Save the world. Save the robots. Get off your rumps.
It’s been nearly 700 years and yep, us humans have destroyed the planet we all loved and called “home”: Earth. After years and years of negligence and laziness, Earth has become nothing more than just one huge, ever-expanding trashcan. But where have all the humans gone? Well, somewhere up in the sky, they’ve all retreated to a paradise of sorts, sitting down on their lazy butts, getting fatter and fatter as the days go by, eating and drinking everything that comes in their way, and being able to move around, solely by a chair. But while they’re all enjoying the heck out of their fat lives up in the sky, trash compactors are left on Earth to clean up their mess and make life on Earth sustainable again. However, it appears as if all of the trash became too much for the trash compactors, as only one still exists and seems to be working: Wall-E. And yes, being all alone on Earth can definitely be a problem for a little robot like Wall-E, who wants nothing more than some sort of love in his life. Eventually though, he gets that in the form of Eve, a robot sent down from the paradise-in-the-sky who may, or may not have sinister intentions for Earth, the human existence, or even Wall-E himself.
But don’t tell him that! That boy is smitten!
Anyway, yeah, Wall-E‘s another typical Pixar home-run, in that it makes you laugh, it makes you cry, it makes you think, and it makes you happy and absolutely proud that there’s still a small part of you that’s still a child. You may work a typical, 9-to-5, have a wife, kids, dog, car, and drink beer, but deep down inside, you’re still a six-year-old kid who wants to hold his mommy’s hand when he gets sad. Or then again, maybe you’re not that at all.
Either way, you get my point: Pixar has been working with this formula for as long as they’ve been around and guess what? Wall-E is no different.
But there’s a little something more to it that makes it worthwhile in the long-run.
You can tell that director Andrew Stanton definitely has a huge affinity for silent films, as well as the classics of yesteryear, in how he appreciates the simplistic messages of love they spout-out, and also likes how they all rely on an emotion and tone, told solely through the way everything looks. Automatically, when you’re thrown into this new and desecrated Earth, there’s already this sad, lonely and depressed feeling when watching Wall-E, all by his lonesome, do nothing but clean-up, watch old movies, long for someone to hold hands with, and have conversations with a invincible grasshopper. Then, all of a sudden, Eve comes in and everything seems a lot more goofy, joyous and believe it or not, hopeful. Yeah sure, the Earth is close to being nearly destroyed, but hey, at least these two robots found their possible soul-mates, right?
Well, that’s why Stanton’s direction is so smart here; he does a lot without telling us anything us, but rather, just showing us everything we need to know. Eve talks in perfect, Siri-like English, whereas Wall-E barely makes sense and for some reason, it’s better that way; hearing these two speak to one another isn’t the point of this flick, or even their romance. In all honesty, it’s all about the raw and sweet emotions that the feeling of love, or that idea of being connected with someone out there in the world can make you feel. Sure, call it maybe a tad too serious for a Pixar movie, but hey, what can I say?
This is the kind of stuff that gets me going.
Of course, about halfway through, the movie’s tone changes from carefree and pleasant to, of course, more convoluted, tense and plot-heavy, but for some reason, it still works. It definitely shouldn’t – the change is so drastic, that it almost feels like the powers at be got to Stanton and had him get things going – but where the movie goes without itself after this switch is interesting. It certainly does become an obvious farce, but it’s a funny one that drives home its environmental message as well as it could have, without totally pointing and wagging its finger in your face.
Okay, maybe the movie is trying to tell us humans to “stop leaving your trash everywhere and sitting on your rumps all day”, but still, is that not supposed to be something we should hear? I mean, heck, I’m sitting down now as we speak and I already feel like I’ve got to get up and do something with my life. Wall-E knows that it has a story and a plot to work with, aside from all the gooey and heartfelt emotions running throughout, but the mix-and-match between both sides gels so well together that, honestly, I’m shocked.
But at the end, Wall-E still takes itself all the way home.
While it definitely gets a tad bit lost in some odd and relatively annoying political shenanigans involving Fred Willard (!) as the President of the United States (!!!), Stanton is still able to bring us back to where we were at in the beginning: Wall-E searching for that one and special someone to sit down and watch movies and hold hands with. It will bring a tear to your eye the right way and it will remind you that true love does and can most definitely exist.
Even if the true love does exist between two robots in a post-apocalyptic future version of Earth.
Consensus: Fun, hilarious, smart and tender, without ever feeling like it’s trying too hard to be any of them, Wall-E drives home an environmental message that matters, while also not forgetting about what really makes a great family flick for everyone in-mind.
9 / 10