter than her icy demeanor may have you think, but eventually, their characters begin to get a bit idiotic. For example, without saying too much, there’s a certain insecurity that Adam Scott’s character has, that Schwartzman’s doesn’t, and after this, it becomes all too clear that the movie seems like it wants to discuss real life, actual problems that adults have, and try to hide them underneath raunchy sex jokes about dicks, boobs, and butts.
In other words, it becomes a Judd Apatow movie.
However, whereas with Apatow movies, it’s clear that he’s trying to make a point and doesn’t quite know how to cut it all down to where we understand the point in a quicker, more efficient manner, writer/director Patrick Brice seems like he can’t help himself from throwing a sex joke whenever he sees fit. And then, sometimes, they’re not even jokes; in some cases, the whole idea is that this plot is going to lead to some very strange places in the bedroom and it seems oddly-placed, not to mention, not all too believable. It’s as if Brice knows what he wants to say, but still wants to appease those who were looking for a raunchy piece of sex-comedy.
And that’s what the audience will definitely get here with the Overnight – sometimes, it’s funny, other times, it’s not. However, there’s no denying that Brice, given the chance to maybe polish his script once or twice more, we probably would have had an even tighter movie than something that clocks in at 81 minutes or so.
Yep, believe it or not, could have been shorter.
Consensus: The Overnight is the type of sex-comedy that deals with real human issues that most of us all suffer, but still feels the need to point and giggle at penises and breasts, especially when it doesn’t need to.
6.5 / 10