If I was an immortal and looked like Vin Diesel, I’d have no complaints.
After striking up a fight with a witch a really long time ago, Kaulder (Vin Diesel) has now become something of an immortal witch-hunter. However, he only goes after the witches that are acting up and need a swift kick in the ass. Though Kaulder has been through it all in his over-extended life, he still finds ways to surround himself around friends that also serve as business-buddies, too. One such buddy is Father Dolan (Michael Caine), a local priest who finds the bad witches for Kaulder. The two have such a strong-bond that when Dolan turns up dead under mysterious circumstances, Kaulder can’t help but get to the bottom of it and see who is responsible. Eventually, this leads Kaulder to realizing that it’s a witch who is out to get him and will stop at nothing until she kills him once and for all. Kaulder is more than up to the task of taking this witch, head-on, however, he’ll need a little bit of assistance on the side from the likes of a fellow priest (Elijah Wood), and a trusted friend named Chloe (Rose Leslie), who apparently holds some neat powers that could come in handy.
Most people out there will say, and have already said, that the Last Witch Hunter is like playing a game of Dungeons & Dragons with Vin Diesel. While this is an appealing idea, I’m afraid, that this is nowhere near being the truth. For one, D&D is actually a fun game to not just play (once you get the hang of it), but to watch and be around (especially when those players seem to have such an undying passion and love for it). Also, seeing as how Diesel himself has, on countless occasions, professed his love for the game, it would make sense that he’d put his absolute heart and soul into making sure that this project of his own desire would turn out to be just as fun as the famous game he seems to be trying to use as a place-mat.
But sadly, none of this happens.
So, don’t get all mixed up with what certain people say, because the Last Witch Hunter is a bore from beginning to end. And while I’m usually one for this type of fantasy-genre where dudes with swords, go up against witches, dragons, and all sorts of other baddies, when it’s done right, the problem is that director Breck Eisner doesn’t seem to know how to do that type of movie. Instead, it’s just a hodgepodge of random genres that never seem to come together and instead, make everything just cling and clang together, without hardly any spark to be made.
What makes it even worse is that the story never seems to make any sense. Though we’re placed in a modern-day setting where witches, witch-hunters and priests all have some sort of underground world in which they combat with one another, the movie suddenly goes back into time and it comes as a total shock. But not a good one, I’m afraid – instead, it’s more of the kind that feels like the writer’s got all tired and bored with what they were doing, so rather than trying to come up with some new, fresh ideas to keep the story moving, they decided to throw time-travel in there for good measure.
Does it work? Not really. Does it add any excitement? Not even close.
And a movie that features witches, flaming-swords, and dragons, yet, isn’t exciting, is a damn shame. Although, what’s probably the smartest ploy that the marketing team for this movie has been able to create, is by having Vin Diesel appear in a Viking-ish look get-up, with a wild bear, over-sized fur-coat, and bad-ass sword. Not only does it promise some crazy, as well as awesome action where Vin’s kicking all sorts of witch-ass in the good old days, but also make it seem like that’s going to be the bulk of the movie.
The genius behind that all is, is, well, that’s hardly even 15 minutes of the film.
Instead, we’re treated to watching as Vin Diesel plays a character who has, apparently, been alive for centuries-on-end, witnessed so many traumatic, legendary moments in life, and seen many people come and go, yet, not really care about any of that at all. Mostly, he’s just a smooth-talker who bangs hot stewardesses, drives a sexy car, and says witty things, for some reason. You’d think that after all that he’s been through, that he’d at least be somewhat affected and screwed-up, but surprisingly, he isn’t; he’s just happy to be around, still screwing hot babes and all.
Which is a shame, because we know that Vin Diesel can work with better material, when it’s given to him. Say what you will, but Vin Diesel has some real charm to him that works in movies that call on him for it – the Last Witch Hunter is not that movie. He tries to make this Kaulder dude seem hip, cool and likable, but because the movie accompanying him is so lame and random, he doesn’t get much of a chance to make any of that work. More often than not, he just seems bored and without a friend to play with.
Everybody else, too, sadly, faces the same fate as Diesel does. Michael Caine gets maybe ten or so minutes here and does whatever he can; Elijah Wood seems like he wants to have fun with this role as a dorky priest, but is thrown to the background, so that shoddy-looking CGI can take over; and Rose Leslie, despite featuring some of that same, feisty spirit she had on Game of Thrones, also seems like she’s lost in a movie that’s not too concerned with how good of an actress she is, and just how well she can hold a reaction-shot. And if that’s all that acting requires, then anybody could have been in the Last Witch Hunter, let alone, the talented people who sadly got tied-up into this.
Consensus: On the surface, the Last Witch Hunter promises to be a fun, exciting schlock-fest, but once you get past that, it soon becomes clear that it’s nothing more than just a terribly-misguided, ugly-looking, and boring piece of fantasy that doesn’t deserve who it has in it.
2 / 10