If it don’t fit, equit. Or something of that nature, right?
On a late night in 1963, black activist Medgar Evers (James Pickens Jr.) was gunned-down and killed in front of the hotel where his family was staying. While each and every sign of evidence pointed to the self-proclaimed racist Byron De La Beckwith (James Woods), somehow, he got off with barely even a slap on the wrist. Obviously, African Americans were up in arms over the decision, but also knew that they had no chance of winning it again, due to a completely racist court and jury system at the time. Many years later, Medgar’s late wife (Whoopi Goldberg) is shipping her case around to any firm that will listen to her and take her issue seriously. Some obviously don’t, but one person who does is Bobby DeLaughter (Alec Baldwin), an assistant District Attorney, who happens to be married into a very racist family. However, despite the unpopularity of the case, DeLaughter takes it on and experiences all sorts of issues in the process. But no matter how bad or heinous it may get, he’s inspired and passionate enough to know that he’s got one job and that’s to gain some sort of vengeance fro Medgar Evers. Even if that does mean risking his own career to do so.
Just another simple night, sitting around and watching TV with the fam.
What really hits the hardest at-home about Ghosts of Mississippi, is about how so much of it seems and feels relevant to today and what’s going on out there with racial relations in society. Without going on for too long and ranting, let’s just put it like this: Racial travesties like what happened to Medgar Evers, still happens to this very day and it’s the government itself who seems more than willing to try and cover everything up.
However, regardless of if you choose to look at the movie with a modern eye or not, there’s no denying that Ghosts of Mississippi deals with some racial issues that aren’t just still around today, but more than likely help to make the case for “not much has changed”. Black and white people still can’t get along; there’s still a clear divide of injustices; and there’s still cops out there killing black people, and not getting locked away for it. Ghosts of Mississippi was clearly released way before all of these issues became front-and-center news for every news outlet, but it still holds a certain bit of relevance to everything that’s going on out there in the world and the kind of equality we’re all still fighting for.
Anyway, there. That’s all the preaching you’re going to get.
But despite its great relevance, Ghosts of Mississippi isn’t always a great movie; Rob Reiner is a smart director, but here, he decides to play it less than subtle and doesn’t always make the best decisions, from a narrative-perspective. For one, the movie is nearly two-and-a-half-hours long and the only reason it feels like it, is because a solid portion of it is spent on Baldwin’s lawyer character. This is fine, because yes, he was the main lawyer in the case and, in a way, the main heart and soul of this story, but I feel like Reiner went a bit overboard with this character. When it becomes clear that DeLaughter will be single due to the case he’s taking on, the movie decides to introduce a new female character that he can flirt, fall in love with, and marry eventually.
While yes, this probably happened in real life, the fact that it literally takes up at least 20 or so minutes of the film, without showing or telling us anything new about this DeLaughter character that we didn’t already know from the first half-hour, gets to be a bit bothersome. More time could have clearly been dedicated to DeLaughter looking further and further into the case, as well as Goldberg’s Myrlie Evers. Both Baldwin and Goldberg are good in these roles and give them a lot to work with, even if it can sometimes feel like they’re limited to doing anything more.
That Alec Baldwin – always the liberal in the room.
But really, the character I wanted to see more and know about, was James Woods’ Byron De La Beckwith – one of the more despicable human beings in film history.
While it’s hard to make the case for a character who is so clearly evil, despicable and guilty of every bad thing he has ever been accused of in the history of his life, there’s something about the way Woods plays him that makes him interesting to watch. Sure, he can go a tad over-the-top and crazy with this character, but maybe, just maybe that’s how he was in real life? Maybe he did go on TV and pronounce his hatred for black people, regardless of the fact that he was in the midst of being accused of killing one some many odd years ago? Or, maybe he didn’t?
I don’t know, honestly. There’s a lot about this story that seems fishy and not all that believable, but whenever Woods was on the screen, I stopped caring. He’s s mean and nasty, that you almost wonder if Woods can take it any further, until you realize that, well, yes – yes, he can.
Which isn’t to say that he sort of steals this movie, but at the same time, yeah, he kind of does. The message at the center is still clear and heard, if a tad obvious, but Reiner gets by solely on a case that keeps us interested, even when it’s clear where it’s going to go, who is going to win, who is going to lose, and just what lessons about life and race relations are going to be learned.
As it turns out, none whatsoever. Which is makes Ghosts of Mississippi, unfortunately, something of a tragedy.
Consensus: Ghosts of Mississippi doesn’t always keep itself interesting, but with a solid cast and relevant themes about race and society, it hits pretty hard.
6 / 10
Evil, everyone! Evil!
Photos Courtesy of: And So It Begins, Jonathan Rosenbaum