Above ground is cool with me.
In August 2010, 33 Chilean miners, most of whom, were down-on-their-luck and needed the money the job provided, began work in the San José mine. Despite there being warning signs that the mine may not be all that stable and may, sooner than later, come toppling down, the owner of the mine turns his head the other and demands that work be done. Well, wouldn’t you know it? The mine ends up collapsing, leaving all 33 miners trapped and without any contact with the outside, or all that much food and/or water to keep them alive, well, and for the most part, sane. The miners’ families are all grief-stricken and want answers immediately; the same kind of answers that the shady mining company, aren’t willing to provide. Instead, everyone has to rely on the power, strength, and influence of the government who, through Minister Laurence Golborne (Rodrigo Santoro), decide to get the ball rolling on having a drill blast through the mine, to get the miners out and back with their families. However, while all of this is going on, the miners are starting to lose all sorts of hope and sanity, which, as expected, tends to lead to some very tense, albeit dangerous situations.
It’s very difficult to dislike a movie like the 33 because, like so many other flicks, has its heart in the right place. It seems to be telling this true tale as a dedication to those brave souls who stand up against all the odds stacked against them and persevere. In this case, the 2010 Chilean mining disaster is the true tale recreated for sentimental value and honestly, if you have no clue what happened, to whom or anything about it all, then you may walk away from the 33 learning something new about life and feeling fine with your day.
However, if you, like myself, were there watching the news to see everything play out then honestly, it’s all going to be a pretty tepid recreation of events that were a whole lot more emotional to watch on actual, live television.
Except this time, everyone’s speaking in English.
Why? Well, because it’s clear that the people behind the 33 knew beforehand that people weren’t going to head to see the movie, had it all been in Spanish. So instead of actually sticking to the natural dialect that mostly all of these people here would be speaking, the movie calls on all of its actors, some of which aren’t one bit Chilean, to do accents that start as being distracting and continue on as being such.
And this isn’t to say that the cast here don’t do solid jobs, despite the accents, because they all do. Everyone seems as if they’re putting their 100% effort into making this hackneyed script, despite all of its inherent problems, work, as well as trying to get our minds past the fact that such actors like Bob Gunton, Juliette Binoche, and Gabriel Byrne, are trying to do Chilean-accents. None of which ever actually work or are believable, but the movie’s insistence on hoping that audiences come out to see the flick, can get quite annoying, especially when it seems to get in the way of what should have been a very powerful tale told on the screen.
But one of the main problems with the 33 is that with the true story being so recent, hardly anything here is a surprise. That’s why when you’re watching as these Chilean miners are losing their hard-hats and trying to get out of the mountain, there’s hardly any tension. We know how it all ends, and really, it’s kind of hard to care; the movie itself also doesn’t help itself out by not really delving deeper into these characters and making their personalities jump off the screen so that we’re rooting for them more and more.
The only member of the cast who at least gets some time to shine as one of the miners is Antonio Banderas as Mario Sepúlveda. Because Mario in real life was so electric and fun, it’s no surprise that Banderas himself seems to have fun with the role and is therefore, able to allow for himself to break away from the rest of the group. Everyone of the other miners, in all honesty, I wasn’t able to tell apart, except for a few character-traits or just what they looked like.
The only exception to this was some dude named “the Bolivian”, and it was only because everybody else hated him.
For example, there’s an old guy, there’s a junkie who hates talking to his sister, there’s a guy who is going to be a father soon, there’s Lou Diamond Phillips playing some guy, there’s Oscar from the Office playing a guy with two wives, and last, but not least, there’s some dude who dresses up and sings like Elvis. There’s at least ten or more characters here that I haven’t even touched upon, but you get the picture; it’s hard to ever get a clear picture of who is who in the cave. And not just because it’s all dark and gloomy, but because none of them seem to have any actual personality-traits other than what’s on the surface.
Don’t get me wrong, the 33 is still a perfectly serviceable movie that you could most definitely take your grand-mom to. It’s inoffensive and despite a few sex jokes aimed at women, the movie doesn’t do much to really be playing for the more mature, adult crowd. What it wants to do is tell this story and leave it at that. While I wouldn’t say they did a perfect job at doing, there’s also the feeling that perhaps the movie wasn’t trying to achieve any sort of greatness. Maybe with it being Oscar season and all, I’m expecting so, so much more, but oh well.
Consensus: The 33 has plenty of distracting elements working in it (the miscast actors, the poor script), but is just okay enough that you’d watch it, not hate yourself, and then forget about it as soon as you left the theater. Taken into consideration, of course, that you didn’t already know the real story of the Chilean miners going in.
5 / 10