Every guy’s got that one ex-girlfriend who looks like Kristen Bell and ruined their lives.
Peter Bretter (Jason Segel) isn’t doing much with his life, really. Sure, he’s got TV star Sarah Marshall (Kristen Bell), as a girlfriend, but really, he just sits around the house, eating a crap-ton of cereal, getting on the piano, and slowly writing his opera to Dracula. Eventually, all of this laziness catches up to him when Sarah dumps him for rock star and pop-sensation Aldous Snow (Russell Brand). Heartbroken and without any clue as to what to do with his life, Peter decides to say screw it all and go vacation in Hawaii. After all, it’s nice, relaxing and just an all around great environment to be in, even though, when he gets there, he discovers that Sarah and Aldous are at the same resort of him, as lovey-dovey as they can possibly get. Though he automatically regrets the decision he makes, a clerk at the resort (Mila Kunis) gets Peter to stay and just enjoy the time he’s got. And yes, that’s exactly what Peter does, even if it does seem to be with her an awful lot. But still, there’s a part of Peter that no matter how hard he tries, he still can’t get over Sarah.
You’ve got to hand it to Jason Segel for laying it all out there, literally and figuratively. Forgetting Sarah Marshall was his baby from the first stroke of the pen and it only makes greater sense that he’d be the star of it, and it actually works in the movie’s favor. Segel’s got this everyman feel to him that makes him not only likable, but downright sympathetic, even when it seems like he’s making dumb decisions, time after time again. Then again, the idea here is that because he’s so heart-broken and torn-up, he makes bad decisions by accident, not knowing what else to do.
Once again, this aspect works because it’s relatable and smart, without ever trying to be too much of, either.
At its core, Forgetting Sarah Marshall is another Apatow-lite comedy where people riff on random things for the sake of it, but this time, there’s more of a story to it all, with this one being that Segel’s character needs to get over his ex. Sure, it’s not much of a story, but it’s at least something to hold together all of the sticky pieces of improv that, yes, can occasionally bring out small, brilliant gems of comedic genius, but other times, can seem as if they’re just going on far too long and not really adding much of anything. Sure, a five-minute bit about champagne is fine and all, so long as it’s funny, but does it really need to be here?
Can it be substituted for something else more pertinent to the story? Or, can it just be taken out altogether?
The only reason I bring any of this up is because Forgetting Sarah Marshall is nearly two hours and can certainly feel like it. While we’re in the dawn and age where it’s virtually impossible that any movie, let alone a big-budgeted, mainstream comedy will be under two hours, there’s still something to be said for a movie when its short, but sweet and tight enough to where you don’t feel like you’re strained by the end. And no, I am not saying I was “strained” by Forgetting Sarah Marshall‘s end, but more like I was left with a lot of laughs, a rag-tag story that tried to hold everything together, and a better understanding that as long as you find another attractive person to kiss and bang, don’t worry, you’ll get over that attractive person you used to kiss and bang.
Okay, maybe it’s not nearly that cynical, but you get my drift: The message is as simple as they come, but it still works because the feeling of heartbreak is, unfortunately, for so many out there, universal. Everyone’s experienced it at least once in their life, whether they like to admit it or not, and even though the film likes to poke jokes at the idea of not being able to function in society after a break-up, it’s still very much a reality. Sometimes, the world around you just doesn’t make perfect sense, but because you know you have to be happy and move on, even if you don’t feel it at all, you still have to push yourself further and further to get to that point. Segel flirts with this idea and while he doesn’t fully go for it all, he still brings it up in a way that made me think it was more than just your average studio-comedy.
Because, yes, despite the wonderfully wacky, but charming performances from the likes of Kristen Bell, Mila Kunis, Russell Brand, Jonah Hill, and of course, Paul Rudd, amongst many others, the fact that Forgetting Sarah Marshall addresses sadness, love, heartbreak, and the feeling of remorse in an honest, but funny way, made me think of it a lot differently than I used to. Segel may or may not be working through some demons with this work here, but whatever the case is, his heart shines through and it’s nice to see someone take their script as passionately as it should be taken as.
It doesn’t always happen, but when it does, it’s a blast to watch.
Consensus: In need of a trim or two, Forgetting Sarah Marshall can definitely feel a tad overlong, but still benefits from lovely and funny performances from the whole cast, as well as a smart script that goes beyond what you expect a studio comedy to be all about, even if it totally turns into that.
7.5 / 10
Photos Courtesy of: Aceshowbiz