I’ll take a Daft Punk documentary instead.
23-year-old Cole (Zac Efron) is currently struggling in his life. For one, his buddies still act as if they’re in high school, and his career as local DJ, isn’t quite lighting up the sky, either. So basically, Cole plans the rest of his life living in his friend’s house, fixing the roof, cleaning the pool, and playing to whoever shows up at the club. That all begins to change on one fateful night, however, when he decides to go out and party with the one, the only, DJ legend, James (Wes Bentley). Cole and James, after a wild night of booze, good music, nice vibes, and some PCP, they both hit it off perfectly, with James wanting to hear some of what Cole has to offer. While James isn’t too impressed with what he sees right away, he knows that there’s potential and decides to take Cole under his wing. The only issue is that James’ girlfriend (Emily Ratajkowski), is getting bored of being his assistant and may want some of what Cole is offering her. At the same time, while Cole’s life is changing right before his own very eyes, his buddies are starting to notice this too and feel like it’s not fair that he gets to have all of this fame and fortune, and they’re still stuck living at their parent’s places.
In case you haven’t heard, EDM is all the rage now. Kids love it; older people love it; even those indie-kids who think that they’re too cool and would much rather listen to Conor Oberst, love it (they won’t admit it, but they do). For me, I think the music can sometimes be interesting and entertaining to listen to, but there’s only so much one can take of the non-stop, pulse-thrilling, ear-aching back-beats, over and over again. Every once and awhile, I prefer a solid little rhythm and formation every so often, but hey, that’s just me.
But to be honest, my opinions don’t matter because kids love EDM music and they may even love We Are Your Friends. Why is that? Well, because it features young adults just like themselves, reaching for the stars, chasing after their dreams, never letting adversity get in their way, and overall, having a great time while doing so. Does this mean that the movie’s actually any good?
Nope, not really. But what does the target audience care?
Cause, if anything, We Are Your Friends is just another conventional, run-of-the-mill, corny inspirational tale, hidden underneath the layers and layers of EDM music that covers practically the whole entire film. That’s not to say that the music’s bad or anything; if anything, it helps add a certain level of excitement to whatever dry proceedings are occurring between whatever one-dimensional characters on the screen. But after awhile, it begins to seem that whenever the music begins to crank up, then all of a sudden, another montage shows up, and we’re thrown into something resembling a music video – not an actual feature-film.
It’s a pretty-looking music video for sure, which is all thanks to director Max Joseph, but it doesn’t add anything to a movie/story that, quite frankly, needed all of the help it could get. No character’s ever really interesting; the plot doesn’t go anywhere surprising; and when all is said and done, we’re all of a sudden supposed to believe that this guy’s music is all that brilliant to begin with. If anything, it just adds an extra layer of annoyance to a genre that’s already getting to the brim of that.
Also, it makes me more and more anticipated for Disclosure’s next album.
And that’s pretty much all there is to this movie. While I know I sound like I’m being unbelievably and irrationally harsh, there’s hardly anything I can do about that. The movie acts as if it lives and breathes off of the energy that it gets fed by the crowd it’s playing to, but instead of actually offering anything exciting, it just uses the same old underdog story done before. Except, this time, it’s not a person who has all of the odds stacked against him, like cancer, or a family that he has to take care of, or whatever – he’s just not a big name yet in the DJ world.
Yes, it’s as entertaining to watch as it sounds, but the only one who actually brings anything at all to the table is Wes Bentley. Bentley has been here and there in the past couple of years, and while it’s not that I can say he’s lighting the world on fire like everybody thought he was once able of doing some many years ago, he’s still great here and steals just about every scene. Granted, in a movie as plainly-written as this, it’s not too hard, but Bentley invigorates this movie, as well as his character, with a certain amount of humor, fun, common sense, and most of all, heart, that makes me wish this movie was more about his James character, rather than about Zac Efron’s cliche Cole character. Of course, that would take a smaller-budget and release-plan, but hey, it’s a movie I would be more than happy to see and walk out of pleased.
So yeah, Hollywood, make that shit happen.
And Efron’s fine as he usually is, but here, I couldn’t help feeling as if he was going through the motions of sorts. That is, of course, difficult to say for someone as young as he is, but from what I’ve seen of Efron in far more interesting, challenging-roles, is that he can hang with the big boys when push comes to shove. He’s not afraid to go deeper and darker to depths that people couldn’t imagine him having and he seems to welcome it more than anything else, too. That’s why it was so disappointing to see him just go through one scene, after another, look as if he’s bored and has somewhere else to be.
Then again, he does get a chance to smooch that “Blurred Lines” chick, so life ain’t all that bad after all.
Consensus: Despite a lovely supporting performance from Wes Bentley, We Are Your Friends falls prey to being too conventional and uninteresting to suit its own well-intentions.
2.5 / 10