Yes, he’s definitely a weirdo.
Small-time film-maker Aaron (Patrick Brice) is willing to do whatever sort of work for whatever amount of money; he’s like most young, aspiring directors out there who are just trying to survive on anything that comes their way. Whether it’s weird or not, at least Aaron is getting a paying gig and to him, it’s the most exciting day of his life, where all sorts of possibilities are up in there. All of the excitement goes away, however, when Aaron meets his subject – a man by the name of Josef (Mark Duplass) who claims to have a malignant tumor, for which he was given about two-to-three months left to live. Not to mention, Josef also has a wife and new baby on the way, which is why he wants Aaron to follow him for this whole day, filming his each and every move, so that one day, his child can see just what kind of guy its daddy was. And while things start off a bit oddly between the two, it eventually escalates into something that Aaron was not at all expecting and doesn’t know how to deal with it.
Though some may already see the word “found-footage” being used an awful lot in sentences about Creep, have no fear, because the movie’s a whole lot better than the genre it plays around in. Which isn’t all that of a surprise considering we know that neither Patrick Brice (the Overnight), nor especially Mark Duplass (every indie dramedy that you’ve ever loved) wouldn’t ever align themselves with something as plain and as generic as the found-footage genre and do nothing with it. That isn’t to say Creep doesn’t fall for the occasional, manipulative jump-scare to put us back into our seats whenever we get too comfy and cozy thinking this is going to be some sort of character-drama, but it’s done so in such a way that the scariness of the material isn’t the actual “boo”, it’s more of what lies behind the said boo.
Make any sense? If not, please do let me explain.
What Brice seems to be saying with Creep is that the way we humans in society connect with one another nowadays, is strictly through technology/internet. Sure, Catfish practically said the same message many years ago in an effective manner (even if the message has gotten blurred over the years), but Brice and Duplass both deliver the message in such a way that makes it feel all the more effective; while Josef is easily a character we could dismiss as nothing more than a plain and simple weirdo, the movie also shows that maybe he’s a weirdo because that’s the way the world has manufactured him as. He lives for that connection with somebody, and when he doesn’t get it, he overreacts like a spoiled child would – that’s if the spoiled child had some homicidal ideas floating around in his head. But either way, this character of Josef is most definitely a product of this generation, where there’s hardly any room whatsoever for privacy, or general human connection.
It’s all, as they say, “up in the cloud”.
And as Josef, Duplass, as expected, is terrific. Because Josef isn’t just a crazed dude who clearly has huge problems, Duplass gets a chance to show-off different skills we haven’t seen him utilize before. Josef’s nature is so unpredictable and off-putting, that you never quite know where he’s going to go next, what he’s going to say, or even where he’s going to show up to scare Aaron. His overly touchy feely manner is definitely strange at first, but then it starts to turn deadly soon later, and this is where Duplass really excels at showing a character we have no full clue about and we sort of want to know more of. That’s not to say that we ever get to liking this character, but just like how Aaron feels, there’s something intricately sad and vulnerable about Josef that’s hard to resist and dismiss as “evil”.
Although Brice may not be the best actor out there and doesn’t always handle this material well when he definitely should, he does a fine enough job of sitting off to the side so that Duplass can steal the movie away from him. Because as we learn early on, this whole movie is meant to be about Josef and Josef only, everything else that comes with it, is just the final product of what getting to know and be around Josef is like. In other words, it’s absolutely dangerous and terrifying, but because Aaron seems like a relatively smart dude who isn’t always fooled easily, it’s safe to follow behind him. He makes some dumb decisions along the way, but honestly, what horror movie-protagonist doesn’t?
Sidney Prescott doesn’t count!
But what ultimately puts Creep a step above most of the found-footage horror bull-crap we seen thrown at us just about every other month, is that it seems to understand why a genre like this can still work. At times, it’s easy to see where this plot is going and it makes you wonder if it was or wasn’t intentional in the first place, but there are a few nice twists and turns that not only keep this movie smart, but quite fun. Though the first hour is full of all sorts of talking and odd moments that come out of nowhere, after such is when there’s some thrills and chills to be had.
However, that’s not to say that they’re manipulative in any sort of way. Brice takes his time with allowing for his tension to build up and up and up, so that when the final one-two punch does eventually come around and hit us square in the face, it leaves a lasting impression. That’s what we need more with our horror movies – lasting impressions. Sure, some horror movies like to go out on a bang, but how many times do you feel as if you’ve been tortured and toyed around with in a good way that makes you think about what it is that you just went through long after? I can’t think of many, which is probably why Creep is definitely deserving of a watch.
Consensus: While it may seem to go down some predictable routes, Creep still gets the job done with the smart chills, twists, and message about the way our world works, even if it may get lost over some people’s head when all is said and done.
8 / 10
Photos Courtesy of: Logan Bushey