Silly Americans: Always ruining elections.
During the 2002 Bolivian elections, politician Pedro Gallo (Joaquim de Almeida) was in desperate need of some help. His campaign wasn’t so succesful, he was made out to be a fool in the press, and basically, didn’t have a shot in hell of winning this election. So, in a pure act of desperation, he called upon the help of Jane Bodine (Sandra Bullock), a controversial figure within the political-campaign world because of how far and able she is willing to go to ensure that her candidate not only wins, but actually proves to be the one person everyone must trust, no matter what sort of shady facts may be lying in said person’s past. However, Jane is a bit of a mess; she’s not only battling depression, but also not very sociable and relies more on sitting off in corners, rather than giving her own two cents in when it’s so desperately needed. Now, to make matters even worse, Jane’s going up against political consultant Pat Candy (Billy Bob Thornton), a former confidante of hers who she has more than a few drops of bad blood. With Candy on the opposing side, Jane feels more dedicated and passionate than ever to winning this election, even if that does mean that she has to do a bit of soul-searching on her part to understand just what this election actually means to the Bolivian peoples.
Bald vs. Bold.
There’s something about Our Brand is Crisis that makes it so annoying to watch, which is that it thinks everything that it’s saying about how political elections are nothing more than just shameless, utterly ridiculous self-promotion and lying, is smart or new. Neither of which, it actually is, but nobody seemed to tell director David Gordon Green, writer Peter Straughan, or producers George Clooney and Grant Heslov. Like the latter two did with the Men Who Stare at Goats, they’re helping to produce a story that they think has some satirical bite, but in all honesty, just doesn’t.
Instead, it’s just boring, dull and most of all, predictable.
Which is a bit of a shame because it seems like there was some promise here. Granted, the fact that Green was attached should have already brought some interest in, but from what it seems like here, he’s doing nothing more than just a for-hire job, where he’s told to stay within the lines, never itch out, and always make sure that the audience knows what’s going on. Nothing here shows that Our Brand is Crisis is a David Gordon Green, which may work in his favor further down the road when he wants more people to forget about the types of mainstreams bombs he can sometimes produce, and focus more on his smaller, more indie-based flicks he came to prominence with.
You know, everything that the Sitter isn’t.
But still, it’s clear that from the very start, Green had no chance in hell of making this work. The script by Straughan is, for lack of a better word, unfunny. The movie thinks that pointing its finger at these characters and waving it around in a mocking way should bring laughs, but it doesn’t because nothing here is ever funny, nor is it ever well-done. The whole movie is supposed to be surrounding how desperate and willing this campaign team is to have their electoral win, so they stoop as low as they can get, but for some reason, the movie never seems to want to focus on that. Sure, we see Joaquim de Almeida do some foolish things to make himself look better and more approachable, but really, the movie is mostly focused in on this Jane character who isn’t really all that interesting to begin with.
“Oh my! Something interesting is calling!”
To be honest, nobody in this movie is ever actually interesting, per se, but at least they aren’t given as much of a full-dimensional arch as Jane is. Granted, Sandra Bullock is more than up to the task of making this character work and seem any bit of likable, but she just isn’t. There’s been a lot of talk about how this character was originally written for a man that, only until Sandie expressed interest, they decided to change the character up as well, which makes perfect sense. Had this role been filled with a man, there’d probably be less prat-falls, throwing up in trashcans, and random freak-outs – however, because there’s a woman in this role, and it just so happens to be Sandra Bullock, the movie feels the need to have her do all of these things, as if she’s in the third Miss Congeniality.
Not a, you know, supposedly smart and witty political satire.
It isn’t just Bullock who gets the shaft when it comes to actually being able to work with solid material worthy of her talents – in fact, there’s a whole, interesting supporting case to prove that. Anthony Mackie, as usual, is as charming as ever, but never feels like he matters enough to the story that when he suddenly becomes the ghost whisper to Bullock’s Jane, it’s random; Ann Dowd has a few fun scenes, but mostly, just sits around in the background; Billy Bob Thornton is acting like a dick here and that’s pretty much it; Joaquim de Almeida is given a lot to do, but at the same time, not really, because all he’s doing is presenting a character that we’re not supposed to know much about to begin with; Zoe Kazan does a lot of translating and speaking Spanish in a sort of dead-pan that made me miss Zooey Deschanel; and of all the rest, Scoot McNairy is probably the only one who gets the most laughs, if only because his character is played up for so much stupidity that it reminded me of Lacey from Pootie Tang.
And whenever a movie is able to make me think of Pootie Tang, I can’t be that mad.
Consensus: Considering the current political climate, it’s disappointing to see that not only does Our Brand is Crisis feature anything smart to say of political elections, but also isn’t all that funny or interesting, either, wasting a solid cast and crew who have better places to be.
3 / 10
Being hungover? Rom-com trope #72!
Photo’s Credit to: IMDB, AceShowbiz