What a dick, that Moby was.
Owen Chase (Chris Hemsworth) is the first mate of the Essex, a ship that’s set out for the sea where the crew on-board will go hunting whales for oil. While Chase is experienced and inspired enough to be the captain, due to political issues, he is not given that honor – instead, it’s given to George Pollard Jr. (Benjamin Walker), someone who is new to the sea and hasn’t ever captained a ship before. Regardless, Owen and the rest of the crew set out and while along the way, they discover a whale by the name of Moby Dick. Dick is not just huge, but actually quite violent and doesn’t appreciate the mates on this ship going around and spearing his fellow friends of the sea – therefore, Dick lets the crew have it. This leaves the crew, most of whom are awfully unexperienced, stranded and without any food, water, or possible resources to survive. This leads crew member to fend for themselves, start pointing the fingers, and, most of all, try to stay alive, by any means. Which, in this movie’s case, means a whole heck of a lot.
Moby’s got a lot on his plate when he’s going up against Thor…
Oh, and the whole story is being told to us through Brendan Gleeson’s character who, at a very young age (Tom Holland), was actually on the Essex and got to experience this all first-hand. Which, in all honesty, is a bit weird when you consider that Tom Holland is playing Brendan Gleeson, 19 years earlier; meaning that, the near-two decades that has passed, were some really rough and screwed-up ones. It doesn’t make much sense or seem all that logical, but I guess the idea is that, well, the dude saw some pretty screwed-up shit.
And that’s exactly what In the the Heart of the Sea is.
Most of the ads for the movie will have you thinking it’s just Thor taking on Moby Dick for at least two hours, but it’s actually a lot more different and slower than that. Instead, we get a tale that’s all about surviving at sea, and having to make some pretty rough, drastic decisions when push comes to shove and it becomes apparent that, well, you may be dead if you don’t, I don’t know, eat that person’s heart, or, I don’t know, stay on an island while everyone else is leaving searching for more help. Surprisingly, it’s a movie that’s more about human nature and how most humans act in situations that are as deadly and as scary as this.
Problem is, none of the characters in this situation, are actually ever interesting. What Ron Howard tries to do here is give us a small play-by-play of who these characters are, what they do, and just why exactly they may matter to the story. Hemsworth’s Chase is a noble, brave superhero that knows what decision to make at every step and is always down to tango with big whales; Walker’s Pollard Jr. is a bit cowardly, but also doesn’t want to be seen as just “another captain’s privileged son”; Holland’s Thomas Nickerson is such a rookie, that he can’t handle the sight or smell of whale guts and constantly seems to be heading towards for Chase for peer-to-student counsel; Cillian Murphy’s Matthew Joy, is Chase’s best buddy who, no matter what, always has a bottle of some sort of alcohol with him at all times, just in case; and Frank Dillane’s Owen Coffin is, well, just the asshole of the ship who, no matter what circumstance they’re in, always has the gull to open up his mouth and piss everyone off.
Basically, everyone here feels like they’re supposed to be a lot deeper than they actually are, but really, they’re just a bunch of stick-figures drawn onto a big boat and we’re left to watch as they suffer, get skinny, try to eat, grow big beards, stay dirty, and contemplate whether or not it’s time to call it a day and just die already. This all sounds like some pretty grim stuff, which it is, but it’s not really as involving as it should be, given the cast and crew involved. Hell, that cast alone is enough to get me all pumped-up, but the fact that Howard doesn’t really give them much, is a bit of a bummer.
….Abe Lincoln (the vampire hunting version)…
We know they can all do better, so why are they stuck here?
That isn’t to say that In the Heart of the Sea is bad, it’s just a tad disappointing. I’m perfectly fine with the movie being a whole lot slower and more melodic by focusing on what happens to these guys after Moby Dick comes in and ruins their lives, as well as their ship, but in order for it to really connect, it has to be, at the very least, heart-wrenching. There was never that feeling here and it was an issue that constantly plagued this film, no matter what interesting avenues it seemed like Howard was taking.
But really, whenever the movie is focusing on the boys of the ship taking on and, in a way, battling against Moby Dick, it’s enthralling, fun, unpredictable, and most of all, exciting. We don’t know where these bits of carnage are going to lead, who is going to perish, and just what the outcome of it all is going to be, so we sit there, watch and wait to see what happens. This is perhaps where the movie’s most impressive, as it’s not only frequently beautiful throughout, but clearly has a love for the sea that’s hard to ignore.
Not to mention that there’s actually something of a message deep down inside of this movie about hunting whales for oil and it’s a noble one, at the very least. Given that the movie may get a tad preachy by the end, I don’t want to jump into saying that this is, first and foremost, a “message movie”, but there is something here that Howard has to say and it isn’t terrible. It just goes on to say that sometimes, nature deserves to stay the way it is.
Screw with that and well, who knows? Nature may bite back.
Consensus: Given the talented cast on-board, In the Heart of the Sea should be a more grueling and compelling watch, but aside from the sheer beauty and excitement the film has whenever the whales show up, the movie never gets a chance to be.
6.5 / 10
….and most importantly, Peter Parker.
Photo’s Credit to: IMDB, AceShowbiz