Eh. I’m fine with the apocalypse after all.
Taking place exactly ten years after the events that occurred in Days of Futures Past, the X-Men have now all found themselves enjoying some idea of lives of luxury. While they are still mutants with miraculous powers and looked at as “weirdos who can’t be trusted in a normal, civilized world”, they still get by solely through depending on one another’s good will. Professor X (James McAvoy) is still teaching classes, Mystique (Jennifer Lawrence) is trying to keep the peace among the mutants and humans, Magneto (Michael Fassbender) now lives a comfortable life out in the woods of Serbia, where he has a wife, kid, and a solid job where nobody knows a single thing about him or his checkered past. So yeah, for awhile, it seems like everything’s all fine and dandy for the X-Men, until, after decades upon decades of sleeping, a powerful mutant by the name of Apocalypse (Oscar Isaac) wakes up and plans on destroying the world with some of the most ferocious and powerful mutants out there who haven’t already been taken in by Xavier. This means that a battle between two sides of good and evil is about to occur, and who chooses which side is totally up in the air.
He’s still a cool hipster-kind of guy.
Bryan Singer clearly loves the X-Men stories and it’s one of the main reasons why he’s been able to not only keep his career alive, but even their own stories. Even when Origins came in and seemed to destroy the franchise for good, he came back to help, and give everyone their favorite mutants that nobody knew that they loved and/or missed. He not only found a way to make their plight a sad and sympathetic one, but to also make their adventures actually interesting to watch and play out, especially when they’re all putting their mutant powers to the test.
And now, with Apocalypse, his fourth X-Men movie to-date, it appears that Singer may have run out of things to actually say about all of these mutants and what makes them tick. While I don’t think it’s necessarily his fault, it’s also hard to wonder where to take this story and these characters next; sure, you can give them plenty more evil-doers to go head-to-head with, but after awhile, it can just become conventional. And also, when all of your drama is about each and everyone of these characters just sitting around and moping about how “the rest of the world doesn’t accept them”, it can get a bit tiring.
So why tell these stories anymore?
Well, obviously, it’s all for money. They still make a pretty penny at the box office and it probably won’t change any time soon, however, I can’t help but think a similar superhero movie like Civil War, where it’s clear that there’s a lot going on, with so many different people, and yet, it all comes together so damn smoothly, will make ones like these pale in comparison. After all, Singer is taking on a whole lot of different plot threads, with a whole lot of characters to deal with and develop over a near two-and-a-half-hour run-time, so it would only make sense that he take care in making sure each and everyone gets their due, right?
Surprisingly, Singer doesn’t quite do this. In a way, it appears that there’s many characters with something to do or say, that after awhile, he just cobbles them all up together, and relies solely on the talented cast’s presence to pick up the pieces whenever they can. It’s not a bad idea, especially when you have such a great cast to work with like this, but there’s also that feeling that Singer doesn’t quite know how to develop this story anymore and just seems to be going through the motions.
We get plenty of action and most of it’s good, but when there’s no heart or emotion surrounding it, does any of it matter? It’s hard to imagine an X-Men universe without some of the core characters and actors that made the original franchise so damn appealing and iconic, but unfortunately, the creative team has set it all up that way. We won’t get many more glimpses of Hugh Jackman, Halle Berry, Patrick Stewart, Ian McKellan, and even Anna Paquin – instead, we’ll just get more and more of James McAvoy, Michael Fassbender, Jennifer Lawrence, Rose Byrne, Evan Peters, Kodi Smit-McPhee, Tye Sheridan, Nicholas Hoult, and Sophie Turner.
Everyone’s favorite New Wave cover band.
Is this necessarily a bad thing? Of course not.
In fact, that cast is so good, I’m honestly surprised that I didn’t care more for these characters once it was all said and done. But that’s the issue with Apocalypse – there’s so much going on, with so many people around and about, that no one person gets enough to do or make a case for why they exist. We’ve got so many great actors here and ready to play, yet, the material’s just not there; it’s all focused on building this villain and this predictable conclusion that will lead to the goodies, facing off against him.
And as the baddie, yes, Oscar Isaac gets to have some fun. However, because he’s so covered and hidden underneath all of that make-up, it really feels like a waste of a good actor. He gets to act all sorts of evil, what with his powers and all, but really, there’s not much else to him; all he wants to do is destroy the world because, well, why not? It’s so typical and it seems like a missed-opportunity for having someone as good as Isaac in a main role. Same goes for Olivia Munn, who literally shows up for pure sex-appeal, is given nothing to do and is expected to be an interesting character for future installments to come.
There will definitely be future installments people, but know this: They have to get better.
They just have to.
Consensus: With so much going on, Apocalypse becomes a mess that Bryan Singer tries so desperately to save, but only gets by because of a good cast and solid-looking action. But in a year of already two great superhero movies, it’s going to take a lot for this franchise to make its presence felt.
6 / 10
“Hey guys! If we look close enough, we may be able to see more superhero movies coming very, very soon!”
Photos Courtesy of: Indiewire