White People: the Movie.
Ben Whittaker (Robert De Niro) has come to a point in his long life where he has to make a decision: Either, sit around and enjoy his retirement, like most men his age do, or, continue to work whatever jobs he can to make something out of the rest of his life? Obviously, Ben goes with the later once he goes in for a meeting with a start-up, fashion-based e-commerce company, for the coveted role as the “senior intern”. Ben, as expected, gets the job and is then transferred over to being the main intern of the CEO, Jules (Anne Hathaway). where he basically does all the work she asks of him. This means that Ben does a lot of driving around, running errands, getting coffee, and just generally, being there for whenever Jules needs him. The two, through their time together, get along, get to know one another, and eventually, start to see how one another can learn from the other’s career. However, Jules’ professional life is starting to get in the way of her personal one and it’s up to Ben to help her get through it – that’s if, he even knows how to.
Like most of Nancy Meyers’ movies – there’s not much of a plot to go along with the Intern. Basically, we get an older-guy, thrown into a much younger, much quicker work-environment, where it’s up to him to see if he can still hang with today’s generation. That’s basically it. And if you’re like me, you’re already hitting your forehead with the palms of your hands thinking about all the cliches this movie most go through.
Oh wait, let me guess, because Ben is older, he doesn’t know how to technology? Or better yet, because he’s old, he doesn’t understand some of the slang that these young people around him are constantly coining every five-to-seven seconds? Or how about the character of Jules? Let me guess, she’s one of those workaholic types that’s an absolute pain in the ass to be around, but somehow, everybody still sticks with her because her company is just so goddamn successful? And because of this dedication to work, she’s also got a terrible and lonely personal life, with no one else to go home to except her cat Fiffy?
Well, thankfully, I was wrong.
See, Meyers decides to take this movie one step past all of the conventions we expect to get with these sorts of stories, and instead, give us something, although so incredibly happy, light, and pleasant that it’s practically sickening, more realistic and smart. Yes, the Intern is as sweet as a two-for-one deal at Krispy Kreme, but there’s a nice attention to these characters that Meyers presents and highlights as her strength; no longer do her characters feel as if they’re just acting all silly and wild for shit’s and gigs.
Now, her characters, especially with Ben and Jules, seem to be actual, living, breathing, loving, caring, and emotional human beings. Neither one, despite what they may seem like from a first gaze, are types; mostly, they’re just familiar characters that also happen to be very likable. And surrounding them, are even more likable characters that, although not getting the same amount of attention as the two leads, still add their own two cents to a story that, thankfully, includes them to begin with.
But really, this tale is about Ben and Jules and with good reason: They’re strong, well-defined, and have lovely, if somewhat complicated personalities.
Ben may be a bit more easy to enjoy being around than Jules, but even he sometimes seems like he could have some problems of his own. For one, he himself has to do deal with the fact that he is definitely getting up there in age and, in a decade or so, may not even be alive. So therefore, he sets out to actually make something of the time he has left on this Earth, as best as he can. I know this sounds so incredibly schmaltzy and corny, but trust me, there’s enough depth to go along with this character to make him, as well as the situations he gets thrown into, work.
Not to mention that De Niro is quite charming here, showing us a certain happiness we haven’t seen on the screen for quite some time. Of course, whenever he’s in a David O. Russell film, De Niro seems to be as dedicated to the craft as possible, but here, he seems like he’s settling in just nice with this role. However, he doesn’t seem like he’s being lazy or phoning it in at all; his character is just a genuinely laid-back dude who tries to approach everyday, as maybe his last. But he, nor the movie, is cloying about this aspect – you can just tell by the joyful expression placed on De Niro’s face throughout.
But really, this is Hathaway’s show to steal and she does wonders with her role as Jules Ostin, the boss of her own start-up company that may be growing to be something bigger, better, and more recognizable. From the beginning, it seems like Ostin’s going to be an incredibly difficult person to be around, let alone, work for, but as we soon see, she’s actually fine to be around. I don’t want to say she’s “lovely” or “great” to be around, because there are times when it seems like she’s strict and slightly mean, but then you remember: Oh wait, she’s the boss of this company. She’s the one who has to keep it running and in order to do so, she’s got to keep a tight ship. Sometimes, that means hurting a few people’s feelings and getting on with your day/life as if it never happened.
Basically, she’s every boss I never had. They were all terrible, evil human specimens.
But I digress.
Like I was saying before about Hathaway, she’s great with this character because shows certain shades and layers to this character that we might not have gotten in another film. That Jules genuinely seems to care about her company, her family, as well as her employees, makes it all the more reason to sympathize with her when she decides to choose one over the other, and then see what happens when she does make those decisions. Sometimes, the ball in his favor – other times, it is not. But always, Hathaway’s Jules stays relateable and above all else, human.
There’s a few scenes that highlight this, but there’s one important one that comes around the end, wherein Jules breaks down about what she wants out of life and how she’s absolutely terrified of it all falling apart. At times, the scene can be funny because of what she blurts out in a mostly serious way, but it’s all revealing and shows just what really goes on behind this character when she isn’t working all day and night. She, like you or I, wants a certain level of happiness and fulfillment in her life and she’ll do anything to make sure it happens – even if, at the same time, that means she loses other meaningful aspects of life. People who dislike Hathaway because of her off-screen personality, will hopefully wake up and realize that even though she may be a bit of a grating presence when she isn’t smiling for the cameras, still can act and work wonders when she wants to.
Consensus: With a smart direction and script from Nancy Meyers, the Intern is an incredibly sweet and charming tale that may be a bit too lovely, but still features character that feel like real people we could meet on the streets, or in the office.
7 / 10