Wow. Vampires may be cool again.
Leah (Leila George) is in college and, not surprisingly, a lot is happening to her – some good, as well as some bad, although it may not originally appear as that. After much training and working, Leah finally gets the lead in her school’s take on Macbeth, alongside a fellow acting enthusiast Pearl (Emily Meade). The two are cast in the lead roles by their director (James Franco), who not only sees it as a ballsy move on his part, but a revolutionary one, as well. Leah and Pearl, while initially awkward and not quite sure of how to approach one another turn out to, surprisingly, fall in love. Leah is ecstatic about this new point in her life, as well as is Pearl, however, the later’s holding a little secret to herself that may make, or break the relationship in one fell swoop: She’s a vampire. And yes, in order for Pearl to live, she has to suck on human’s blood – something that she feels Leah won’t be down with and, well, how could you blame her? It’s only a matter of time though before Pearl tells Leah just what’s up with her and they can figure out just where to go from there, if anywhere at all.
Lifetime is surprisingly getting better and better as we speak. While they’ve been on the butt-end of every bad joke for the past two decades or so, in the past few years, they’ve actually shown themselves to be quite able of producing quality material. Sure, their other TV shows that aren’t UnReal don’t really do much, but the fact that it has a show as good as UnReal on in the first place, ought to tell you something. And heck, even their movies, although sometimes way too silly for their own good, are still okay enough to surprise even someone like me.
That said, does that make them invincible? Nope, not really. That’s why a movie like Mother, May I Sleep with Danger?, while obviously trying to piggy-back off of the odd success of last year’s fun A Deadly Adoption, still earns points because it’s better than what you’d expect from a network such as Lifetime. After all, it appears like the movies they produce are mostly just done because they’re fun, over-the-top, and slightly serious flicks that only got off the ground in the first place because A-list actors and talent wanted to do something exciting with their off-time.
And with James Franco, Mother, May I Sleep with Danger? gets a lot of help from the fact that it’s a bit schlocky and silly, yet, at the same time, better than you’d expect.
It can definitely be silly whenever it wants to; the fact that it never stops bringing up various points about vampire movies and the way they use their sex to express themes about humanity, while all appearing in a movie where vampires exist and use sex to express something about who they are, is never hidden. But that’s okay. The movie never tries to be all too serious to the point of where people watching it will miss the point of what it’s trying to do, nor does it ever get so crazy that you forget it has any sort of story, or message in the first place.
It’s just another Lifetime, after-school special that just so happens to be “okay”.
Obviously, it’s hard to expect this out of every Lifetime movie made from here on out, but what’s so interesting about this flick is that it does try to do something neat with its characters and its cooky plot. While you can definitely take the idea that these outcasts are in fact “vampires”, you could also look at it in another way, in how the movie tries to represent that as homosexuality; something that nobody really comes out in this movie and deems as “bad”, but some people don’t feel comfortable with, even despite the fact that this is the year 2016.
Case in point, Tori Spelling’s Julie, the mother of Leah, who obviously has a hard time coping with the new information that her daughter may, shockingly, be a lesbian. Her character isn’t against the reality, but doesn’t seem to expect it, or if anything, understand it. She’s an old-fashioned mother who should have probably been played by Dianne Wiest or Diane Keaton, and not a much younger Spelling, but hey, it brings up some interesting ideas nonetheless. The odd thing about Spelling is that she’s perfect for this role, however, for a much different, far more wild movie; she’s constantly showing up and camping it up, when everyone else seems to be playing it straight-laced and serious. While you could chalk this up to be her just being a bad actress, honestly, I feel as if she’s okay when given something to work with (the House of Yes), which means that her work here shouldn’t be taken as a negative – just as something that doesn’t work here, but would totally work in something else.
Like, I don’t know, say the original flick.
Anyway, the rest of the cast from Spelling is fine, too. Leila George is bright and spunky as Leah, a young woman who seems to be making that transition into adulthood, where she starts to learn a bit more about herself, as well as what she wants, as time goes by in this confusing, but ultimately beneficial time; Emily Meade has impressed me in the past and here, she does a good job as Pearl, someone we’re never too sure of, which works for her character; and James Franco, despite making it out to appear as if he’s in the thing the whole time, he actually only shows up every so often, looking as smug and as delighted as can be with whatever is going on here and honestly, that’s all we need from Franco, right?
Especially in something that’s made-for-TV and, above all, on Lifetime.
Consensus: Though it constantly battles itself between whether it wants to be serious at all, or just wacky and wild, Mother, May I Sleep with Danger? still works because it’s entertaining and way better than you’d ever expect a Lifetime movie to ever be,e specially given the plot-synopsis.
6 / 10
Photos Courtesy of: Indiewire