Take this in your pipe and smoke it, Batman. Or any other superhero.
After a surgery to cure his cancer botches, Wade Wilson (Ryan Reynolds) is left brutally burned, chewed-up, left for dead and downright ugly. However, what the person who did all of this to Wade didn’t take into consideration was that he’d live to see another day and most importantly, his girlfriend Vanessa Carlysle (Morena Baccarin) and now not only wants to get his life back in order, but also wants revenge on the son-of-a-bitch who basically ruined his life. That’s why it’s Wade’s sole mission to track down and find Francis (Ed Skrein), the evil doctor who also has a sidekick of his own, Angel Dust (Gina Carano), someone who can kick ass, take names and chew toothpicks as if she’s Sly Stallone. But now that Wade realizes that he’ll almost never, ever come close to dying, he can now use his skills and talents for the greater good of society, or just to kill a whole bunch of bad people that want him and his girlfriend dead and not really worry about anyone, or anything else that may be in any particular danger.
Finally, after so very long, a Deadpool movie has come around and released for the whole world to see and, well, believe it or not, it’s actually pretty amazing. Though, to be honest, I didn’t know much about Deadpool to begin with, other than that he was supposed to be really funny and cool, like he sort of was in X-Men Origins: Wolverine, but that was about it. So yeah, I’ll admit that the fanboy train for this didn’t really connect with me, until I eventually realized what it was: The superhero movie to end all superhero movies.
What Deadpool, the character as well as the movie, sets out to do is take the overly-familiar and, dare I say it, sometimes boring superhero genre that’s all too popular and conventional by now, and not just flip it on its side, but slap its ass, spit on its face, twists its arm, flip the bird at it, and end all of this pain on a lovely little one-liner for good measure. It’s basically the kind of superhero movie that Guardians of the Galaxy was, but instead of working within the confines of being a weird, but also appropriate superhero movie for all people of all ages, Deadpool clearly doesn’t give a flyin’ hoot about any of that, or anything. All it wants to do is tell its story, while also remind you just about every single second that you are indeed watching a movie, where really good-looking, talented actors are acting, everyone is getting paid (except for you), and it’s not exactly equipped with the biggest budget, so there’s obviously going to be less stars and big-names here and instead, just the cast it was able to fit in.
And you know what? I loved almost every second of what it was doing.
Not only is Deadpool funny in an incredibly subversive, overly meta way, but it also doesn’t forget about what makes itself a good movie in the first place. Sure, poking fun at the constructions of a superhero movie, as well as a movie in general is fine and all, but if you’re not giving me a good story in the meantime, then forget about all of your jokes. However, Deadpool, once again, the character, as well as the movie, wants to have its cake, eat it, and still have room for seconds, and it surprisingly works. While Deadpool himself will take time out of the movie to turn towards the camera, address the audience and tell everybody that “this is where the backstory begins”, what he’s also doing is introducing us to a solid, well-told story that, wouldn’t you know it, you get interested and compelled by.
Though Deadpool isn’t really working with any groundbreaking material in terms of its story, it’s a more jaded-version of Frankenstein, the movie still gives it its all and allows us to not just feel something for the characters involved, but the central love story that’s supposed to allow for this movie live and breathe. While it would have been easy to have the film be all about Ryan Reynolds and Morena Baccarin, two very good-looking people, meet cute, have sex, fall in love and leave it at that without any further questions asked, the movie takes it one step further and actually shows how screwed-up and weird they are respectively, that when they come together, it’s like peanut butter and jelly.
Of course that peanut butter and jelly was probably left out in the open far too long, with flies on top of it and mold growing on it, but hey, you can still make a sandwich with it and sometimes, the sandwich is all you need.
It doesn’t matter the quality of the ingredients, but as long as you have it and you can see it as a sandwich, then yeah, it’s fine.
That’s why Deadpool, deep down inside, as we’re told, is really a “love” story. It’s not trying to make any profound statement about the human heart, but rather, just giving us a believable romance between two people who not only have great chemistry, but really do feel like they could be together in a universe as weird and twisted as this. Baccarin is given a strong female character that goes beyond being the damsel in distress, can think and take care of herself, whereas Reynolds, as Deadpool/Wade Wilson is, well, perfection.
Sure, it was the role he was born to play, but it’s so much more than that. So often, whenever we see Reynolds show up in a movie, he’s depended on as being the wise-cracking, quick-witted comic-relief, and that’s about it. We’ve seen certain shadings of just what he can do as an actor before, but never to the furthest extent to where we’ve been like, “Wow. That Ryan Reynolds can sure as hell act.” He’s been good in movies before, but with Deadpool he gets to do so much and it’s just a pleasure to see him having the greatest time of his life. He’s not just a funny guy, but a smart one who we’re able to get behind, even when he does some reprehensible things throughout.
But yeah, he’s not the only one that Deadpool is all about, as there’s plenty more characters to shake a stick at and, believe it or not, they’re all pretty fun to be around that I wish I got more of them. T.J. Miller is, as the opening credits show, “the comedic-relief” and every scene he has, isn’t just funny, but really weird and off-kilter, just as the movie asks for; Ed Skrein, despite not being all that much to write home about in the Transporter reboot, is mean and unlikable as Francis, the villain, and it’s everything he needed to be; same goes for Gina Carano’s Angel Dust who is bad-ass; Stefan Kapičić as Colossus has more personality to him than you’d expect, even though he does always go on about being a “hero”; and Brianna Hildebrand, as Negasonic Teenage Warhead, is basically just another mopey, soft-spoken millennial, but she’s fun about it and seems to have a nice rapport with Deadpool, which makes her worth caring about.
But really, it’s all about Deadpool and why shouldn’t it be? He’s finally getting his own movie and it’s a pretty great one at that, so good for him and everybody else!
Consensus: A very hard R, but with good reason, Deadpool isn’t just hilariously subversive, but also features a solid superhero origin tale that we can get behind, even when it seems more concerned with commenting on movies and actors and all of that fun meta stuff.
9 / 10
Photos Courtesy of: Aceshowbiz