Stop getting lost, you damn fish!
Nearly one year after finding Nemo and returning him home safely, Dory (Ellen DeGeneras) and Marlon (Albert Brooks) have figured out a way to stay close to one another, where they can always be there for each other, just in case something goes awry again. And because of Dory’s short-term memory-loss, this means a whole lot, what with her always wandering off, never having a clue of where she’s at, or even what she’s doing. At first, it’s just small things that Dory gets mixed up with, but one day, she somehow gets lost in the ocean, leading her to some sort of aquarium where she encounters all sorts of lovely and colorful characters of the sea. But while Dory’s there, she begins to remember that she accidentally left home when she was young and is now just remembering that her parents may be looking for her. So Dory does whatever she can to find her parents, while seeming to forget everything that’s happening and relying on the help and kindness of former friends she knew when she was younger, as well as a new pal, the crabby octopus Hank (Ed O’Neill).
I hate to say it, but I wasn’t expecting much from Finding Dory. Say what you will about the original and how good it is, but compared to a lot of other Pixar flicks, it’s probably the weakest of “the very best” (which may sound silly and like a non-complaint, but does mean something when you compare almost all of the Pixar movies side-by-side), and not to mention that a movie that literally substitutes “Nemo”, for “Dory” and features, yet again, a lost fish in need of being found and saved, already sounds boring, unoriginal, and most of all, unneeded. If anything, I was expecting another Cars 2.
Which is why I can say that I’ve come out Finding Dory more than pleased to announce that it’s way better than I expected and yes, another home-run for Pixar.
In fact, it may be better than Finding Nemo.
I know, shocking, right? Well, the reason why Dory works a little better than Nemo is because the groundwork has already been laid-out and it would have been easy for everyone involved here to just rehash the same story again, without any bit of excitement or freshness added to the proceedings. But somehow, Finding Dory finds neat, creative and interesting avenues, peaks and valleys to tell its story, without ever seeming like its hitting the same beats the original did – even if, yes, it totally is. Where as any other sequel would have just done the typical thing that most sequels do to popular flicks (more of everything that made the original so charming), Dory changes certain things up; it not only introduces new characters that absolutely rival the lovely ones of the first, but also adds on a new setting that goes beyond and out of the sea, but it’s a welcome change-of-pace.
And this obviously all to say that Dory‘s story is pretty damn exciting; once we get the idea that Dory loses her train-of-thought/memory about every minute or so, the movie plays out like a G-rated Memento of sorts, with her asking people certain things that may help her quest out a bit more and also, thinking long and hard about where she came from and what’s next. It’s actually pretty fun to watch and it’s absolutely difficult not to get wrapped-up in all the excitement and anticipation, watching and waiting for Dory to reach her destination. And with that destination, we’re never too sure what’s at the end for her; while every other movie of this nature that makes it abundantly clear that their adventure will turn out good and give everyone a happy ending, the way Finding Dory is structured, makes you believe that possibly, quite possibly, Dory may not reach the goal that she wants.
She may complete her journey, but she may not get what she wants and honestly, that’s the one main reason why Finding Dory moves at such a great pace, that it almost never slows up.
If there are times that it does, it’s only to give us more backstory on certain characters, as well as Dory’s own life. And because this is her own solo movie, Dory gets a whole lot of attention here that really works and makes us feel for her a whole lot more; while a whole movie dedicated to her character, I must admit, had me feeling as if she was going to be grating the whole time, actually works in hindsight. The movie shows us that Dory’s story is a sad one and though she is indeed a fish, you could take her story and place it in a human’s life, and it would still hit hard. Pixar movies work best when they have you relating to their inanimate characters and here, Dory hits a real sweet spot that I didn’t expect to see coming.
That said, Dory’s not the only character worthy of attention here. In fact, it’s Ed O’Neill’s Hank character that just about steals the show, making his one-dimensional grump of an octopus, actually come-off as a sweet, endearing and sympathetic figure, even when it seems like he’s acting out in pure self-interest. Of course, Albert Brooks is here as Marlon, but he’s pushed to the back of sorts, so that DeGeneras and Dory can get all of the attention and it’s fine, but honestly, I kept coming back to Hank and had that feeling that we may, sooner or later, be seeing Finding Hank sooner or later.
Hopefully sooner, than later, and not another thirteen year wait like we had with this one.
Consensus: Heartfelt, emotional, compelling and above all, exciting, Finding Dory finds a fresh new voice in this well-worn story, making it a Pixar classic and better than the first.
9 / 10
Photos Courtesy of: Indiewire