Note to self: Keep Coca-Cola cans away from possible sex-deviants.
In 1991, President George H. W. Bush nominated Clarence Thomas (Wendell Pierce) for the Supreme Court of the United States to replace Thurgood Marshall, who was getting ready for retirement. This decision was ultimately met with loads and loads of controversy, with some seeing it as a racial issue, with others just seeing Thomas as not the right guy for the job. One person who ultimately didn’t give it another thought, until she was brought back into it all, was Anita Hill (Kerry Washington). Hill worked as a secretary for Thomas some few years back and while she had certain issues with him, she never bothered telling the press or anything. What she wanted to do was keep it to herself, keep her job, and just live a simple, quiet life, teaching the law to college kids. However, once the word gets out that Hill will be making a statement against Thomas for sexual harassment, the press lights up, accusing her, as well as him for all sorts of things. There’s a whole bunch of players at work with the case, but the one most importantly is Joe Biden (Greg Kinnear) who, at the time, was working as Senate Judiciary Committee chairman, and also struggles with calling every decision right down the middle, and also remembering not to tarnish the good name of the United States of America.
There’s no denying the importance of the Anita Hill-Clarence Thomas hearings. While Hill herself lost the hearings and was basically held out to dry by all of her fellow colleagues and confidantes, there’s no denying that, after the fact, it spearheaded a movement in which more women, and especially those of color, testifying to sexual harassment issues and were granted positions of power that they deserved. And in today’s day and age, nearly 25 years later, the case is still relevant to a lot of the issues what women most go through, not just in the workforce, but in general.
But for some reason, Confirmation is hardly important. If anything, it’s just an overdone, overcooked, well-acted, and dramatic re-telling of the events that transpired within and around the Anita Hill hearings – the kind that HBO are most known for creating. While I’m all for Anita Hill getting the attention she deserves, what’s interesting is that Confirmation doesn’t just focus the story on her, but instead, decide to look elsewhere.
Perhaps most surprisingly is that it actually asks us to somewhat sympathize with someone like Clarence Thomas.
And in Confirmation, it’s clear that Thomas may have been possibly attacked out of nowhere and wrongly. After all, it’s not Anita Hill herself who comes forth with the story of her and Thomas, but instead, it’s government agencies wanting dig up some dirt on Thomas himself and figure out if they can bury him as soon as possible, or keep him around and gain respect. In a way, you could make the argument that Thomas was randomly attacked, but at the same time, there’s no denying that Thomas did something wrong, in that he sexually harassed an employee of his.
I don’t care which way you paint it, but there’s no way I’m going to sympathize with someone like that.
But Thomas isn’t the only one who gets an unfavorable light shined on him. Another famous political figure here is Joe Biden, as played by Greg Kinnear, and while it initially seems like the movie is going to take a surprisingly hard-headed approach to him, the movie decides to back out of that original plan. Instead of showing Biden to bit of a coward during the hearings (which, if you watch the footage, he was), the movie tries to show him as just a puppet, who’s strings were pulled and prodded by some very powerful puppeteers. Honestly, this may be at least some bit of the truth, but there’s no denying the fact that Biden, at this point in time, acted in an unprofessional and despicable manner, and to not put a greater focus on that fact, almost seems like the creators making an apology for him, if only because they support him now.
All political issues aside, it doesn’t matter – Biden, as well as everyone else surrounding him, acted in a wrongful manner. And yes, this is exactly what Confirmation shows, in an over-sensationalized way and manner – aka, the kind that HBO has always been known for doing and can, on occasion, really work well with. The issue here is that a lot of what would be interesting and thought-provoking about this case, these people and what transpired, instead just seems like a point-by-point coverage. With something like the People vs. O.J. Simpson, we’re not just getting a retelling of the case and all of the people involved with it, but were also getting a closer, more detailed look inside the lives and instances that actually occurred.
Here, with Confirmation, it just seems like something you’d be able to hear through a power point presentation.
Sure, having a stacked and well-acted cast like this is definitely appealing and allows for some of these people to appear more than just famous figures, but does it really matter when all you’re doing is just using them as points? Everybody here does their thing, but nobody’s ever really allowed to rise beyond the material, especially considering that a lot of it is just covering certain bases that many people already know about.
If anything, just watch the documentary Anita. It paints a better portrait of the woman, the case and everybody else involved with this travesty.
Consensus: Despite a solid cast, Confirmation can’t help but feel like a dramatic retelling of a story most of us know by now, but with barely any new, or interesting avenues taken.
5.5 / 10
Photos Courtesy of: Indiewire