She hate me, she hate me not.
Jack Armstrong (Anthony Mackie) is a young, brash hotshot at a large biotech company that’s on the verge of creating a vaccine for AIDS. However, a whole swirl of controversy surrounds him and the company for supposed wrongdoings, when he’s the one who blows the whistle. Obviously, Jack’s bosses aren’t too happy about him opening his mouth, so they make him the one to take the fall, which the leads the government to look further and further into Jack’s life and freezing all of his accounts. This wouldn’t be much of a problem, however, Jack leads the life of a young, New York bachelor. So now, Jack needs some way to make any bit of cash he can find – that’s why when his ex-girlfriend (Kerry Washington), comes by with her girlfriend (Dania Ramirez), in desperate need of a sperm donor, he’s more than willing to accept the offer. But because Jack is so good at what he does, word has spread about him and now, every lesbian who wants to have a baby are hitting Jack up for sex. Of course, they give him money and all that, but really, what Jack wants, is a love in his life and some meaning.
Deep down inside the dark, fiery hells of She Hate Me, lies, believe it or not, a funny movie from Spike Lee. What with all the impregnating of lesbians and such, Lee finds a certain bit of energy that he’s utilized in practically every film, but actually seems to be having fun. There are some small points he seems to make about gender-politics and homosexuality, but really, none are too preachy to where they take over what Lee’s trying to do – basically, he’s setting out to make us laugh. It’s not the kind of Spike Lee we’re used to seeing, which is why She Hate Me, for a meager amount of time, feels like Lee’s funniest flick where, he doesn’t care about preaching or yelling at the audience, but instead, having them chuckle.
Then, it’s all downhill from there.
See, while a good portion of She Hate Me is about this young guy having sex and impregnating lesbians, there’s also another good portion of the movie that concerns itself with being about AIDS, about Congress, about big, Enron-like corporations that swallow-up the middleman and don’t take the blame, about the mafia, about sexuality, about Italians, about African Americans, about Caucasians, about racism, and well, so much more. Really, She Hate Me is packed to the gills with numerous subplots, ideas, themes, statements, and viewpoints that, after awhile, it all becomes tiring.
But I sort of liked that.
Spike Lee hasn’t always been known as the easiest director to follow or like; most of his films are preachy and one-sided, but are still, for the most part, compelling to watch and be apart of. While some may not agree with his general viewpoints on certain issues like race, sex, or class, there’s no denying that his movies are entertaining and get you thinking harder than most other film-makers. So what if Spike Lee creates a mess? If the mess is, at the very least, interesting and seems to want to say something, no matter how muddled it may be, then so let it be!
That’s why, no matter where She Hate Me goes, tries to say, or ends up, I wasn’t pissed. I was confused and a little befuddled, but I was never bored and there’s something to be happy about with that. While Lee could have made a drag of a movie that goes from sexuality-to-politics at the snap of his finger and not really done much with it, he does, at the very least, push it to its extreme limits where we can see where he’s going – we may not know why he’s going there, but hey, at least he’s keeping us watching. Once again, it may just be me who feels this way about She Hate Me, but I don’t care: A mess is a mess, no matter what.
But sometimes, it’s all a matter of just how well you dress that mess up to appear like something extraordinary or, better yet, smart.
And in the midst of all this havoc that Lee creates, Anthony Mackie does a great job as Jack Armstrong. Now, Mackie’s a force to be reckoned with and constantly shines in everything he shows up in; however, back in 2004, he wasn’t known for much (except for getting chewed the ‘eff out by B-Rabbit), but here, for what appears the first time, he gets a chance to show his range and just how well he can handle and adapt to Lee’s idiosyncratic style. Because there’s so many different flicks going on at once during She Hate Me, Mackie has to handle each and everyone with a certain level of believeability, as if this is in fact, the same character, going through all these sorts of different transformations and situations – all of which, Mackie does quite well with and actually comes out on top. Of course, there’s a very interesting movie to be made about what Jack’s life and romance, but Lee is less concerned with that at times.
This allows for the rest of the ensemble to show up and, in some ways, light the screen up just as much as Mackie, even if it seems like they may be showing up from the sets of other flicks. Kerry Washington is sexy and dangerous, both at the same time, but also has a nice bit of chemistry with Mackie; Dania Ramirez is sympathetic as her girlfriend who, despite wanting a baby and being a lesbian, is willing to have sex with a man, even if she doesn’t really want to; Ellen Barkin and Woody Harrelson are, oddly enough, hammy and over-the-top as Jack’s former bosses who get rid of him and seem every bit as detestable as Lee wants them to appear to be; John Turturro shows up as an Italian mob boss that has an interesting scene, but once again, appears literally out of nowhere and doesn’t seem to add much to the final product; and yeah, there’s plenty more where they come from. Everybody’s fine and trying to do what they can do, but really, they’re stuck trying to work within Spike Lee’s mind.
And what a crazy, but watchable one it is.
Consensus: Jumbled, odd, sometimes confusing, and always interesting, She Hate Me is the kind of mess we expect to see from Spike Lee, even if it does occasionally lapse into being one too many films for one movie.
6.5 / 10