Walking around all day with a bomb strapped across your chest would probably already feel like death.
Lifelong friends, Said and Khaled (Kais Nashef and Ali Suliman) lead a normal life, working together in a garage and never discussing politics or religion. Having sometime ago volunteered to become suicide bombers they now learn that they’ve been chosen for the next mission and that it will begin in only 24 hours.
Being that this is a terribly touchy subject, not many people feel the need to even go out there and give this film a shot because it tries to humanize people who do terribly heinous things. Is there a problem with that? No, not really. But the problem would be to not give this film a chance it so rightfully deserves in my mind.
Director Hany Abu-Assad does something different with this type of subject material that will get in anybody’s mind because he does one thing that nobody ever wants to hear or see: Sympathy for suicide bombers. Now, don’t get me wrong, those people who strap bombs to their chest just so they can blow it up (along with themselves) in crowded areas full of soldiers, innocents, and civilians are not the people we should feel totally sorry for. But, this film does show us that these people are still human beings none the less, and they all have the same types of decisions and consequences that we have as well, it’s just different in a way.
That’s what’s interesting about Abu-Assad’s direction, as he paints a portrait of two kids that we don’t really think we would be able to stand in a film like this, yet, he somehow gets us to feel sympathy for them even when it seems like they have no remorse or no care for the pain they are about to cause. These kids don’t really know what they’re about to do, until it finally comes up and then they are sort of left wondering just what the hell they wanted to do in the first place. We see that these two guys believe in violence for freedom, but then, that starts to change once they wonder that maybe, just maybe, all of the problems that these two sides are fighting about, could be resolved in many other, different ways rather than just going around and blowing yourselves up. It provides a lot of food for thought as it makes you see why these kids think the way they do in the first place, and then why they all of a sudden start to change their minds once they are actually confronted with the idea of death staring them right in the face.
You would think that a film that seems so pro-Palestinian would almost be unwatchable, especially if you’re an American, but that’s not really the case. The movie isn’t “pro” or “anti”, it’s just “human”. It takes the life of these humans first and foremost, beyond anything else resembling politics or institutions. The movie itself doesn’t seem to have a problem asking us the hard questions and allowing for there to be actual answers left in the air. It’s risky film-making, especially for subject material as troubling as this, but it works all the same.
Why more film-makers can’t bother to do this is beyond me.
Perhaps where this film really falters is in it’s writing that sometimes comes off as very smart and insightful, but also seems a bit too dramatic. There are moments that occur in the latter half of the film, where certain characters start to break into long montages that don’t really seem like they would happen in real life, regardless of the situation. There’s one point where a character is literally just sitting down, starts talking about his dad, goes on about his childhood, and somehow ends up circling it all around to what he thinks is right and what he thinks is wrong about Palestine. It could have been a great and very memorable scene had it actually rang a true note at all.
But other than that, the rest of the film is quite fine. The most powerful aspect of this movie are the two performances given by Kais Nashef and Ali Suliman who both play the friends that have to go through with this whole suicide bombing. Both performances keep you on the edge of your seat because they both show you a lot about how they are, how they change, and what they may, or may not do next. There’s a great amount integrity to them that makes them seem like guys who really want to do this and believe in what they are doing, but then they all of a sudden start to have reservations and you see a bit of an innocent, scared side to them as you would probably see through any human being put in the same situation as them. They are both perfect together, and have a nice chemistry that feels like they’ve been life-long buds and it’s heart-breaking to think that these guys have all lived their lives together and are planning to end their lives that way as well, except they’re under a lot darker stipulations now.
Consensus: Paradise Now may be a difficult film, in terms of subject material, as well as presentation, but it gets by on the heart and humanity of its script, and emotional performances from its two leads.
8.5 / 10