Milly (Toni Collette) and Jess (Drew Barrymore) have been best friends for as long as they can remember. They were both there for each one’s first kiss, first bout with sex, and basically, everything else. So it would make sense that Jess is there for Milly when she gets diagnosed with breast-cancer, right? Well, yes, definitely. Problem is, Jess has a bit of a problem in her own life and it features getting pregnant with her husband (Paddy Considine) before heads-off for a few months to an oil rig. Still though, as hard as she might, she tries to be there for Milly, even while she’s going through this painful, and obviously scary time in her life. Because together, even though they may both be sad, they’re never lonely and find ways to make the other feel better; not just about themselves, but about life in general. That’s why when Milly starts acting-out in un-Milly-like ways, Jess is surprised and, at the same time, angry and doesn’t know what to do. Not to mention that, after many times of trying, she’s now pregnant and doesn’t want to tell Milly because she feel as if it might make her feel worse than she already does.
It’s obvious that Miss You Already’s intentions are good. Everything from the message, to the characters, to the plot-line, and hell, especially to the humor, everything about Miss You Already is so clearly not trying to offend anyone who has either had cancer, known someone else who has, or lost someone to it. Therefore, a lot of the promotion for Miss You Already, as well as many other “cancer comedies” (I hate using that phrase, but somehow, it’s become a thing), has been hiding the fact that the key character in this movie, does in fact have cancer. This isn’t because the producers and creators behind this flick are embarrassed because of it – but because they know that it’s very hard to sell a movie about cancer as is, let alone, a light-hearted one.
As I said though, Miss You Already has good intentions flying right out of itself, but at the end of the day, those good intentions aren’t used on anything except a bunch of a lame-gags that try to cover up the fact that this subject material is downright depressing.
And it’s not like the comedy aspect of telling cancer stories doesn’t work. Take 50/50 for instance – what that movie does so brilliantly is that it not only goes deep and dark with the terrible realities cancer provides, but also show that there’s some fun and humor to be had in the situation as well. However, that movie’s humor was more based on the actual characters themselves, their reactions and, in general, they’re day-to-day livings. Miss You Already is less subtle than this and instead, feels the need to endlessly barrage us with half-baked jokes because, well, they don’t want everything to be so serious.
Once again, I’m not saying that movies about cancer, should not at all feature comedy, but it does have to be done in the right way to where it feels necessary to telling the story; to just have it around as a way to break-up the tension, isn’t suitable. And the main problem with Miss You Already, is that it never actually realizes that it not only can get by on not having any comedy in it whatsoever, but actually isn’t all that funny, either. But because nobody ever finds this out, the movie feels more obnoxious, than actually heartfelt; for every sad character revelation, we get a scene or two dedicated to the characters yelling and shouting gibberish because, uhm, comedy?
I’m still not sure, but either way, it wasn’t working.
Which is to say that Drew Barrymore and Toni Collette’s on-screen chemistry, doesn’t work much, either. Collette, as usual, is clearly down for every journey this movie takes her and it works well in helping to develop this character. While it seems that early-on, the movie may try to hide away any fact that the person with cancer may actually be not the most perfect human being on the face of the planet, surprisingly, it doesn’t and much rather, shows just how selfish and sometimes manipulative Milly can be. This is where Collette’s performance works best, as we’re supposed to know that we should care and sympathize for her, but because she’s acting like a bit of an a-hole, it’s actually pretty hard.
Drew Barrymore, on the other hand, doesn’t quite fare as well on her own. For one, she seems oddly miscast; while the character she’s called onto play is supposed to be a sweet, sincere gal that cares for Milly and all those around her, for some reason, her own personality seems lost in the shuffle. I’m not saying that Barrymore can’t play this kind of role, but because it’s so limited to her just being “Milly’s friend”, it sort of feels like all of her development was left by the wayside because, well, one has cancer and she deserves the most attention. Nothing wrong with this, either, but considering that most of the flick is being told from Jess’ perspective, it’s rather difficult to ever care for her, or what she’s up to.
Due to this, Barrymore and Collette’s chemistry doesn’t work so well. It seems as if Miss You Already was literally the first time these two had met and rather than doing any sort of cooling-down, or ice-breaker for the two, director Catherine Hardwicke just decided to have them meet for the first time, on the set and act as if they were lifelong besties. Had these characters been the actual opposite, then that method probably would have worked, but whatever the method used here was, it doesn’t show any signs of helping because they never seem like best friends, nor do they actually seem as if they do any time relating to one another, or better yet, making us realize why they’re considered “best friends” to begin with. Most of the time they spend together, consists of Jess taking care of Milly and, occasionally, passing off an in-joke that nobody in the audience is ever supposed to understand.
Meaning, what’s the point of ever telling the joke to begin with? If we’re never going to get a chance to understand what the in-joke actually means, or where it comes from, then why the hell should we care?
Consensus: Miss You Already has its subject material’s best intentions at heart, but overall, seems like it’s trying so hard to be both, funny, as well as dramatic, that it loses any charm in the process that would have been vital to making the story hit harder.
5.5 / 10