Scientology be damned when Ethan Hunt is on the case!
Now that the IMF has been disbanded for the fact that they are considered unreliable and dangerous, superstar agent Ethan Hunt (Tom Cruise) is forced to go rogue. However, Ethan believes that he has got another mission left in him that will take him to ultra shady group that is “the Syndicate”. Ethan has an idea that the Syndicate is apparently up to no good and is planning on wiping out the entire globe, but in order to stop this from happening, he needs to get to the head of the group (Sean Harris) – which, considering how top-notch and professional this group is, is a lot easier said then done. But Ethan is inspired enough to take matters into his own hands, even if that means bringing some of his old friends and colleagues around one more time, even if that means that their jobs will be at-stake in doing so. However, another problem standing in Ethan’s way is a fellow agent by the name of Ilsa Faust (Rebecca Ferguson), who he isn’t quite sure of which side she’s actually on. Which not only spells problems for Ethan’s mission, but also his heart that seems to be taken a bit with this mysterious lady.
Unlike most movie franchises out there, each installment of Mission: Impossible feels as if they are their own kind of movie, rather than just a carbon-copy of the one that came before it. With the first, we got Brian De Palma’s version of Hitchockian Bond movie, filled with all sorts of gadgets, twists and turns; in the second, we got John Woo’s wild and crazy action-thriller, chock full of explosions, fire, and yes, even doves; with the third movie, we got another one of J.J. Abrams’ frenetic kind of thrillers that seemed so intense, that they were about to blow-up from all the intensity; and then, with the fourth movie, we got Brad Bird’s version that hearkened back to the glory days of old school blockbusters, where times were a lot simpler then. Now, with the fourth movie, as being directed by Christopher McQuarrie, we get a slightly gritty-take on the Mission: Impossible story, which is what most people know McQuarrie to do well with.
However, at the same time, it’s still a solid action-thriller in its own right, regardless of if it follows some sort of style-pattern. Sometimes, all you need is a whole heck of a lot of action and fun thrown into your sometimes confusing story, just to make sure that everything works out as fine as can be. The Mission: Impossible movies, from what it seems, will continue to last on for another couple of years (so long as Cruise continues to sign-up for them), and honestly, I’m fine with that; it’s constantly finding new and interesting ways to re-invent itself, pick up some neat tricks along the way, and continue to set the bar for action-thrillers in its same vein.
Sort of like the Fast and Furious franchise, except for the kind of crowd who prefers wine, as opposed to Colt 45.
And in no way is that an insult to either groups of these movies; not only are those franchise’s movies fun, but they can be enjoyed by practically anyone who decides to check them out and see what they’re working with. You don’t need to see all of the Fast and Furious movies to enjoy just one, just like you don’t need to do the same for these Mission: Impossible movies – they sort of just work on their own. That’s how most action movies should be, and while it sounds incredibly easy, it’s a whole different story when watching a bad thriller and realizing that the action stinks, the story stinks, and basically, just everything else about it stinks.
If you can’t do an action movie right, then what can you do?!?
Because even though these movies have something of a plot to work with, it’s really just about the set-pieces and how far they can keep the audiences invested, regardless of how far-fetched they can get. This happens many of times in Rogue Nation, where we see scenes of Hunt holding his breath underwater for nearly three minutes straight, dangle above a French opera without a single person taking notice, or, as famously-known, hang on quite loosely to an airplane as its taking air. There’s plenty more where these examples come from, and while they may all sound ridiculous, they’re still a whole bunch of fun to sit through, watch, and think of what’s going to happen next; even if, you know, it’s already fully well-known what’s going to happen to some of these characters by the end of the tale.
And even though Rogue Nation may be a bit of a step-back for the franchise (especially after the fantastic and very surprising Ghost Protocol), it still is, once again, a very solid action-thriller. It gets just about all of the beats right in terms of the action-department, is just long enough to not overstay its welcome, and seems like it’s still staying true to its heart by giving us the character moments in between all of the running around and explosions to make things seem a whole lot more human for the meantime. Do we really need them? Not really, but they’re fine to fall back on if you need to take a chill pill and just watch as a bunch of people talk to one another, spouting all sorts of exposition that don’t mean much else other than just, “We need to catch the bad guy and this is how we do it”.
That’s literally what every line of dialogue in Rogue Nation ends up leading towards, but there are a few surprises to be found along the way.
But the surprises don’t necessarily come from the likes of Tom Cruise, or Jeremy Renner, or Simon Pegg, or Ving Rhames, or even Alec Baldwin – they’re all fine, it’s just that who they’re playing (with the exception of newcomer Baldwin), has been done before and doesn’t feel like any sort of variation. They’re are all perfectly serviceable in a movie that’s more or less concerned with how deep of a situation it can throw its hero into, only to allow for him to break out of it in some miraculous way, nearly ten minutes later.
Nope, the real surprise of this cast comes from the likes of Rebecca Ferguson, someone I haven’t seen before, but here’s to hoping that now, that’ll change. Ferguson not only acts the part of a bad-ass, femme fatale that may or may not be playing both sides at the same time, but also looks like it, too. Much has already been said about how the Ferguson’s image is getting sexualized by the advertising for this here movie, but honestly, I think it works in her favor. Not only is Ferguson gorgeous, she’s also in incredible shape to where when you see her riding a motorcycle in tight leather, you don’t just automatically think of how hot she looks, it’s more about how much she could probably kick your ass. Also, the fact that Ferguson is something of an unknown actress to most of the mainstream media, works in her character’s favor as she could literally go anyway; there’s no pre-made clause that states she has to be the hero at the end, or gets the man. She’s not a huge actor just yet, so therefore, the mystery stays in her favor.
Although, let’s hope that she doesn’t continue to stay a mystery for too long.
Consensus: Rogue Nation is another exciting crowd-pleaser to add to the Mission: Impossible name, even if it’s not nearly the best the franchise has had to offer.
8 / 10