Stealing cop cars in real life, sure as hell aren’t as easy as stealing them in GTA.
Two kids, Travis (James Freedson-Jackson) and Harrison (Hays Wellford) walk through a field that eventually leads to a creek where, for no explainable reason, a cop car is left abandoned. Seeing as how these two kids are chock full of piss, vinegar and energy, they decide to take it for a spin, or two, or three. Hell, they decide to take it out everywhere they can, going 100 mph, and not giving a single crap about the world outside of them. Eventually though, the man whose cop car that is originally (Kevin Bacon) comes looking for it and with a good reason: He’s got some pretty naughty, downright incriminating stuff in the trunk of that car that he wouldn’t want anyone seeing, let alone two kids who just so have happened to stumble upon it. This is where the cop decides to track these kids down, get his car back, drive them back to their guardians’ homes, and getting back on with his life. Problem is, the kids look in the trunk of the car and needless to say, what they find, is not good.
That’s how it always begins.
You’ll be hearing a lot about Jon Watts in the next couple of years. If you haven’t already, then consider yourself prepared. Because with Watts taking over the new, hopefully improved Spider-Man reboot set to come out in two years time, a lot of people are wondering just what it is about this guy that would give a studio like Sony so much hope that he’s the one to get the job done right and in a way that can hopefully let people forget about the past two Marc Webb movies (even though, to be honest, they weren’t terrible, just ill-timed).
Well, I don’t know if Cop Car was the evidence Sony needed, but it sure as hell is for me.
Because, for one, it’s great and it’s absolutely surprising that I’d think this. For one, Cop Car seems so simple in its grindhouse-ish premise that the only way for Watts and company to go, were down; they had kids, they had cops, they had guns, and they had mystery, which gives them all of the perfect ingredients to make something sleazy, dirty and at least partially fun. But there’s something strange about Cop Car in that it’s essentially two movies, rolled into one, not-even-an-hour-and-half flick, and they’re both very good.
On one side of the spectrum, you have a coming-of-ager involving two kids we literally know nothing about other than that they like to cuss, spit, and cause all sorts of chicanery wherever they go. Basically, they’re like all kids and that’s all you need to know about them; Watts doesn’t put much of an effort into getting down to the nitty gritty of what makes them tick, he just presents them as kids, who are different from one another in certain ways that it’s easy to identify with one from the other. Already, this movie had me won over because it felt like dialogue for real life teenage kids, but then the situation itself gets hotter and heavier and the movie really started to work its magic.
See, once these kids steal the cop car and everything around them starts getting a whole violent, we all of a sudden see that these kids are, as expected, kids. They can’t make full sense of the world, so that when they are held at gun-point by an evil dude, they ask him quite simply, “Are you going to shoot us?” They don’t even know that, no matter what, they’ll get shot and probably killed; to them, life is like a video-game and because of this, they don’t take the real life consequences into account when thrown into a predicament quite like this.
And then, there’s the story involving Kevin Bacon’s cop character, which is still pretty strong in its own right.
Like with the two kiddies, we literally know nothing about Bacon’s character, other than that he’s a small-town cop, is clearly up to no good, and may be a bit more sneaky than he originally lets on. This part of the movie is well-written and compelling, obviously, but without Bacon, or his acting-skills, I don’t know how well this character would have done with such limited-detail surrounding him. Everything we need to know about this character is the way in how he desperately carries himself from one objective, to the other, all in hopes that he’ll be able to get his cop car back and ensure that his dirty little secrets never get out.
Just look at that mustache! It’s so terrible, you have got to think there’s some sympathy in him somewhere!
Bacon does wonder in this role because he makes us think that this character, despite him having clearly done bad things in his life before, may be a bit of a good guy. We never quite know with his character and it’s interesting to watch as he constantly digs himself out of certain obstacles that seemed to continuously pile-up in his way, no matter how much closer he believes he is to reaching his goal. Do we want him to reach it, too? Or, do we just want all of his dirty laundry to get seen by the right eyes and for his life, as well as his police career, to be all over and done with?
We never fully know and that’s the main reason why Cop Car works as brilliantly as it does.
Though I won’t divulge into too many details about what happens in the last-act of this movie, I will say that it gets very violent, very quick, and in some very gruesome ways, too, but it all feels so deserved. See, with the violence in this movie against something like, I don’t know, say Terminator Genisys, is that people in that movie get shot, die and evaporate into the air all willy nilly. No harm, no foul, no problems. But here, when people get shot, they die, and there’s nothing special or glamorous about that at all.
I know this sounds so damn obvious to state (in a review no less), but it’s the truth that more movies like Cop Car should exist, if solely for the fact that it highlights gun violence and death for what it actually is: A traumatizing event. In light of today’s events, this resonates quite an awful lot and while it may not get that same sort of message across to others, quite as well as it did to me, it still matters that it’s being portrayed as such in a movie about kids, cops, guns, drugs, and criminals. Because all of these elements co-exist in real life and are all too close together.
Something that’s quite saddening indeed, but hey, at least we’ve got a new Spider-Man movie on the way!
Consensus: As small and short as it may be, Cop Car is still a near-perfect thriller, mixed with a smart, endearing and compelling coming-of-ager that makes it all come full circle.
9 / 10
Go on! Try to get five stars!
Photo’s Credit to: IMDB, AceShowbiz