Don’t worry, fellas: Girls definitely think about sex more than us.
You go through a lot when you’re 15 years old. For Minnie (Bel Powley), this is especially true. Not only is she going through that transitional period in her life where her boobs get bigger and her sex drive is becoming more and more heavy, she’s also now started hooking-up with her mom’s boyfriend, Monroe (Alexander Skarsgård). Although mommy (Kristen Wiig) doesn’t suspect a thing, Minnie and Monroe still want to keep it a secret enough so that they continue on to have fun, regardless of the serious consequences surrounding them. But considering that Minnie is still very young and has a life to live, she goes out searching for other men on her own. Sometimes, she finds winners, other times, she doesn’t. But most of the time, she always finds herself back into the illustrious, sexy arms of Monroe. Same goes for Monroe, who can’t seem to keep his eyes, as well as his penis away from Minnie, no matter how hard he tries to remember the fact that he’s with her mom. Regardless of all this though, Minnie’s just trying to get by in life, for the time being, and if that means having a little sex, then so be it. She’s just happy being herself.
We’ve seen this kind of coming-of-ager done before, but where the Diary of a Teenage Girl does service well to its source material is that it never, not for a single second, seems to judge its characters for behaving how they do, or being just who they are.
Case in point: Minnie.
Not only is Minnie your classic case of a teenage girl going through the process of womanhood, she’s also an understandable and relateable one, to both girls and boys. Minnie’s at that point in her life where’s seeing her body go through all of these sorts of transformations, understand the world around her a bit differently, and most of all, be horny basically all of the time. She acts out in some devious ways, however, no matter how far she goes with her sexuality, writer/director Marielle Heller never makes the false step in judging her.
And as Minnie, Bel Powley does a wonderful job, not only being able to show us the frustration that can go through this woman’s mind as she’s coming to terms with everything in and around her, but also the delight. Right from the very beginning, when she has sex, you can tell that there’s a certain bright glow and charm to Powley that’s not hard to love or enjoy; after awhile, that same glow and charm starts to win you over, even if the character of Minnie herself, seems to make some tricky decisions throughout. Which isn’t to say that it’s bad for a girl to act-out sexually, but when it’s with your mother’s boyfriend, who also happens to be a bit of a self-destructive being in his own right, well then, some judgement is deserved.
But once again, the movie never does any of the judgment and instead, allows her to be herself.
This goes for the rest of the cast and crew. Wiig’s mother character isn’t seen as a mean, cruel and despicable woman who is mean to those who love and surround her – if anything, she’s more sad. She’s still getting over a divorce and taking control of her life, but also knows that she’s getting older and losing out on options she once had in her life. It’s a tender performance that we don’t tend to see from Wiig, yet, it still works all the same.
Same goes for Skarsgård who, in the past few or so years, has proven himself to be quite the acting-talent, when given the right material to roll with. Sure, he was hot and sexy on True Blood, but that show didn’t really allow for there to be any semblance of subtlety or humanity, however, with movies like Melancholia, What Maisie Knew, and the East, he’s shown that he’s gotten a knack for taking certain characters, and showing that there’s more to them that just meets the eyes. At first glance, Monroe may seem like a total and complete loser, 70’s porn-‘stache and everything, but really, you start to feel a bit of sympathy. Whether or not he actually has feelings for Minnie is left up in the air, but the slight possibility that he does remain in the air and it’s what keeps him, at most, a compelling character.
Oh and as for the movie itself? Yeah, it’s still pretty good.
However, in today’s day and age, it’s really hard to figure out a way to make coming-of-age themes really resonant or change anybody’s life, considering that almost everything’s been said, in all sorts of ways. That’s not to say that the Diary of a Teenage Girl doesn’t find some interesting avenues to look down to uncover what it means to be a kid going through their own sexual transformation, it’s just that a lot of it’s been done, said, and studied for so long, that if you aren’t bringing anything and everything to the table, then sometimes, yeah, it won’t hit as hard.
Still, what the movie has to say is fine enough, which is that being going through puberty can, more often than not, suck. You’ll go through all sorts of changes that you don’t see coming, your emotions will go from dead to electric in the span of a minute, and your mind will probably be thinking way too many things at one time that you’d want it to, but the fact that you’re still kind of a kid, makes it somewhat okay. The world’s not depending on you just yet, so have sex, drink, smoke, party, and have a good time, because sooner or later, before you know it, life is going to come a callin’, and it’s going to be up to you to see whether you answer it, or leave it at the door.
The choose is up to you, but for now, enjoy the party.
Consensus: The Diary of a Teenage Girl deals with familiar themes within the coming-of-age genre, but also finds ways to unravel heart, humanity, and most of all, humor within them, especially due to solid cast.
7 / 10
Photos Courtesy of: Aceshowbiz